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                              1869

                        WAR AND PEACE

                       by Leo Tolstoy


                       BOOK ONE: 1805


CHAPTER I


"Well, Prince, so Genoa and Lucca are now just family estates of the
Buonapartes. But I warn you, if you don't tell me that this means war,
if you still try to defend the infamies and horrors perpetrated by
that Antichrist- I really believe he is Antichrist- I will have
nothing more to do with you and you are no longer my friend, no longer
my 'faithful slave,' as you call yourself! But how do you do? I see
I have frightened you- sit down and tell me all the news."

It was in July, 1805, and the speaker was the well-known Anna
Pavlovna Scherer, maid of honor and favorite of the Empress Marya
Fedorovna. With these words she greeted Prince Vasili Kuragin, a man
of high rank and importance, who was the first to arrive at her
reception. Anna Pavlovna had had a cough for some days. She was, as
she said, suffering from la grippe; grippe being then a new word in
St. Petersburg, used only by the elite.

All her invitations without exception, written in French, and
delivered by a scarlet-liveried footman that morning, ran as follows:

"If you have nothing better to do, Count [or Prince], and if the
prospect of spending an evening with a poor invalid is not too
terrible, I shall be very charmed to see you tonight between 7 and 10-
Annette Scherer."

"Heavens! what a virulent attack!" replied the prince, not in the
least disconcerted by this reception. He had just entered, wearing
an embroidered court uniform, knee breeches, and shoes, and had
stars on his breast and a serene expression on his flat face. He spoke
in that refined French in which our grandfathers not only spoke but
thought, and with the gentle, patronizing intonation natural to a
man of importance who had grown old in society and at court. He went
up to Anna Pavlovna, kissed her hand, presenting to her his bald,
scented, and shining head, and complacently seated himself on the
sofa.

"First of all, dear friend, tell me how you are. Set your friend's
mind at rest," said he without altering his tone, beneath the
politeness and affected sympathy of which indifference and even
irony could be discerned.

"Can one be well while suffering morally? Can one be calm in times
like these if one has any feeling?" said Anna Pavlovna. "You are
staying the whole evening, I hope?"

"And the fete at the English ambassador's? Today is Wednesday. I
must put in an appearance there," said the prince. "My daughter is
coming for me to take me there."

"I thought today's fete had been canceled. I confess all these
festivities and fireworks are becoming wearisome."

"If they had known that you wished it, the entertainment would
have been put off," said the prince, who, like a wound-up clock, by
force of habit said things he did not even wish to be believed.

"Don't tease! Well, and what has been decided about Novosiltsev's
dispatch? You know everything."

"What can one say about it?" replied the prince in a cold,
listless tone. "What has been decided? They have decided that
Buonaparte has burnt his boats, and I believe that we are ready to
burn ours."

Prince Vasili always spoke languidly, like an actor repeating a
stale part. Anna Pavlovna Scherer on the contrary, despite her forty
years, overflowed with animation and impulsiveness. To be an
enthusiast had become her social vocation and, sometimes even when she
did not feel like it, she became enthusiastic in order not to
disappoint the expectations of those who knew her. The subdued smile
which, though it did not suit her faded features, always played
round her lips expressed, as in a spoiled child, a continual
consciousness of her charming defect, which she neither wished, nor
could, nor considered it necessary, to correct.

In the midst of a conversation on political matters Anna Pavlovna
burst out:

"Oh, don't speak to me of Austria. Perhaps I don't understand
things, but Austria never has wished, and does not wish, for war.
She is betraying us! Russia alone must save Europe. Our gracious
sovereign recognizes his high vocation and will be true to it. That is
the one thing I have faith in! Our good and wonderful sovereign has to
perform the noblest role on earth, and he is so virtuous and noble
that God will not forsake him. He will fulfill his vocation and
crush the hydra of revolution, which has become more terrible than
ever in the person of this murderer and villain! We alone must
avenge the blood of the just one.... Whom, I ask you, can we rely
on?... England with her commercial spirit will not and cannot
understand the Emperor Alexander's loftiness of soul. She has
refused to evacuate Malta. She wanted to find, and still seeks, some
secret motive in our actions. What answer did Novosiltsev get? None.
The English have not understood and cannot understand the
self-abnegation of our Emperor who wants nothing for himself, but only
desires the good of mankind. And what have they promised? Nothing! And
what little they have promised they will not perform! Prussia has
always declared that Buonaparte is invincible, and that all Europe
is powerless before him.... And I don't believe a word that Hardenburg
says, or Haugwitz either. This famous Prussian neutrality is just a
trap. I have faith only in God and the lofty destiny of our adored
monarch. He will save Europe!"

She suddenly paused, smiling at her own impetuosity.

"I think," said the prince with a smile, "that if you had been
sent instead of our dear Wintzingerode you would have captured the
King of Prussia's consent by assault. You are so eloquent. Will you
give me a cup of tea?"

"In a moment. A propos," she added, becoming calm again, "I am
expecting two very interesting men tonight, le Vicomte de Mortemart,
who is connected with the Montmorencys through the Rohans, one of
the best French families. He is one of the genuine emigres, the good
ones. And also the Abbe Morio. Do you know that profound thinker? He
has been received by the Emperor. Had you heard?"

"I shall be delighted to meet them," said the prince. "But tell me,"
he added with studied carelessness as if it had only just occurred
to him, though the question he was about to ask was the chief motive
of his visit, "is it true that the Dowager Empress wants Baron Funke
to be appointed first secretary at Vienna? The baron by all accounts
is a poor creature."

Prince Vasili wished to obtain this post for his son, but others
were trying through the Dowager Empress Marya Fedorovna to secure it
for the baron.

Anna Pavlovna almost closed her eyes to indicate that neither she
nor anyone else had a right to criticize what the Empress desired or
was pleased with.

"Baron Funke has been recommended to the Dowager Empress by her
sister," was all she said, in a dry and mournful tone.

As she named the Empress, Anna Pavlovna's face suddenly assumed an
expression of profound and sincere devotion and respect mingled with
sadness, and this occurred every time she mentioned her illustrious
patroness. She added that Her Majesty had deigned to show Baron
Funke beaucoup d'estime, and again her face clouded over with sadness.

The prince was silent and looked indifferent. But, with the
womanly and courtierlike quickness and tact habitual to her, Anna
Pavlovna wished both to rebuke him (for daring to speak he had done of
a man recommended to the Empress) and at the same time to console him,
so she said:

"Now about your family. Do you know that since your daughter came
out everyone has been enraptured by her? They say she is amazingly
beautiful."

The prince bowed to signify his respect and gratitude.

"I often think," she continued after a short pause, drawing nearer
to the prince and smiling amiably at him as if to show that
political and social topics were ended and the time had come for
intimate conversation- "I often think how unfairly sometimes the
joys of life are distributed. Why has fate given you two such splendid
children? I don't speak of Anatole, your youngest. I don't like
him," she added in a tone admitting of no rejoinder and raising her
eyebrows. "Two such charming children. And really you appreciate
them less than anyone, and so you don't deserve to have them."

And she smiled her ecstatic smile.

"I can't help it," said the prince. "Lavater would have said I
lack the bump of paternity."

"Don't joke; I mean to have a serious talk with you. Do you know I
am dissatisfied with your younger son? Between ourselves" (and her
face assumed its melancholy expression), "he was mentioned at Her
Majesty's and you were pitied...."

The prince answered nothing, but she looked at him significantly,
awaiting a reply. He frowned.

"What would you have me do?" he said at last. "You know I did all
a father could for their education, and they have both turned out
fools. Hippolyte is at least a quiet fool, but Anatole is an active
one. That is the only difference between them." He said this smiling
in a way more natural and animated than usual, so that the wrinkles
round his mouth very clearly revealed something unexpectedly coarse
and unpleasant.

"And why are children born to such men as you? If you were not a
father there would be nothing I could reproach you with," said Anna
Pavlovna, looking up pensively.

"I am your faithful slave and to you alone I can confess that my
children are the bane of my life. It is the cross I have to bear. That
is how I explain it to myself. It can't be helped!"

He said no more, but expressed his resignation to cruel fate by a
gesture. Anna Pavlovna meditated.

"Have you never thought of marrying your prodigal son Anatole?"
she asked. "They say old maids have a mania for matchmaking, and
though I don't feel that weakness in myself as yet,I know a little
person who is very unhappy with her father. She is a relation of
yours, Princess Mary Bolkonskaya."

Prince Vasili did not reply, though, with the quickness of memory
and perception befitting a man of the world, he indicated by a
movement of the head that he was considering this information.

"Do you know," he said at last, evidently unable to check the sad
current of his thoughts, "that Anatole is costing me forty thousand
rubles a year? And," he went on after a pause, "what will it be in
five years, if he goes on like this?" Presently he added: "That's what
we fathers have to put up with.... Is this princess of yours rich?"

"Her father is very rich and stingy. He lives in the country. He
is the well-known Prince Bolkonski who had to retire from the army
under the late Emperor, and was nicknamed 'the King of Prussia.' He is
very clever but eccentric, and a bore. The poor girl is very
unhappy. She has a brother; I think you know him, he married Lise
Meinen lately. He is an aide-de-camp of Kutuzov's and will be here
tonight."

"Listen, dear Annette," said the prince, suddenly taking Anna
Pavlovna's hand and for some reason drawing it downwards. "Arrange
that affair for me and I shall always be your most devoted slave-
slafe wigh an f, as a village elder of mine writes in his reports. She
is rich and of good family and that's all I want."

And with the familiarity and easy grace peculiar to him, he raised
the maid of honor's hand to his lips, kissed it, and swung it to and
fro as he lay back in his armchair, looking in another direction.

"Attendez," said Anna Pavlovna, reflecting, "I'll speak to Lise,
young Bolkonski's wife, this very evening, and perhaps the thing can
be arranged. It shall be on your family's behalf that I'll start my
apprenticeship as old maid."


CHAPTER II


Anna Pavlovna's drawing room was gradually filling. The highest
Petersburg society was assembled there: people differing widely in age
and character but alike in the social circle to which they belonged.
Prince Vasili's daughter, the beautiful Helene, came to take her
father to the ambassador's entertainment; she wore a ball dress and
her badge as maid of honor. The youthful little Princess
Bolkonskaya, known as la femme la plus seduisante de Petersbourg,* was
also there. She had been married during the previous winter, and being
pregnant did not go to any large gatherings, but only to small
receptions. Prince Vasili's son, Hippolyte, had come with Mortemart,
whom he introduced. The Abbe Morio and many others had also come.


*The most fascinating woman in Petersburg.


To each new arrival Anna Pavlovna said, "You have not yet seen my
aunt," or "You do not know my aunt?" and very gravely conducted him or
her to a little old lady, wearing large bows of ribbon in her cap, who
had come sailing in from another room as soon as the guests began to
arrive; and slowly turning her eyes from the visitor to her aunt, Anna
Pavlovna mentioned each one's name and then left them.

Each visitor performed the ceremony of greeting this old aunt whom
not one of them knew, not one of them wanted to know, and not one of
them cared about; Anna Pavlovna observed these greetings with mournful
and solemn interest and silent approval. The aunt spoke to each of
them in the same words, about their health and her own, and the health
of Her Majesty, "who, thank God, was better today." And each
visitor, though politeness prevented his showing impatience, left
the old woman with a sense of relief at having performed a vexatious
duty and did not return to her the whole evening.

The young Princess Bolkonskaya had brought some work in a
gold-embroidered velvet bag. Her pretty little upper lip, on which a
delicate dark down was just perceptible, was too short for her
teeth, but it lifted all the more sweetly, and was especially charming
when she occasionally drew it down to meet the lower lip. As is always
the case with a thoroughly attractive woman, her defect- the shortness
of her upper lip and her half-open mouth- seemed to be her own special
and peculiar form of beauty. Everyone brightened at the sight of
this pretty young woman, so soon to become a mother, so full of life
and health, and carrying her burden so lightly. Old men and dull
dispirited young ones who looked at her, after being in her company
and talking to her a little while, felt as if they too were
becoming, like her, full of life and health. All who talked to her,
and at each word saw her bright smile and the constant gleam of her
white teeth, thought that they were in a specially amiable mood that
day.

The little princess went round the table with quick, short,
swaying steps, her workbag on her arm, and gaily spreading out her
dress sat down on a sofa near the silver samovar, as if all she was
doing was a pleasure to herself and to all around her. "I have brought
my work," said she in French, displaying her bag and addressing all
present. "Mind, Annette, I hope you have not played a wicked trick
on me," she added, turning to her hostess. "You wrote that it was to
be quite a small reception, and just see how badly I am dressed."
And she spread out her arms to show her short-waisted, lace-trimmed,
dainty gray dress, girdled with a broad ribbon just below the breast.

"Soyez tranquille, Lise, you will always be prettier than anyone
else," replied Anna Pavlovna.

"You know," said the princess in the same tone of voice and still in
French, turning to a general, "my husband is deserting me? He is going
to get himself killed. Tell me what this wretched war is for?" she
added, addressing Prince Vasili, and without waiting for an answer she
turned to speak to his daughter, the beautiful Helene.

"What a delightful woman this little princess is!" said Prince
Vasili to Anna Pavlovna.

One of the next arrivals was a stout, heavily built young man with
close-cropped hair, spectacles, the light-colored breeches fashionable
at that time, a very high ruffle, and a brown dress coat. This stout
young man was an illegitimate son of Count Bezukhov, a well-known
grandee of Catherine's time who now lay dying in Moscow. The young man
had not yet entered either the military or civil service, as he had
only just returned from abroad where he had been educated, and this
was his first appearance in society. Anna Pavlovna greeted him with
the nod she accorded to the lowest hierarchy in her drawing room.
But in spite of this lowest-grade greeting, a look of anxiety and
fear, as at the sight of something too large and unsuited to the
place, came over her face when she saw Pierre enter. Though he was
certainly rather bigger than the other men in the room, her anxiety
could only have reference to the clever though shy, but observant
and natural, expression which distinguished him from everyone else
in that drawing room.

"It is very good of you, Monsieur Pierre, to come and visit a poor
invalid," said Anna Pavlovna, exchanging an alarmed glance with her
aunt as she conducted him to her.

Pierre murmured something unintelligible, and continued to look
round as if in search of something. On his way to the aunt he bowed to
the little princess with a pleased smile, as to an intimate
acquaintance.

Anna Pavlovna's alarm was justified, for Pierre turned away from the
aunt without waiting to hear her speech about Her Majesty's health.
Anna Pavlovna in dismay detained him with the words: "Do you know
the Abbe Morio? He is a most interesting man."

"Yes, I have heard of his scheme for perpetual peace, and it is very
interesting but hardly feasible."

"You think so?" rejoined Anna Pavlovna in order to say something and
get away to attend to her duties as hostess. But Pierre now
committed a reverse act of impoliteness. First he had left a lady
before she had finished speaking to him, and now he continued to speak
to another who wished to get away. With his head bent, and his big
feet spread apart, he began explaining his reasons for thinking the
abbe's plan chimerical.

"We will talk of it later," said Anna Pavlovna with a smile.

And having got rid of this young man who did not know how to behave,
she resumed her duties as hostess and continued to listen and watch,
ready to help at any point where the conversation might happen to
flag. As the foreman of a spinning mill, when he has set the hands
to work, goes round and notices here a spindle that has stopped or
there one that creaks or makes more noise than it should, and
hastens to check the machine or set it in proper motion, so Anna
Pavlovna moved about her drawing room, approaching now a silent, now a
too-noisy group, and by a word or slight rearrangement kept the
conversational machine in steady, proper, and regular motion. But amid
these cares her anxiety about Pierre was evident. She kept an
anxious watch on him when he approached the group round Mortemart to
listen to what was being said there, and again when he passed to
another group whose center was the abbe.

Pierre had been educated abroad, and this reception at Anna
Pavlovna's was the first he had attended in Russia. He knew that all
the intellectual lights of Petersburg were gathered there and, like
a child in a toyshop, did not know which way to look, afraid of
missing any clever conversation that was to be heard. Seeing the
self-confident and refined expression on the faces of those present he
was always expecting to hear something very profound. At last he
came up to Morio. Here the conversation seemed interesting and he
stood waiting for an opportunity to express his own views, as young
people are fond of doing.


CHAPTER III


Anna Pavlovna's reception was in full swing. The spindles hummed
steadily and ceaselessly on all sides. With the exception of the aunt,
beside whom sat only one elderly lady, who with her thin careworn face
was rather out of place in this brilliant society, the whole company
had settled into three groups. One, chiefly masculine, had formed
round the abbe. Another, of young people, was grouped round the
beautiful Princess Helene, Prince Vasili's daughter, and the little
Princess Bolkonskaya, very pretty and rosy, though rather too plump
for her age. The third group was gathered round Mortemart and Anna
Pavlovna.

The vicomte was a nice-looking young man with soft features and
polished manners, who evidently considered himself a celebrity but out
of politeness modestly placed himself at the disposal of the circle in
which he found himself. Anna Pavlovna was obviously serving him up
as a treat to her guests. As a clever maitre d'hotel serves up as a
specially choice delicacy a piece of meat that no one who had seen
it in the kitchen would have cared to eat, so Anna Pavlovna served
up to her guests, first the vicomte and then the abbe, as peculiarly
choice morsels. The group about Mortemart immediately began discussing
the murder of the Duc d'Enghien. The vicomte said that the Duc
d'Enghien had perished by his own magnanimity, and that there were
particular reasons for Buonaparte's hatred of him.

"Ah, yes! Do tell us all about it, Vicomte," said Anna Pavlovna,
with a pleasant feeling that there was something a la Louis XV in
the sound of that sentence: "Contez nous cela, Vicomte."

The vicomte bowed and smiled courteously in token of his willingness
to comply. Anna Pavlovna arranged a group round him, inviting everyone
to listen to his tale.

"The vicomte knew the duc personally," whispered Anna Pavlovna to of
the guests. "The vicomte is a wonderful raconteur," said she to
another. "How evidently he belongs to the best society," said she to a
third; and the vicomte was served up to the company in the choicest
and most advantageous style, like a well-garnished joint of roast beef
on a hot dish.

The vicomte wished to begin his story and gave a subtle smile.

"Come over here, Helene, dear," said Anna Pavlovna to the
beautiful young princess who was sitting some way off, the center of
another group.

The princess smiled. She rose with the same unchanging smile with
which she had first entered the room- the smile of a perfectly
beautiful woman. With a slight rustle of her white dress trimmed
with moss and ivy, with a gleam of white shoulders, glossy hair, and
sparkling diamonds, she passed between the men who made way for her,
not looking at any of them but smiling on all, as if graciously
allowing each the privilege of admiring her beautiful figure and
shapely shoulders, back, and bosom- which in the fashion of those days
were very much exposed- and she seemed to bring the glamour of a
ballroom with her as she moved toward Anna Pavlovna. Helene was so
lovely that not only did she not show any trace of coquetry, but on
the contrary she even appeared shy of her unquestionable and all too
victorious beauty. She seemed to wish, but to be unable, to diminish
its effect.

"How lovely!" said everyone who saw her; and the vicomte lifted
his shoulders and dropped his eyes as if startled by something
extraordinary when she took her seat opposite and beamed upon him also
with her unchanging smile.

"Madame, I doubt my ability before such an audience," said he,
smilingly inclining his head.

The princess rested her bare round arm on a little table and
considered a reply unnecessary. She smilingly waited. All the time the
story was being told she sat upright, glancing now at her beautiful
round arm, altered in shape by its pressure on the table, now at her
still more beautiful bosom, on which she readjusted a diamond
necklace. From time to time she smoothed the folds of her dress, and
whenever the story produced an effect she glanced at Anna Pavlovna, at
once adopted just the expression she saw on the maid of honor's
face, and again relapsed into her radiant smile.

The little princess had also left the tea table and followed Helene.

"Wait a moment, I'll get my work.... Now then, what are you thinking
of?" she went on, turning to Prince Hippolyte. "Fetch me my workbag."

There was a general movement as the princess, smiling and talking
merrily to everyone at once, sat down and gaily arranged herself in
her seat.

"Now I am all right," she said, and asking the vicomte to begin, she
took up her work.

Prince Hippolyte, having brought the workbag, joined the circle
and moving a chair close to hers seated himself beside her.

Le charmant Hippolyte was surprising by his extraordinary
resemblance to his beautiful sister, but yet more by the fact that
in spite of this resemblance he was exceedingly ugly. His features
were like his sister's, but while in her case everything was lit up by
a joyous, self-satisfied, youthful, and constant smile of animation,
and by the wonderful classic beauty of her figure, his face on the
contrary was dulled by imbecility and a constant expression of
sullen self-confidence, while his body was thin and weak. His eyes,
nose, and mouth all seemed puckered into a vacant, wearied grimace,
and his arms and legs always fell into unnatural positions.

"It's not going to be a ghost story?" said he, sitting down beside
the princess and hastily adjusting his lorgnette, as if without this
instrument he could not begin to speak.

"Why no, my dear fellow," said the astonished narrator, shrugging
his shoulders.

"Because I hate ghost stories," said Prince Hippolyte in a tone
which showed that he only understood the meaning of his words after he
had uttered them.

He spoke with such self-confidence that his hearers could not be
sure whether what he said was very witty or very stupid. He was
dressed in a dark-green dress coat, knee breeches of the color of
cuisse de nymphe effrayee, as he called it, shoes, and silk stockings.

The vicomte told his tale very neatly. It was an anecdote, then
current, to the effect that the Duc d'Enghien had gone secretly to
Paris to visit Mademoiselle George; that at her house he came upon
Bonaparte, who also enjoyed the famous actress' favors, and that in
his presence Napoleon happened to fall into one of the fainting fits
to which he was subject, and was thus at the duc's mercy. The latter
spared him, and this magnanimity Bonaparte subsequently repaid by
death.

The story was very pretty and interesting, especially at the point
where the rivals suddenly recognized one another; and the ladies
looked agitated.

"Charming!" said Anna Pavlovna with an inquiring glance at the
little princess.

"Charming!" whispered the little princess, sticking the needle
into her work as if to testify that the interest and fascination of
the story prevented her from going on with it.

The vicomte appreciated this silent praise and smiling gratefully
prepared to continue, but just then Anna Pavlovna, who had kept a
watchful eye on the young man who so alarmed her, noticed that he
was talking too loudly and vehemently with the abbe, so she hurried to
the rescue. Pierre had managed to start a conversation with the abbe
about the balance of power, and the latter, evidently interested by
the young man's simple-minded eagerness, was explaining his pet
theory. Both were talking and listening too eagerly and too naturally,
which was why Anna Pavlovna disapproved.

"The means are... the balance of power in Europe and the rights of
the people," the abbe was saying. "It is only necessary for one
powerful nation like Russia- barbaric as she is said to be- to place
herself disinterestedly at the head of an alliance having for its
object the maintenance of the balance of power of Europe, and it would
save the world!"

"But how are you to get that balance?" Pierre was beginning.

At that moment Anna Pavlovna came up and, looking severely at
Pierre, asked the Italian how he stood Russian climate. The
Italian's face instantly changed and assumed an offensively
affected, sugary expression, evidently habitual to him when conversing
with women.

"I am so enchanted by the brilliancy of the wit and culture of the
society, more especially of the feminine society, in which I have
had the honor of being received, that I have not yet had time to think
of the climate," said he.

Not letting the abbe and Pierre escape, Anna Pavlovna, the more
conveniently to keep them under observation, brought them into the
larger circle.


CHAPTER IV


Just them another visitor entered the drawing room: Prince Andrew
Bolkonski, the little princess' husband. He was a very handsome
young man, of medium height, with firm, clearcut features.
Everything about him, from his weary, bored expression to his quiet,
measured step, offered a most striking contrast to his quiet, little
wife. It was evident that he not only knew everyone in the drawing
room, but had found them to be so tiresome that it wearied him to look
at or listen to them. And among all these faces that he found so
tedious, none seemed to bore him so much as that of his pretty wife.
He turned away from her with a grimace that distorted his handsome
face, kissed Anna Pavlovna's hand, and screwing up his eyes scanned
the whole company.

"You are off to the war, Prince?" said Anna Pavlovna.

"General Kutuzov," said Bolkonski, speaking French and stressing the
last syllable of the general's name like a Frenchman, "has been
pleased to take me as an aide-de-camp...."

"And Lise, your wife?"

"She will go to the country."

"Are you not ashamed to deprive us of your charming wife?"

"Andre," said his wife, addressing her husband in the same
coquettish manner in which she spoke to other men, "the vicomte has
been telling us such a tale about Mademoiselle George and Buonaparte!"

Prince Andrew screwed up his eyes and turned away. Pierre, who
from the moment Prince Andrew entered the room had watched him with
glad, affectionate eyes, now came up and took his arm. Before he
looked round Prince Andrew frowned again, expressing his annoyance
with whoever was touching his arm, but when he saw Pierre's beaming
face he gave him an unexpectedly kind and pleasant smile.

"There now!... So you, too, are in the great world?" said he to
Pierre.

"I knew you would be here," replied Pierre. "I will come to supper
with you. May I?" he added in a low voice so as not to disturb the
vicomte who was continuing his story.

"No, impossible!" said Prince Andrew, laughing and pressing Pierre's
hand to show that there was no need to ask the question. He wished
to say something more, but at that moment Prince Vasili and his
daughter got up to go and the two young men rose to let them pass.

"You must excuse me, dear Vicomte," said Prince Vasili to the
Frenchman, holding him down by the sleeve in a friendly way to prevent
his rising. "This unfortunate fete at the ambassador's deprives me
of a pleasure, and obliges me to interrupt you. I am very sorry to
leave your enchanting party," said he, turning to Anna Pavlovna.

His daughter, Princess Helene, passed between the chairs, lightly
holding up the folds of her dress, and the smile shone still more
radiantly on her beautiful face. Pierre gazed at her with rapturous,
almost frightened, eyes as she passed him.

"Very lovely," said Prince Andrew.

"Very," said Pierre.

In passing Prince Vasili seized Pierre's hand and said to Anna
Pavlovna: "Educate this bear for me! He has been staying with me a
whole month and this is the first time I have seen him in society.
Nothing is so necessary for a young man as the society of clever
women."


Anna Pavlovna smiled and promised to take Pierre in hand. She knew
his father to be a connection of Prince Vasili's. The elderly lady who
had been sitting with the old aunt rose hurriedly and overtook
Prince Vasili in the anteroom. All the affectation of interest she had
assumed had left her kindly and tearworn face and it now expressed
only anxiety and fear.

"How about my son Boris, Prince?" said she, hurrying after him
into the anteroom. "I can't remain any longer in Petersburg. Tell me
what news I may take back to my poor boy."

Although Prince Vasili listened reluctantly and not very politely to
the elderly lady, even betraying some impatience, she gave him an
ingratiating and appealing smile, and took his hand that he might
not go away.

"What would it cost you to say a word to the Emperor, and then he
would be transferred to the Guards at once?" said she.

"Believe me, Princess, I am ready to do all I can," answered
Prince Vasili, "but it is difficult for me to ask the Emperor. I
should advise you to appeal to Rumyantsev through Prince Golitsyn.
That would be the best way."

The elderly lady was a Princess Drubetskaya, belonging to one of the
best families in Russia, but she was poor, and having long been out of
society had lost her former influential connections. She had now
come to Petersburg to procure an appointment in the Guards for her
only son. It was, in fact, solely to meet Prince Vasili that she had
obtained an invitation to Anna Pavlovna's reception and had sat
listening to the vicomte's story. Prince Vasili's words frightened
her, an embittered look clouded her once handsome face, but only for a
moment; then she smiled again and dutched Prince Vasili's arm more
tightly.

"Listen to me, Prince," said she. "I have never yet asked you for
anything and I never will again, nor have I ever reminded you of my
father's friendship for you; but now I entreat you for God's sake to
do this for my son- and I shall always regard you as a benefactor,"
she added hurriedly. "No, don't be angry, but promise! I have asked
Golitsyn and he has refused. Be the kindhearted man you always
were," she said, trying to smile though tears were in her eyes.

"Papa, we shall be late," said Princess Helene, turning her
beautiful head and looking over her classically molded shoulder as she
stood waiting by the door.

Influence in society, however, is a capital which has to be
economized if it is to last. Prince Vasili knew this, and having
once realized that if he asked on behalf of all who begged of him,
he would soon be unable to ask for himself, he became chary of using
his influence. But in Princess Drubetskaya's case he felt, after her
second appeal, something like qualms of conscience. She had reminded
him of what was quite true; he had been indebted to her father for the
first steps in his career. Moreover, he could see by her manners
that she was one of those women- mostly mothers- who, having once made
up their minds, will not rest until they have gained their end, and
are prepared if necessary to go on insisting day after day and hour
after hour, and even to make scenes. This last consideration moved
him.

"My dear Anna Mikhaylovna," said he with his usual familiarity and
weariness of tone, "it is almost impossible for me to do what you ask;
but to prove my devotion to you and how I respect your father's
memory, I will do the impossible- your son shall be transferred to the
Guards. Here is my hand on it. Are you satisfied?"

"My dear benefactor! This is what I expected from you- I knew your
kindness!" He turned to go.

"Wait- just a word! When he has been transferred to the Guards..."
she faltered. "You are on good terms with Michael Ilarionovich
Kutuzov... recommend Boris to him as adjutant! Then I shall be at
rest, and then..."

Prince Vasili smiled.

"No, I won't promise that. You don't know how Kutuzov is pestered
since his appointment as Commander in Chief. He told me himself that
all the Moscow ladies have conspired to give him all their sons as
adjutants."

"No, but do promise! I won't let you go! My dear benefactor..."

"Papa," said his beautiful daughter in the same tone as before,
"we shall be late."

"Well, au revoir! Good-by! You hear her?"

"Then tomorrow you will speak to the Emperor?"

"Certainly; but about Kutuzov, I don't promise."

"Do promise, do promise, Vasili!" cried Anna Mikhaylovna as he went,
with the smile of a coquettish girl, which at one time probably came
naturally to her, but was now very ill-suited to her careworn face.

Apparently she had forgotten her age and by force of habit
employed all the old feminine arts. But as soon as the prince had gone
her face resumed its former cold, artificial expression. She
returned to the group where the vicomte was still talking, and again
pretended to listen, while waiting till it would be time to leave. Her
task was accomplished.


CHAPTER V


"And what do you think of this latest comedy, the coronation at
Milan?" asked Anna Pavlovna, "and of the comedy of the people of Genoa
and Lucca laying their petitions before Monsieur Buonaparte, and
Monsieur Buonaparte sitting on a throne and granting the petitions
of the nations? Adorable! It is enough to make one's head whirl! It is
as if the whole world had gone crazy."

Prince Andrew looked Anna Pavlovna straight in the face with a
sarcastic smile.

"'Dieu me la donne, gare a qui la touche!'* They say he was very
fine when he said that," he remarked, repeating the words in
Italian: "'Dio mi l'ha dato. Guai a chi la tocchi!'"


*God has given it to me, let him who touches it beware!


"I hope this will prove the last drop that will make the glass run
over," Anna Pavlovna continued. "The sovereigns will not be able to
endure this man who is a menace to everything."

"The sovereigns? I do not speak of Russia," said the vicomte, polite
but hopeless: "The sovereigns, madame... What have they done for Louis
XVII, for the Queen, or for Madame Elizabeth? Nothing!" and he
became more animated. "And believe me, they are reaping the reward
of their betrayal of the Bourbon cause. The sovereigns! Why, they
are sending ambassadors to compliment the usurper."

And sighing disdainfully, he again changed his position.

Prince Hippolyte, who had been gazing at the vicomte for some time
through his lorgnette, suddenly turned completely round toward the
little princess, and having asked for a needle began tracing the Conde
coat of arms on the table. He explained this to her with as much
gravity as if she had asked him to do it.

"Baton de gueules, engrele de gueules d' azur- maison Conde," said
he.

The princess listened, smiling.

"If Buonaparte remains on the throne of France a year longer," the
vicomte continued, with the air of a man who, in a matter with which
he is better acquainted than anyone else, does not listen to others
but follows the current of his own thoughts, "things will have gone
too far. By intrigues, violence, exile, and executions, French
society- I mean good French society- will have been forever destroyed,
and then..."

He shrugged his shoulders and spread out his hands. Pierre wished to
make a remark, for the conversation interested him, but Anna Pavlovna,
who had him under observation, interrupted:

"The Emperor Alexander," said she, with the melancholy which
always accompanied any reference of hers to the Imperial family,
"has declared that he will leave it to the French people themselves to
choose their own form of government; and I believe that once free from
the usurper, the whole nation will certainly throw itself into the
arms of its rightful king," she concluded, trying to be amiable to the
royalist emigrant.

"That is doubtful," said Prince Andrew. "Monsieur le Vicomte quite
rightly supposes that matters have already gone too far. I think it
will be difficult to return to the old regime."

"From what I have heard," said Pierre, blushing and breaking into
the conversation, "almost all the aristocracy has already gone over to
Bonaparte's side."

"It is the Buonapartists who say that," replied the vicomte
without looking at Pierre. "At the present time it is difficult to
know the real state of French public opinion.

"Bonaparte has said so," remarked Prince Andrew with a sarcastic
smile.

It was evident that he did not like the vicomte and was aiming his
remarks at him, though without looking at him.

"'I showed them the path to glory, but they did not follow it,'"
Prince Andrew continued after a short silence, again quoting
Napoleon's words. "'I opened my antechambers and they crowded in.' I
do not know how far he was justified in saying so."

"Not in the least," replied the vicomte. "After the murder of the
duc even the most partial ceased to regard him as a hero. If to some
people," he went on, turning to Anna Pavlovna, "he ever was a hero,
after the murder of the duc there was one martyr more in heaven and
one hero less on earth."

Before Anna Pavlovna and the others had time to smile their
appreciation of the vicomte's epigram, Pierre again broke into the
conversation, and though Anna Pavlovna felt sure he would say
something inappropriate, she was unable to stop him.

"The execution of the Duc d'Enghien," declared Monsieur Pierre, "was
a political necessity, and it seems to me that Napoleon showed
greatness of soul by not fearing to take on himself the whole
responsibility of that deed."

"Dieu! Mon Dieu!" muttered Anna Pavlovna in a terrified whisper.

"What, Monsieur Pierre... Do you consider that assassination shows
greatness of soul?" said the little princess, smiling and drawing
her work nearer to her.

"Oh! Oh!" exclaimed several voices.

"Capital!" said Prince Hippolyte in English, and began slapping
his knee with the palm of his hand.

The vicomte merely shrugged his shoulders. Pierre looked solemnly at
his audience over his spectacles and continued.

"I say so," he continued desperately, "because the Bourbons fled
from the Revolution leaving the people to anarchy, and Napoleon
alone understood the Revolution and quelled it, and so for the general
good, he could not stop short for the sake of one man's life."

"Won't you come over to the other table?" suggested Anna Pavlovna.

But Pierre continued his speech without heeding her.

"No," cried he, becoming more and more eager, "Napoleon is great
because he rose superior to the Revolution, suppressed its abuses,
preserved all that was good in it- equality of citizenship and freedom
of speech and of the press- and only for that reason did he obtain
power."

"Yes, if having obtained power, without availing himself of it to
commit murder he had restored it to the rightful king, I should have
called him a great man," remarked the vicomte.

"He could not do that. The people only gave him power that he
might rid them of the Bourbons and because they saw that he was a
great man. The Revolution was a grand thing!" continued Monsieur
Pierre, betraying by this desperate and provocative proposition his
extreme youth and his wish to express all that was in his mind.

"What? Revolution and regicide a grand thing?... Well, after that...
But won't you come to this other table?" repeated Anna Pavlovna.

"Rousseau's Contrat social," said the vicomte with a tolerant smile.

"I am not speaking of regicide, I am speaking about ideas."

"Yes: ideas of robbery, murder, and regicide," again interjected
an ironical voice.

"Those were extremes, no doubt, but they are not what is most
important. What is important are the rights of man, emancipation
from prejudices, and equality of citizenship, and all these ideas
Napoleon has retained in full force."

"Liberty and equality," said the vicomte contemptuously, as if at
last deciding seriously to prove to this youth how foolish his words
were, "high-sounding words which have long been discredited. Who
does not love liberty and equality? Even our Saviour preached
liberty and equality. Have people since the Revolution become happier?
On the contrary. We wanted liberty, but Buonaparte has destroyed it."

Prince Andrew kept looking with an amused smile from Pierre to the
vicomte and from the vicomte to their hostess. In the first moment
of Pierre's outburst Anna Pavlovna, despite her social experience, was
horror-struck. But when she saw that Pierre's sacrilegious words had
not exasperated the vicomte, and had convinced herself that it was
impossible to stop him, she rallied her forces and joined the
vicomte in a vigorous attack on the orator.

"But, my dear Monsieur Pierre," said she, "how do you explain the
fact of a great man executing a duc- or even an ordinary man who- is
innocent and untried?"

"I should like," said the vicomte, "to ask how monsieur explains the
18th Brumaire; was not that an imposture? It was a swindle, and not at
all like the conduct of a great man!"

"And the prisoners he killed in Africa? That was horrible!" said the
little princess, shrugging her shoulders.

"He's a low fellow, say what you will," remarked Prince Hippolyte.

Pierre, not knowing whom to answer, looked at them all and smiled.
His smile was unlike the half-smile of other people. When he smiled,
his grave, even rather gloomy, look was instantaneously replaced by
another- a childlike, kindly, even rather silly look, which seemed
to ask forgiveness.

The vicomte who was meeting him for the first time saw clearly
that this young Jacobin was not so terrible as his words suggested.
All were silent.

"How do you expect him to answer you all at once?" said Prince
Andrew. "Besides, in the actions of a statesman one has to distinguish
between his acts as a private person, as a general, and as an emperor.
So it seems to me."

"Yes, yes, of course!" Pierre chimed in, pleased at the arrival of
this reinforcement.

"One must admit," continued Prince Andrew, "that Napoleon as a man
was great on the bridge of Arcola, and in the hospital at Jaffa
where he gave his hand to the plague-stricken; but... but there are
other acts which it is difficult to justify."

Prince Andrew, who had evidently wished to tone down the awkwardness
of Pierre's remarks, rose and made a sign to his wife that it was time
to go.


Suddenly Prince Hippolyte started up making signs to everyone to
attend, and asking them all to be seated began:

"I was told a charming Moscow story today and must treat you to
it. Excuse me, Vicomte- I must tell it in Russian or the point will be
lost...." And Prince Hippolyte began to tell his story in such Russian
as a Frenchman would speak after spending about a year in Russia.
Everyone waited, so emphatically and eagerly did he demand their
attention to his story.

"There is in Moscow a lady, une dame, and she is very stingy. She
must have two footmen behind her carriage, and very big ones. That was
her taste. And she had a lady's maid, also big. She said..."

Here Prince Hippolyte paused, evidently collecting his ideas with
difficulty.

"She said... Oh yes! She said, 'Girl,' to the maid, 'put on a
livery, get up behind the carriage, and come with me while I make some
calls.'"

Here Prince Hippolyte spluttered and burst out laughing long
before his audience, which produced an effect unfavorable to the
narrator. Several persons, among them the elderly lady and Anna
Pavlovna, did however smile.

"She went. Suddenly there was a great wind. The girl lost her hat
and her long hair came down...." Here he could contain himself no
longer and went on, between gasps of laughter: "And the whole world
knew...."

And so the anecdote ended. Though it was unintelligible why he had
told it, or why it had to be told in Russian, still Anna Pavlovna
and the others appreciated Prince Hippolyte's social tact in so
agreeably ending Pierre's unpleasant and unamiable outburst. After the
anecdote the conversation broke up into insignificant small talk about
the last and next balls, about theatricals, and who would meet whom,
and when and where.


CHAPTER VI


Having thanked Anna Pavlovna for her charming soiree, the guests
began to take their leave.

Pierre was ungainly. Stout, about the average height, broad, with
huge red hands; he did not know, as the saying is, to enter a
drawing room and still less how to leave one; that is, how to say
something particularly agreeable before going away. Besides this he
was absent-minded. When he rose to go, he took up instead of his
own, the general's three-cornered hat, and held it, pulling at the
plume, till the general asked him to restore it. All his
absent-mindedness and inability to enter a room and converse in it
was, however, redeemed by his kindly, simple, and modest expression.
Anna Pavlovna turned toward him and, with a Christian mildness that
expressed forgiveness of his indiscretion, nodded and said: "I hope to
see you again, but I also hope you will change your opinions, my
dear Monsieur Pierre."

When she said this, he did not reply and only bowed, but again
everybody saw his smile, which said nothing, unless perhaps, "Opinions
are opinions, but you see what a capital, good-natured fellow I am."
And everyone, including Anna Pavlovna, felt this.

Prince Andrew had gone out into the hall, and, turning his shoulders
to the footman who was helping him on with his cloak, listened
indifferently to his wife's chatter with Prince Hippolyte who had also
come into the hall. Prince Hippolyte stood close to the pretty,
pregnant princess, and stared fixedly at her through his eyeglass.

"Go in, Annette, or you will catch cold," said the little
princess, taking leave of Anna Pavlovna. "It is settled," she added in
a low voice.

Anna Pavlovna had already managed to speak to Lise about the match
she contemplated between Anatole and the little princess'
sister-in-law.

"I rely on you, my dear," said Anna Pavlovna, also in a low tone.
"Write to her and let me know how her father looks at the matter. Au
revoir!"- and she left the hall.

Prince Hippolyte approached the little princess and, bending his
face close to her, began to whisper something.

Two footmen, the princess' and his own, stood holding a shawl and
a cloak, waiting for the conversation to finish. They listened to
the French sentences which to them were meaningless, with an air of
understanding but not wishing to appear to do so. The princess as
usual spoke smilingly and listened with a laugh.

"I am very glad I did not go to the ambassador's," said Prince
Hippolyte "-so dull-. It has been a delightful evening, has it not?
Delightful!"

"They say the ball will be very good," replied the princess, drawing
up her downy little lip. "All the pretty women in society will be
there."

"Not all, for you will not be there; not all," said Prince Hippolyte
smiling joyfully; and snatching the shawl from the footman, whom he
even pushed aside, he began wrapping it round the princess. Either
from awkwardness or intentionally (no one could have said which) after
the shawl had been adjusted he kept his arm around her for a long
time, as though embracing her.

Still smiling, she gracefully moved away, turning and glancing at
her husband. Prince Andrew's eyes were closed, so weary and sleepy did
he seem.

"Are you ready?" he asked his wife, looking past her.

Prince Hippolyte hurriedly put on his cloak, which in the latest
fashion reached to his very heels, and, stumbling in it, ran out
into the porch following the princess, whom a footman was helping into
the carriage.

"Princesse, au revoir," cried he, stumbling with his tongue as
well as with his feet.

The princess, picking up her dress, was taking her seat in the
dark carriage, her husband was adjusting his saber; Prince
Hippolyte, under pretense of helping, was in everyone's way.

"Allow me, sir," said Prince Andrew in Russian in a cold,
disagreeable tone to Prince Hippolyte who was blocking his path.

"I am expecting you, Pierre," said the same voice, but gently and
affectionately.

The postilion started, the carriage wheels rattled. Prince Hippolyte
laughed spasmodically as he stood in the porch waiting for the vicomte
whom he had promised to take home.

"Well, mon cher," said the vicomte, having seated himself beside
Hippolyte in the carriage, "your little princess is very nice, very
nice indeed, quite French," and he kissed the tips of his fingers.
Hippolyte burst out laughing.

"Do you know, you are a terrible chap for all your innocent airs,"
continued the vicomte. "I pity the poor husband, that little officer
who gives himself the airs of a monarch."

Hippolyte spluttered again, and amid his laughter said, "And you
were saying that the Russian ladies are not equal to the French? One
has to know how to deal with them."


Pierre reaching the house first went into Prince Andrew's study like
one quite at home, and from habit immediately lay down on the sofa,
took from the shelf the first book that came to his hand (it was
Caesar's Commentaries), and resting on his elbow, began reading it
in the middle.

"What have you done to Mlle Scherer? She will be quite ill now,"
said Prince Andrew, as he entered the study, rubbing his small white
hands.

Pierre turned his whole body, making the sofa creak. He lifted his
eager face to Prince Andrew, smiled, and waved his hand.

"That abbe is very interesting but he does not see the thing in
the right light.... In my opinion perpetual peace is possible but- I
do not know how to express it... not by a balance of political
power...."

It was evident that Prince Andrew was not interested in such
abstract conversation.

"One can't everywhere say all one thinks, mon cher. Well, have you
at last decided on anything? Are you going to be a guardsman or a
diplomatist?" asked Prince Andrew after a momentary silence.

Pierre sat up on the sofa, with his legs tucked under him.

"Really, I don't yet know. I don't like either the one or the
other."

"But you must decide on something! Your father expects it."

Pierre at the age of ten had been sent abroad with an abbe as tutor,
and had remained away till he was twenty. When he returned to Moscow
his father dismissed the abbe and said to the young man, "Now go to
Petersburg, look round, and choose your profession. I will agree to
anything. Here is a letter to Prince Vasili, and here is money.
Write to me all about it, and I will help you in everything." Pierre
had already been choosing a career for three months, and had not
decided on anything. It was about this choice that Prince Andrew was
speaking. Pierre rubbed his forehead.

"But he must be a Freemason," said he, referring to the abbe whom he
had met that evening.

"That is all nonsense." Prince Andrew again interrupted him, "let us
talk business. Have you been to the Horse Guards?"

"No, I have not; but this is what I have been thinking and wanted to
tell you. There is a war now against Napoleon. If it were a war for
freedom I could understand it and should be the first to enter the
army; but to help England and Austria against the greatest man in
the world is not right."

Prince Andrew only shrugged his shoulders at Pierre's childish
words. He put on the air of one who finds it impossible to reply to
such nonsense, but it would in fact have been difficult to give any
other answer than the one Prince Andrew gave to this naive question.

"If no one fought except on his own conviction, there would be no
wars," he said.

"And that would be splendid," said Pierre.

Prince Andrew smiled ironically.

"Very likely it would be splendid, but it will never come about..."

"Well, why are you going to the war?" asked Pierre.

"What for? I don't know. I must. Besides that I am going..." He
paused. "I am going because the life I am leading here does not suit
me!"


CHAPTER VII


The rustle of a woman's dress was heard in the next room. Prince
Andrew shook himself as if waking up, and his face assumed the look it
had had in Anna Pavlovna's drawing room. Pierre removed his feet
from the sofa. The princess came in. She had changed her gown for a
house dress as fresh and elegant as the other. Prince Andrew rose
and politely placed a chair for her.

"How is it," she began, as usual in French, settling down briskly
and fussily in the easy chair, "how is it Annette never got married?
How stupid you men all are not to have married her! Excuse me for
saying so, but you have no sense about women. What an argumentative
fellow you are, Monsieur Pierre!"

"And I am still arguing with your husband. I can't understand why he
wants to go to the war," replied Pierre, addressing the princess
with none of the embarrassment so commonly shown by young men in their
intercourse with young women.

The princess started. Evidently Pierre's words touched her to the
quick.

"Ah, that is just what I tell him!" said she. "I don't understand
it; I don't in the least understand why men can't live without wars.
How is it that we women don't want anything of the kind, don't need
it? Now you shall judge between us. I always tell him: Here he is
Uncle's aide-de-camp, a most brilliant position. He is so well
known, so much appreciated by everyone. The other day at the
Apraksins' I heard a lady asking, 'Is that the famous Prince
Andrew?' I did indeed." She laughed. "He is so well received
everywhere. He might easily become aide-de-camp to the Emperor. You
know the Emperor spoke to him most graciously. Annette and I were
speaking of how to arrange it. What do you think?"

Pierre looked at his friend and, noticing that he did not like the
conversation, gave no reply.

"When are you starting?" he asked.

"Oh, don't speak of his going, don't! I won't hear it spoken of,"
said the princess in the same petulantly playful tone in which she had
spoken to Hippolyte in the drawing room and which was so plainly
ill-suited to the family circle of which Pierre was almost a member.
"Today when I remembered that all these delightful associations must
be broken off... and then you know, Andre..." (she looked
significantly at her husband) "I'm afraid, I'm afraid!" she whispered,
and a shudder ran down her back.

Her husband looked at her as if surprised to notice that someone
besides Pierre and himself was in the room, and addressed her in a
tone of frigid politeness.

"What is it you are afraid of, Lise? I don't understand," said he.

"There, what egotists men all are: all, all egotists! Just for a
whim of his own, goodness only knows why, he leaves me and locks me up
alone in the country."

"With my father and sister, remember," said Prince Andrew gently.

"Alone all the same, without my friends.... And he expects me not to
be afraid."

Her tone was now querulous and her lip drawn up, giving her not a
joyful, but an animal, squirrel-like expression. She paused as if
she felt it indecorous to speak of her pregnancy before Pierre, though
the gist of the matter lay in that.

"I still can't understand what you are afraid of," said Prince
Andrew slowly, not taking his eyes off his wife.

The princess blushed, and raised her arms with a gesture of despair.

"No, Andrew, I must say you have changed. Oh, how you have..."

"Your doctor tells you to go to bed earlier," said Prince Andrew.
"You had better go."

The princess said nothing, but suddenly her short downy lip
quivered. Prince Andrew rose, shrugged his shoulders, and walked about
the room.

Pierre looked over his spectacles with naive surprise, now at him
and now at her, moved as if about to rise too, but changed his mind.

"Why should I mind Monsieur Pierre being here?" exclaimed the little
princess suddenly, her pretty face all at once distorted by a
tearful grimace. "I have long wanted to ask you, Andrew, why you
have changed so to me? What have I done to you? You are going to the
war and have no pity for me. Why is it?"

"Lise!" was all Prince Andrew said. But that one word expressed an
entreaty, a threat, and above all conviction that she would herself
regret her words. But she went on hurriedly:

"You treat me like an invalid or a child. I see it all! Did you
behave like that six months ago?"

"Lise, I beg you to desist," said Prince Andrew still more
emphatically.

Pierre, who had been growing more and more agitated as he listened
to all this, rose and approached the princess. He seemed unable to
bear the sight of tears and was ready to cry himself.

"Calm yourself, Princess! It seems so to you because... I assure you
I myself have experienced... and so... because... No, excuse me! An
outsider is out of place here... No, don't distress yourself...
Good-by!"

Prince Andrew caught him by the hand.

"No, wait, Pierre! The princess is too kind to wish to deprive me of
the pleasure of spending the evening with you."

"No, he thinks only of himself," muttered the princess without
restraining her angry tears.

"Lise!" said Prince Andrew dryly, raising his voice to the pitch
which indicates that patience is exhausted.

Suddenly the angry, squirrel-like expression of the princess' pretty
face changed into a winning and piteous look of fear. Her beautiful
eyes glanced askance at her husband's face, and her own assumed the
timid, deprecating expression of a dog when it rapidly but feebly wags
its drooping tail.

"Mon Dieu, mon Dieu!" she muttered, and lifting her dress with one
hand she went up to her husband and kissed him on the forehead.

"Good night, Lise," said he, rising and courteously kissing her hand
as he would have done to a stranger.


CHAPTER VIII


The friends were silent. Neither cared to begin talking. Pierre
continually glanced at Prince Andrew; Prince Andrew rubbed his
forehead with his small hand.

"Let us go and have supper," he said with a sigh, going to the door.

They entered the elegant, newly decorated, and luxurious dining
room. Everything from the table napkins to the silver, china, and
glass bore that imprint of newness found in the households of the
newly married. Halfway through supper Prince Andrew leaned his
elbows on the table and, with a look of nervous agitation such as
Pierre had never before seen on his face, began to talk- as one who
has long had something on his mind and suddenly determines to speak
out.

"Never, never marry, my dear fellow! That's my advice: never marry
till you can say to yourself that you have done all you are capable
of, and until you have ceased to love the woman of your choice and
have seen her plainly as she is, or else you will make a cruel and
irrevocable mistake. Marry when you are old and good for nothing- or
all that is good and noble in you will be lost. It will all be
wasted on trifles. Yes! Yes! Yes! Don't look at me with such surprise.
If you marry expecting anything from yourself in the future, you
will feel at every step that for you all is ended, all is closed
except the drawing room, where you will be ranged side by side with
a court lackey and an idiot!... But what's the good?..." and he
waved his arm.

Pierre took off his spectacles, which made his face seem different
and the good-natured expression still more apparent, and gazed at
his friend in amazement.

"My wife," continued Prince Andrew, "is an excellent woman, one of
those rare women with whom a man's honor is safe; but, O God, what
would I not give now to be unmarried! You are the first and only one
to whom I mention this, because I like you."

As he said this Prince Andrew was less than ever like that Bolkonski
who had lolled in Anna Pavlovna's easy chairs and with half-closed
eyes had uttered French phrases between his teeth. Every muscle of his
thin face was now quivering with nervous excitement; his eyes, in
which the fire of life had seemed extinguished, now flashed with
brilliant light. It was evident that the more lifeless he seemed at
ordinary times, the more impassioned he became in these moments of
almost morbid irritation.

"You don't understand why I say this," he continued, "but it is
the whole story of life. You talk of Bonaparte and his career," said
he (though Pierre had not mentioned Bonaparte), "but Bonaparte when he
worked went step by step toward his goal. He was free, he had
nothing but his aim to consider, and he reached it. But tie yourself
up with a woman and, like a chained convict, you lose all freedom! And
all you have of hope and strength merely weighs you down and
torments you with regret. Drawing rooms, gossip, balls, vanity, and
triviality- these are the enchanted circle I cannot escape from. I
am now going to the war, the greatest war there ever was, and I know
nothing and am fit for nothing. I am very amiable and have a caustic
wit," continued Prince Andrew, "and at Anna Pavlovna's they listen
to me. And that stupid set without whom my wife cannot exist, and
those women... If you only knew what those society women are, and
women in general! My father is right. Selfish, vain, stupid, trivial
in everything- that's what women are when you see them in their true
colors! When you meet them in society it seems as if there were
something in them, but there's nothing, nothing, nothing! No, don't
marry, my dear fellow; don't marry!" concluded Prince Andrew.

"It seems funny to me," said Pierre, "that you, you should
consider yourself incapable and your life a spoiled life. You have
everything before you, everything. And you..."

He did not finish his sentence, but his tone showed how highly he
thought of his friend and how much he expected of him in the future.

"How can he talk like that?" thought Pierre. He considered his
friend a model of perfection because Prince Andrew possessed in the
highest degree just the very qualities Pierre lacked, and which
might be best described as strength of will. Pierre was always
astonished at Prince Andrew's calm manner of treating everybody, his
extraordinary memory, his extensive reading (he had read everything,
knew everything, and had an opinion about everything), but above all
at his capacity for work and study. And if Pierre was often struck
by Andrew's lack of capacity for philosophical meditation (to which he
himself was particularly addicted), he regarded even this not as a
defect but as a sign of strength.

Even in the best, most friendly and simplest relations of life,
praise and commendation are essential, just as grease is necessary
to wheels that they may run smoothly.

"My part is played out," said Prince Andrew. "What's the use of
talking about me? Let us talk about you," he added after a silence,
smiling at his reassuring thoughts.

That smile was immediately reflected on Pierre's face.

"But what is there to say about me?" said Pierre, his face
relaxing into a careless, merry smile. "What am I? An illegitimate
son!" He suddenly blushed crimson, and it was plain that he had made a
great effort to say this. "Without a name and without means... And
it really..." But he did not say what "it really" was. "For the
present I am free and am all right. Only I haven't the least idea what
I am to do; I wanted to consult you seriously."

Prince Andrew looked kindly at him, yet his glance- friendly and
affectionate as it was- expressed a sense of his own superiority.

"I am fond of you, especially as you are the one live man among
our whole set. Yes, you're all right! Choose what you will; it's all
the same. You'll be all right anywhere. But look here: give up
visiting those Kuragins and leading that sort of life. It suits you so
badly- all this debauchery, dissipation, and the rest of it!"

"What would you have, my dear fellow?" answered Pierre, shrugging
his shoulders. "Women, my dear fellow; women!"

"I don't understand it," replied Prince Andrew. "Women who are comme
il faut, that's a different matter; but the Kuragins' set of women,
'women and wine' I don't understand!"

Pierre was staying at Prince Vasili Kuragin's and sharing the
dissipated life of his son Anatole, the son whom they were planning to
reform by marrying him to Prince Andrew's sister.

"Do you know?" said Pierre, as if suddenly struck by a happy
thought, "seriously, I have long been thinking of it.... Leading
such a life I can't decide or think properly about anything. One's
head aches, and one spends all one's money. He asked me for tonight,
but I won't go."

"You give me your word of honor not to go?"

"On my honor!"


CHAPTER IX


It was past one o'clock when Pierre left his friend. It was a
cloudless, northern, summer night. Pierre took an open cab intending
to drive straight home. But the nearer he drew to the house the more
he felt the impossibility of going to sleep on such a night. It was
light enough to see a long way in the deserted street and it seemed
more like morning or evening than night. On the way Pierre
remembered that Anatole Kuragin was expecting the usual set for
cards that evening, after which there was generally a drinking bout,
finishing with visits of a kind Pierre was very fond of.

"I should like to go to Kuragin's," thought he.

But he immediately recalled his promise to Prince Andrew not to go
there. Then, as happens to people of weak character, he desired so
passionately once more to enjoy that dissipation he was so
accustomed to that he decided to go. The thought immediately
occurred to him that his promise to Prince Andrew was of no account,
because before he gave it he had already promised Prince Anatole to
come to his gathering; "besides," thought he, "all such 'words of
honor' are conventional things with no definite meaning, especially if
one considers that by tomorrow one may be dead, or something so
extraordinary may happen to one that honor and dishonor will be all
the same!" Pierre often indulged in reflections of this sort,
nullifying all his decisions and intentions. He went to Kuragin's.

Reaching the large house near the Horse Guards' barracks, in which
Anatole lived, Pierre entered the lighted porch, ascended the
stairs, and went in at the open door. There was no one in the
anteroom; empty bottles, cloaks, and overshoes were lying about; there
was a smell of alcohol, and sounds of voices and shouting in the
distance.

Cards and supper were over, but the visitors had not yet
dispersed. Pierre threw off his cloak and entered the first room, in
which were the remains of supper. A footman, thinking no one saw
him, was drinking on the sly what was left in the glasses. From the
third room came sounds of laughter, the shouting of familiar voices,
the growling of a bear, and general commotion. Some eight or nine
young men were crowding anxiously round an open window. Three others
were romping with a young bear, one pulling him by the chain and
trying to set him at the others.

"I bet a hundred on Stevens!" shouted one.

"Mind, no holding on!" cried another.

"I bet on Dolokhov!" cried a third. "Kuragin, you part our hands."

"There, leave Bruin alone; here's a bet on."

"At one draught, or he loses!" shouted a fourth.

"Jacob, bring a bottle!" shouted the host, a tall, handsome fellow
who stood in the midst of the group, without a coat, and with his fine
linen shirt unfastened in front. "Wait a bit, you fellows.... Here
is Petya! Good man!" cried he, addressing Pierre.

Another voice, from a man of medium height with clear blue eyes,
particularly striking among all these drunken voices by its sober
ring, cried from the window: "Come here; part the bets!" This was
Dolokhov, an officer of the Semenov regiment, a notorious gambler
and duelist, who was living with Anatole. Pierre smiled, looking about
him merrily.

"I don't understand. What's it all about?"

"Wait a bit, he is not drunk yet! A bottle here," said Anatole,
taking a glass from the table he went up to Pierre.

"First of all you must drink!"

Pierre drank one glass after another, looking from under his brows
at the tipsy guests who were again crowding round the window, and
listening to their chatter. Anatole kept on refilling Pierre's glass
while explaining that Dolokhov was betting with Stevens, an English
naval officer, that he would drink a bottle of rum sitting on the
outer ledge of the third floor window with his legs hanging out.

"Go on, you must drink it all," said Anatole, giving Pierre the last
glass, "or I won't let you go!"

"No, I won't," said Pierre, pushing Anatole aside, and he went up to
the window.

Dolokhov was holding the Englishman's hand and clearly and
distinctly repeating the terms of the bet, addressing himself
particularly to Anatole and Pierre.

Dolokhov was of medium height, with curly hair and light-blue
eyes. He was about twenty-five. Like all infantry officers he wore
no mustache, so that his mouth, the most striking feature of his face,
was clearly seen. The lines of that mouth were remarkably finely
curved. The middle of the upper lip formed a sharp wedge and closed
firmly on the firm lower one, and something like two distinct smiles
played continually round the two corners of the mouth; this,
together with the resolute, insolent intelligence of his eyes,
produced an effect which made it impossible not to notice his face.
Dolokhov was a man of small means and no connections. Yet, though
Anatole spent tens of thousands of rubles, Dolokhov lived with him and
had placed himself on such a footing that all who knew them, including
Anatole himself, respected him more than they did Anatole. Dolokhov
could play all games and nearly always won. However much he drank,
he never lost his clearheadedness. Both Kuragin and Dolokhov were at
that time notorious among the rakes and scapegraces of Petersburg.

The bottle of rum was brought. The window frame which prevented
anyone from sitting on the outer sill was being forced out by two
footmen, who were evidently flurried and intimidated by the directions
and shouts of the gentlemen around.

Anatole with his swaggering air strode up to the window. He wanted
to smash something. Pushing away the footmen he tugged at the frame,
but could not move it. He smashed a pane.

"You have a try, Hercules," said he, turning to Pierre.

Pierre seized the crossbeam, tugged, and wrenched the oak frame
out with a crash.

"Take it right out, or they'll think I'm holding on," said Dolokhov.

"Is the Englishman bragging?... Eh? Is it all right?" said Anatole.

"First-rate," said Pierre, looking at Dolokhov, who with a bottle of
rum in his hand was approaching the window, from which the light of
the sky, the dawn merging with the afterglow of sunset, was visible.

Dolokhov, the bottle of rum still in his hand, jumped onto the
window sill. "Listen!" cried he, standing there and addressing those
in the room. All were silent.

"I bet fifty imperials"- he spoke French that the Englishman might
understand him, but he did, not speak it very well- "I bet fifty
imperials... or do you wish to make it a hundred?" added he,
addressing the Englishman.

"No, fifty," replied the latter.

"All right. Fifty imperials... that I will drink a whole bottle of
rum without taking it from my mouth, sitting outside the window on
this spot" (he stooped and pointed to the sloping ledge outside the
window) "and without holding on to anything. Is that right?"

"Quite right," said the Englishman.

Anatole turned to the Englishman and taking him by one of the
buttons of his coat and looking down at him- the Englishman was short-
began repeating the terms of the wager to him in English.

"Wait!" cried Dolokhov, hammering with the bottle on the window sill
to attract attention. "Wait a bit, Kuragin. Listen! If anyone else
does the same, I will pay him a hundred imperials. Do you understand?"

The Englishman nodded, but gave no indication whether he intended to
accept this challenge or not. Anatole did not release him, and
though he kept nodding to show that he understood, Anatole went on
translating Dolokhov's words into English. A thin young lad, an hussar
of the Life Guards, who had been losing that evening, climbed on the
window sill, leaned over, and looked down.

"Oh! Oh! Oh!" he muttered, looking down from the window at the
stones of the pavement.

"Shut up!" cried Dolokhov, pushing him away from the window. The lad
jumped awkwardly back into the room, tripping over his spurs.

Placing the bottle on the window sill where he could reach it
easily, Dolokhov climbed carefully and slowly through the window and
lowered his legs. Pressing against both sides of the window, he
adjusted himself on his seat, lowered his hands, moved a little to the
right and then to the left, and took up the bottle. Anatole brought
two candles and placed them on the window sill, though it was
already quite light. Dolokhov's back in his white shirt, and his curly
head, were lit up from both sides. Everyone crowded to the window, the
Englishman in front. Pierre stood smiling but silent. One man, older
than the others present, suddenly pushed forward with a scared and
angry look and wanted to seize hold of Dolokhov's shirt.

"I say, this is folly! He'll be killed," said this more sensible
man.

Anatole stopped him.

"Don't touch him! You'll startle him and then he'll be killed.
Eh?... What then?... Eh?"

Dolokhov turned round and, again holding on with both hands,
arranged himself on his seat.

"If anyone comes meddling again," said he, emitting the words
separately through his thin compressed lips, "I will throw him down
there. Now then!"

Saying this he again turned round, dropped his hands, took the
bottle and lifted it to his lips, threw back his head, and raised
his free hand to balance himself. One of the footmen who had stooped
to pick up some broken glass remained in that position without
taking his eyes from the window and from Dolokhov's back. Anatole
stood erect with staring eyes. The Englishman looked on sideways,
pursing up his lips. The man who had wished to stop the affair ran
to a corner of the room and threw himself on a sofa with his face to
the wall. Pierre hid his face, from which a faint smile forgot to fade
though his features now expressed horror and fear. All were still.
Pierre took his hands from his eyes. Dolokhov still sat in the same
position, only his head was thrown further back till his curly hair
touched his shirt collar, and the hand holding the bottle was lifted
higher and higher and trembled with the effort. The bottle was
emptying perceptibly and rising still higher and his head tilting
yet further back. "Why is it so long?" thought Pierre. It seemed to
him that more than half an hour had elapsed. Suddenly Dolokhov made
a backward movement with his spine, and his arm trembled nervously;
this was sufficient to cause his whole body to slip as he sat on the
sloping ledge. As he began slipping down, his head and arm wavered
still more with the strain. One hand moved as if to clutch the
window sill, but refrained from touching it. Pierre again covered
his eyes and thought he would never never them again. Suddenly he
was aware of a stir all around. He looked up: Dolokhov was standing on
the window sill, with a pale but radiant face.

"It's empty."

He threw the bottle to the Englishman, who caught it neatly.
Dolokhov jumped down. He smelt strongly of rum.

"Well done!... Fine fellow!... There's a bet for you!... Devil
take you!" came from different sides.

The Englishman took out his purse and began counting out the
money. Dolokhov stood frowning and did not speak. Pierre jumped upon
the window sill.

"Gentlemen, who wishes to bet with me? I'll do the same thing!" he
suddenly cried. "Even without a bet, there! Tell them to bring me a
bottle. I'll do it.... Bring a bottle!"

"Let him do it, let him do it," said Dolokhov, smiling.

"What next? Have you gone mad?... No one would let you!... Why,
you go giddy even on a staircase," exclaimed several voices.

"I'll drink it! Let's have a bottle of rum!" shouted Pierre, banging
the table with a determined and drunken gesture and preparing to climb
out of the window.

They seized him by his arms; but he was so strong that everyone
who touched him was sent flying.

"No, you'll never manage him that way," said Anatole. "Wait a bit
and I'll get round him.... Listen! I'll take your bet tomorrow, but
now we are all going to -'s."

"Come on then," cried Pierre. "Come on!... And we'll take Bruin with
us."

And he caught the bear, took it in his arms, lifted it from the
ground, and began dancing round the room with it.


CHAPTER X


Prince Vasili kept the promise he had given to Princess
Drubetskaya who had spoken to him on behalf of her only son Boris on
the evening of Anna Pavlovna's soiree. The matter was mentioned to the
Emperor, an exception made, and Boris transferred into the regiment of
Semenov Guards with the rank of cornet. He received, however, no
appointment to Kutuzov's staff despite all Anna Mikhaylovna's
endeavors and entreaties. Soon after Anna Pavlovna's reception Anna
Mikhaylovna returned to Moscow and went straight to her rich
relations, the Rostovs, with whom she stayed when in the town and
where and where her darling Bory, who had only just entered a regiment
of the line and was being at once transferred to the Guards as a
cornet, had been educated from childhood and lived for years at a
time. The Guards had already left Petersburg on the tenth of August,
and her son, who had remained in Moscow for his equipment, was to join
them on the march to Radzivilov.

It was St. Natalia's day and the name day of two of the Rostovs- the
mother and the youngest daughter- both named Nataly. Ever since the
morning, carriages with six horses had been coming and going
continually, bringing visitors to the Countess Rostova's big house
on the Povarskaya, so well known to all Moscow. The countess herself
and her handsome eldest daughter were in the drawing-room with the
visitors who came to congratulate, and who constantly succeeded one
another in relays.

The countess was a woman of about forty-five, with a thin Oriental
type of face, evidently worn out with childbearing- she had had
twelve. A languor of motion and speech, resulting from weakness,
gave her a distinguished air which inspired respect. Princess Anna
Mikhaylovna Drubetskaya, who as a member of the household was also
seated in the drawing room, helped to receive and entertain the
visitors. The young people were in one of the inner rooms, not
considering it necessary to take part in receiving the visitors. The
count met the guests and saw them off, inviting them all to dinner.

"I am very, very grateful to you, mon cher," or "ma chere"- he
called everyone without exception and without the slightest
variation in his tone, "my dear," whether they were above or below him
in rank- "I thank you for myself and for our two dear ones whose
name day we are keeping. But mind you come to dinner or I shall be
offended, ma chere! On behalf of the whole family I beg you to come,
mon cher!" These words he repeated to everyone without exception or
variation, and with the same expression on his full, cheerful,
clean-shaven face, the same firm pressure of the hand and the same
quick, repeated bows. As soon as he had seen a visitor off he returned
to one of those who were still in the drawing room, drew a chair
toward him or her, and jauntily spreading out his legs and putting his
hands on his knees with the air of a man who enjoys life and knows how
to live, he swayed to and fro with dignity, offered surmises about the
weather, or touched on questions of health, sometimes in Russian and
sometimes in very bad but self-confident French; then again, like a
man weary but unflinching in the fulfillment of duty, he rose to see
some visitors off and, stroking his scanty gray hairs over his bald
patch, also asked them to dinner. Sometimes on his way back from the
anteroom he would pass through the conservatory and pantry into the
large marble dining hall, where tables were being set out for eighty
people; and looking at the footmen, who were bringing in silver and
china, moving tables, and unfolding damask table linen, he would
call Dmitri Vasilevich, a man of good family and the manager of all
his affairs, and while looking with pleasure at the enormous table
would say: "Well, Dmitri, you'll see that things are all as they
should be? That's right! The great thing is the serving, that's it."
And with a complacent sigh he would return to the drawing room.

"Marya Lvovna Karagina and her daughter!" announced the countess'
gigantic footman in his bass voice, entering the drawing room. The
countess reflected a moment and took a pinch from a gold snuffbox with
her husband's portrait on it.

"I'm quite worn out by these callers. However, I'll see her and no
more. She is so affected. Ask her in," she said to the footman in a
sad voice, as if saying: "Very well, finish me off."

A tall, stout, and proud-looking woman, with a round-faced smiling
daughter, entered the drawing room, their dresses rustling.

"Dear Countess, what an age... She has been laid up, poor child...
at the Razumovski's ball... and Countess Apraksina... I was so
delighted..." came the sounds of animated feminine voices,
interrupting one another and mingling with the rustling of dresses and
the scraping of chairs. Then one of those conversations began which
last out until, at the first pause, the guests rise with a rustle of
dresses and say, "I am so delighted... Mamma's health... and
Countess Apraksina... and then, again rustling, pass into the
anteroom, put on cloaks or mantles, and drive away. The conversation
was on the chief topic of the day: the illness of the wealthy and
celebrated beau of Catherine's day, Count Bezukhov, and about his
illegitimate son Pierre, the one who had behaved so improperly at Anna
Pavlovna's reception.

"I am so sorry for the poor count," said the visitor. "He is in such
bad health, and now this vexation about his son is enough to kill
him!"

"What is that?" asked the countess as if she did not know what the
visitor alluded to, though she had already heard about the cause of
Count Bezukhov's distress some fifteen times.

"That's what comes of a modern education," exclaimed the visitor.
"It seems that while he was abroad this young man was allowed to do as
he liked, now in Petersburg I hear he has been doing such terrible
things that he has been expelled by the police."

"You don't say so!" replied the countess.

"He chose his friends badly," interposed Anna Mikhaylovna. "Prince
Vasili's son, he, and a certain Dolokhov have, it is said, been up
to heaven only knows what! And they have had to suffer for it.
Dolokhov has been degraded to the ranks and Bezukhov's son sent back
to Moscow. Anatole Kuragin's father managed somehow to get his son's
affair hushed up, but even he was ordered out of Petersburg."

"But what have they been up to?" asked the countess.

"They are regular brigands, especially Dolokhov," replied the
visitor. "He is a son of Marya Ivanovna Dolokhova, such a worthy
woman, but there, just fancy! Those three got hold of a bear
somewhere, put it in a carriage, and set off with it to visit some
actresses! The police tried to interfere, and what did the young men
do? They tied a policeman and the bear back to back and put the bear
into the Moyka Canal. And there was the bear swimming about with the
policeman on his back!"

"What a nice figure the policeman must have cut, my dear!" shouted
the count, dying with laughter.

"Oh, how dreadful! How can you laugh at it, Count?"

Yet the ladies themselves could not help laughing.

"It was all they could do to rescue the poor man," continued the
visitor. "And to think it is Cyril Vladimirovich Bezukhov's son who
amuses himself in this sensible manner! And he was said to be so
well educated and clever. This is all that his foreign education has
done for him! I hope that here in Moscow no one will receive him, in
spite of his money. They wanted to introduce him to me, but I quite
declined: I have my daughters to consider."

"Why do you say this young man is so rich?" asked the countess,
turning away from the girls, who at once assumed an air of
inattention. "His children are all illegitimate. I think Pierre also
is illegitimate."

The visitor made a gesture with her hand.

"I should think he has a score of them."

Princess Anna Mikhaylovna intervened in the conversation,
evidently wishing to show her connections and knowledge of what went
on in society.

"The fact of the matter is," said she significantly, and also in a
half whisper, "everyone knows Count Cyril's reputation.... He has lost
count of his children, but this Pierre was his favorite."

"How handsome the old man still was only a year ago!" remarked the
countess. "I have never seen a handsomer man."

"He is very much altered now," said Anna Mikhaylovna. "Well, as I
was saying, Prince Vasili is the next heir through his wife, but the
count is very fond of Pierre, looked after his education, and wrote to
the Emperor about him; so that in the case of his death- and he is
so ill that he may die at any moment, and Dr. Lorrain has come from
Petersburg- no one knows who will inherit his immense fortune,
Pierre or Prince Vasili. Forty thousand serfs and millions of
rubles! I know it all very well for Prince Vasili told me himself.
Besides, Cyril Vladimirovich is my mother's second cousin. He's also
my Bory's godfather," she added, as if she attached no importance at
all to the fact.

"Prince Vasili arrived in Moscow yesterday. I hear he has come on
some inspection business," remarked the visitor.

"Yes, but between ourselves," said the princess, that is a
pretext. The fact is he has come to see Count Cyril Vladimirovich,
hearing how ill he is."

"But do you know, my dear, that was a capital joke," said the count;
and seeing that the elder visitor was not listening, he turned to
the young ladies. "I can just imagine what a funny figure that
policeman cut!"

And as he waved his arms to impersonate the policeman, his portly
form again shook with a deep ringing laugh, the laugh of one who
always eats well and, in particular, drinks well. "So do come and dine
with us!" he said.


CHAPTER XI


Silence ensued. The countess looked at her callers, smiling affably,
but not concealing the fact that she would not be distressed if they
now rose and took their leave. The visitor's daughter was already
smoothing down her dress with an inquiring look at her mother, when
suddenly from the next room were heard the footsteps of boys and girls
running to the door and the noise of a chair falling over, and a
girl of thirteen, hiding something in the folds of her short muslin
frock, darted in and stopped short in the middle of the room. It was
evident that she had not intended her flight to bring her so far.
Behind her in the doorway appeared a student with a crimson coat
collar, an officer of the Guards, a girl of fifteen, and a plump
rosy-faced boy in a short jacket.

The count jumped up and, swaying from side to side, spread his
arms wide and threw them round the little girl who had run in.

"Ah, here she is!" he exclaimed laughing. "My pet, whose name day it
is. My dear pet!"

"Ma chere, there is a time for everything," said the countess with
feigned severity. "You spoil her, Ilya," she added, turning to her
husband.

"How do you do, my dear? I wish you many happy returns of your
name day," said the visitor. "What a charming child," she added,
addressing the mother.

This black-eyed, wide-mouthed girl, not pretty but full of life-
with childish bare shoulders which after her run heaved and shook
her bodice, with black curls tossed backward, thin bare arms, little
legs in lace-frilled drawers, and feet in low slippers- was just at
that charming age when a girl is no longer a child, though the child
is not yet a young woman. Escaping from her father she ran to hide her
flushed face in the lace of her mother's mantilla- not paying the
least attention to her severe remark- and began to laugh. She laughed,
and in fragmentary sentences tried to explain about a doll which she
produced from the folds of her frock.

"Do you see?... My doll... Mimi... You see..." was all Natasha
managed to utter (to her everything seemed funny). She leaned
against her mother and burst into such a loud, ringing fit of laughter
that even the prim visitor could not help joining in.

"Now then, go away and take your monstrosity with you," said the
mother, pushing away her daughter with pretended sternness, and
turning to the visitor she added: "She is my youngest girl."

Natasha, raising her face for a moment from her mother's mantilla,
glanced up at her through tears of laughter, and again hid her face.

The visitor, compelled to look on at this family scene, thought it
necessary to take some part in it.

"Tell me, my dear," said she to Natasha, "is Mimi a relation of
yours? A daughter, I suppose?"

Natasha did not like the visitor's tone of condescension to childish
things. She did not reply, but looked at her seriously.

Meanwhile the younger generation: Boris, the officer, Anna
Mikhaylovna's son; Nicholas, the undergraduate, the count's eldest
son; Sonya, the count's fifteen-year-old niece, and little Petya,
his youngest boy, had all settled down in the drawing room and were
obviously trying to restrain within the bounds of decorum the
excitement and mirth that shone in all their faces. Evidently in the
back rooms, from which they had dashed out so impetuously, the
conversation had been more amusing than the drawing-room talk of
society scandals, the weather, and Countess Apraksina. Now and then
they glanced at one another, hardly able to suppress their laughter.

The two young men, the student and the officer, friends from
childhood, were of the same age and both handsome fellows, though
not alike. Boris was tall and fair, and his calm and handsome face had
regular, delicate features. Nicholas was short with curly hair and
an open expression. Dark hairs were already showing on his upper
lip, and his whole face expressed impetuosity and enthusiasm. Nicholas
blushed when he entered the drawing room. He evidently tried to find
something to say, but failed. Boris on the contrary at once found
his footing, and related quietly and humorously how he had know that
doll Mimi when she was still quite a young lady, before her nose was
broken; how she had aged during the five years he had known her, and
how her head had cracked right across the skull. Having said this he
glanced at Natasha. She turned away from him and glanced at her
younger brother, who was screwing up his eyes and shaking with
suppressed laughter, and unable to control herself any longer, she
jumped up and rushed from the room as fast as her nimble little feet
would carry her. Boris did not laugh.

"You were meaning to go out, weren't you, Mamma? Do you want the
carriage?" he asked his mother with a smile.

"Yes, yes, go and tell them to get it ready," she answered,
returning his smile.

Boris quietly left the room and went in search of Natasha. The plump
boy ran after them angrily, as if vexed that their program had been
disturbed.


CHAPTER XII


The only young people remaining in the drawing room, not counting
the young lady visitor and the countess' eldest daughter (who was four
years older than her sister and behaved already like a grown-up
person), were Nicholas and Sonya, the niece. Sonya was a slender
little brunette with a tender look in her eyes which were veiled by
long lashes, thick black plaits coiling twice round her head, and a
tawny tint in her complexion and especially in the color of her
slender but graceful and muscular arms and neck. By the grace of her
movements, by the softness and flexibility of her small limbs, and
by a certain coyness and reserve of manner, she reminded one of a
pretty, half-grown kitten which promises to become a beautiful
little cat. She evidently considered it proper to show an interest
in the general conversation by smiling, but in spite of herself her
eyes under their thick long lashes watched her cousin who was going to
join the army, with such passionate girlish adoration that her smile
could not for a single instant impose upon anyone, and it was clear
that the kitten had settled down only to spring up with more energy
and again play with her cousin as soon as they too could, like Natasha
and Boris, escape from the drawing room.

"Ah yes, my dear," said the count, addressing the visitor and
pointing to Nicholas, "his friend Boris has become an officer, and
so for friendship's sake he is leaving the university and me, his
old father, and entering the military service, my dear. And there
was a place and everything waiting for him in the Archives Department!
Isn't that friendship?" remarked the count in an inquiring tone.

"But they say that war has been declared," replied the visitor.

"They've been saying so a long while," said the count, "and
they'll say so again and again, and that will be the end of it. My
dear, there's friendship for you," he repeated. "He's joining the
hussars."

The visitor, not knowing what to say, shook her head.

"It's not at all from friendship," declared Nicholas, flaring up and
turning away as if from a shameful aspersion. "It is not from
friendship at all; I simply feel that the army is my vocation."

He glanced at his cousin and the young lady visitor; and they were
both regarding him with a smile of approbation.

"Schubert, the colonel of the Pavlograd Hussars, is dining with us
today. He has been here on leave and is taking Nicholas back with him.
It can't be helped!" said the count, shrugging his shoulders and
speaking playfully of a matter that evidently distressed him.

"I have already told you, Papa," said his son, "that if you don't
wish to let me go, I'll stay. But I know I am no use anywhere except
in the army; I am not a diplomat or a government clerk.- I don't
know how to hide what I feel." As he spoke he kept glancing with the
flirtatiousness of a handsome youth at Sonya and the young lady
visitor.

The little kitten, feasting her eyes on him, seemed ready at any
moment to start her gambols again and display her kittenish nature.

"All right, all right!" said the old count. "He always flares up!
This Buonaparte has turned all their heads; they all think of how he
rose from an ensign and became Emperor. Well, well, God grant it,"
he added, not noticing his visitor's sarcastic smile.

The elders began talking about Bonaparte. Julie Karagina turned to
young Rostov.

"What a pity you weren't at the Arkharovs' on Thursday. It was so
dull without you," said she, giving him a tender smile.

The young man, flattered, sat down nearer to her with a coquettish
smile, and engaged the smiling Julie in a confidential conversation
without at all noticing that his involuntary smile had stabbed the
heart of Sonya, who blushed and smiled unnaturally. In the midst of
his talk he glanced round at her. She gave him a passionately angry
glance, and hardly able to restrain her tears and maintain the
artificial smile on her lips, she got up and left the room. All
Nicholas' animation vanished. He waited for the first pause in the
conversation, and then with a distressed face left the room to find
Sonya.

"How plainly all these young people wear their hearts on their
sleeves!" said Anna Mikhaylovna, pointing to Nicholas as he went
out. "Cousinage- dangereux voisinage;"* she added.


*Cousinhood is a dangerous neighborhood.


"Yes," said the countess when the brightness these young people
had brought into the room had vanished; and as if answering a question
no one had put but which was always in her mind, "and how much
suffering, how much anxiety one has had to go through that we might
rejoice in them now! And yet really the anxiety is greater now than
the joy. One is always, always anxious! Especially just at this age,
so dangerous both for girls and boys."

"It all depends on the bringing up," remarked the visitor.

"Yes, you're quite right," continued the countess. "Till now I
have always, thank God, been my children's friend and had their full
confidence," said she, repeating the mistake of so many parents who
imagine that their children have no secrets from them. "I know I shall
always be my daughters' first confidante, and that if Nicholas, with
his impulsive nature, does get into mischief (a boy can't help it), he
will all the same never be like those Petersburg young men."

"Yes, they are splendid, splendid youngsters," chimed in the
count, who always solved questions that seemed to him perplexing by
deciding that everything was splendid. "Just fancy: wants to be an
hussar. What's one to do, my dear?"

"What a charming creature your younger girl is," said the visitor;
"a little volcano!"

"Yes, a regular volcano," said the count. "Takes after me! And
what a voice she has; though she's my daughter, I tell the truth
when I say she'll be a singer, a second Salomoni! We have engaged an
Italian to give her lessons."

"Isn't she too young? I have heard that it harms the voice to
train it at that age."

"Oh no, not at all too young!" replied the count. "Why, our
mothers used to be married at twelve or thirteen."

"And she's in love with Boris already. Just fancy!" said the
countess with a gentle smile, looking at Boris' and went on, evidently
concerned with a thought that always occupied her: "Now you see if I
were to be severe with her and to forbid it... goodness knows what
they might be up to on the sly" (she meant that they would be
kissing), "but as it is, I know every word she utters. She will come
running to me of her own accord in the evening and tell me everything.
Perhaps I spoil her, but really that seems the best plan. With her
elder sister I was stricter."

"Yes, I was brought up quite differently," remarked the handsome
elder daughter, Countess Vera, with a smile.

But the smile did not enhance Vera's beauty as smiles generally
do; on the contrary it gave her an unnatural, and therefore
unpleasant, expression. Vera was good-looking, not at all stupid,
quick at learning, was well brought up, and had a pleasant voice; what
she said was true and appropriate, yet, strange to say, everyone-
the visitors and countess alike- turned to look at her as if wondering
why she had said it, and they all felt awkward.

"People are always too clever with their eldest children and try
to make something exceptional of them," said the visitor.

"What's the good of denying it, my dear? Our dear countess was too
clever with Vera," said the count. "Well, what of that? She's turned
out splendidly all the same," he added, winking at Vera.

The guests got up and took their leave, promising to return to
dinner.

"What manners! I thought they would never go," said the countess,
when she had seen her guests out.


CHAPTER XIII


When Natasha ran out of the drawing room she only went as far as the
conservatory. There she paused and stood listening to the conversation
in the drawing room, waiting for Boris to come out. She was already
growing impatient, and stamped her foot, ready to cry at his not
coming at once, when she heard the young man's discreet steps
approaching neither quickly nor slowly. At this Natasha dashed swiftly
among the flower tubs and hid there.

Boris paused in the middle of the room, looked round, brushed a
little dust from the sleeve of his uniform, and going up to a mirror
examined his handsome face. Natasha, very still, peered out from her
ambush, waiting to see what he would do. He stood a little while
before the glass, smiled, and walked toward the other door. Natasha
was about to call him but changed her mind. "Let him look for me,"
thought she. Hardly had Boris gone than Sonya, flushed, in tears,
and muttering angrily, came in at the other door. Natasha checked
her first impulse to run out to her, and remained in her hiding place,
watching- as under an invisible cap- to see what went on in the world.
She was experiencing a new and peculiar pleasure. Sonya, muttering
to herself, kept looking round toward the drawing-room door. It opened
and Nicholas came in.

"Sonya, what is the matter with you? How can you?" said he,
running up to her.

"It's nothing, nothing; leave me alone!" sobbed Sonya.

"Ah, I know what it is."

"Well, if you do, so much the better, and you can go back to her!"

"So-o-onya! Look here! How can you torture me and yourself like
that, for a mere fancy?" said Nicholas taking her hand.

Sonya did not pull it away, and left off crying. Natasha, not
stirring and scarcely breathing, watched from her ambush with
sparkling eyes. "What will happen now?" thought she.

"Sonya! What is anyone in the world to me? You alone are
everything!" said Nicholas. "And I will prove it to you."

"I don't like you to talk like that."

"Well, then, I won't; only forgive me, Sonya!" He drew her to him
and kissed her.

"Oh, how nice," thought Natasha; and when Sonya and Nicholas had
gone out of the conservatory she followed and called Boris to her.

"Boris, come here," said she with a sly and significant look. "I
have something to tell you. Here, here!" and she led him into the
conservatory to the place among the tubs where she had been hiding.

Boris followed her, smiling.

"What is the something?" asked he.

She grew confused, glanced round, and, seeing the doll she had
thrown down on one of the tubs, picked it up.

"Kiss the doll," said she.

Boris looked attentively and kindly at her eager face, but did not
reply.

"Don't you want to? Well, then, come here," said she, and went
further in among the plants and threw down the doll. "Closer, closer!"
she whispered.

She caught the young officer by his cuffs, and a look of solemnity
and fear appeared on her flushed face.

"And me? Would you like to kiss me?" she whispered almost inaudibly,
glancing up at him from under her brows, smiling, and almost crying
from excitement.

Boris blushed.

"How funny you are!" he said, bending down to her and blushing still
more, but he waited and did nothing.

Suddenly she jumped up onto a tub to be higher than he, embraced him
so that both her slender bare arms clasped him above his neck, and,
tossing back her hair, kissed him full on the lips.

Then she slipped down among the flowerpots on the other side of
the tubs and stood, hanging her head.

"Natasha," he said, "you know that I love you, but..."

"You are in love with me?" Natasha broke in.

"Yes, I am, but please don't let us do like that.... In another four
years... then I will ask for your hand."

Natasha considered.

"Thirteen, fourteen, fifteen, sixteen," she counted on her slender
little fingers. "All right! Then it's settled?"

A smile of joy and satisfaction lit up her eager face.

"Settled!" replied Boris.

"Forever?" said the little girl. "Till death itself?"

She took his arm and with a happy face went with him into the
adjoining sitting room.


CHAPTER XIV


After receiving her visitors, the countess was so tired that she
gave orders to admit no more, but the porter was told to be sure to
invite to dinner all who came "to congratulate." The countess wished
to have a tete-a-tete talk with the friend of her childhood,
Princess Anna Mikhaylovna, whom she had not seen properly since she
returned from Petersburg. Anna Mikhaylovna, with her tear-worn but
pleasant face, drew her chair nearer to that of the countess.

"With you I will be quite frank," said Anna Mikhaylovna. "There
are not many left of us old friends! That's why I so value your
friendship."

Anna Mikhaylovna looked at Vera and paused. The countess pressed her
friend's hand.

"Vera," she said to her eldest daughter who was evidently not a
favorite, "how is it you have so little tact? Don't you see you are
not wanted here? Go to the other girls, or..."

The handsome Vera smiled contemptuously but did not seem at all
hurt.

"If you had told me sooner, Mamma, I would have gone," she replied
as she rose to go to her own room.

But as she passed the sitting room she noticed two couples
sitting, one pair at each window. She stopped and smiled scornfully.
Sonya was sitting close to Nicholas who was copying out some verses
for her, the first he had ever written. Boris and Natasha were at
the other window and ceased talking when Vera entered. Sonya and
Natasha looked at Vera with guilty, happy faces.

It was pleasant and touching to see these little girls in love;
but apparently the sight of them roused no pleasant feeling in Vera.

"How often have I asked you not to take my things?" she said. "You
have a room of your own," and she took the inkstand from Nicholas.

"In a minute, in a minute," he said, dipping his pen.

"You always manage to do things at the wrong time," continued
Vera. "You came rushing into the drawing room so that everyone felt
ashamed of you."

Though what she said was quite just, perhaps for that very reason no
one replied, and the four simply looked at one another. She lingered
in the room with the inkstand in her hand.

"And at your age what secrets can there be between Natasha and
Boris, or between you two? It's all nonsense!"

"Now, Vera, what does it matter to you?" said Natasha in defense,
speaking very gently.

She seemed that day to be more than ever kind and affectionate to
everyone.

"Very silly," said Vera. "I am ashamed of you. Secrets indeed!"

"All have secrets of their own," answered Natasha, getting warmer.
"We don't interfere with you and Berg."

"I should think not," said Vera, "because there can never be
anything wrong in my behavior. But I'll just tell Mamma how you are
behaving with Boris."

"Natalya Ilynichna behaves very well to me," remarked Boris. "I have
nothing to complain of."

"Don't, Boris! You are such a diplomat that it is really
tiresome," said Natasha in a mortified voice that trembled slightly.
(She used the word "diplomat," which was just then much in vogue among
the children, in the special sense they attached to it.) "Why does she
bother me?" And she added, turning to Vera, "You'll never understand
it, because you've never loved anyone. You have no heart! You are a
Madame de Genlis and nothing more" (this nickname, bestowed on Vera by
Nicholas, was considered very stinging), "and your greatest pleasure
is to be unpleasant to people! Go and flirt with Berg as much as you
please," she finished quickly.

"I shall at any rate not run after a young man before visitors..."

"Well, now you've done what you wanted," put in Nicholas- "said
unpleasant things to everyone and upset them. Let's go to the
nursery."

All four, like a flock of scared birds, got up and left the room.

"The unpleasant things were said to me," remarked Vera, "I said none
to anyone."

"Madame de Genlis! Madame de Genlis!" shouted laughing voices
through the door.

The handsome Vera, who produced such an irritating and unpleasant
effect on everyone, smiled and, evidently unmoved by what had been
said to her, went to the looking glass and arranged her hair and
scarf. Looking at her own handsome face she seemed to become still
colder and calmer.


In the drawing room the conversation was still going on.

"Ah, my dear," said the countess, "my life is not all roses
either. Don't I know that at the rate we are living our means won't
last long? It's all the Club and his easygoing nature. Even in the
country do we get any rest? Theatricals, hunting, and heaven knows
what besides! But don't let's talk about me; tell me how you managed
everything. I often wonder at you, Annette- how at your age you can
rush off alone in a carriage to Moscow, to Petersburg, to those
ministers and great people, and know how to deal with them all! It's
quite astonishing. How did you get things settled? I couldn't possibly
do it."

"Ah, my love," answered Anna Mikhaylovna, "God grant you never
know what it is to be left a widow without means and with a son you
love to distraction! One learns many things then," she added with a
certain pride. "That lawsuit taught me much. When I want to see one of
those big people I write a note: 'Princess So-and-So desires an
interview with So and-So,' and then I take a cab and go myself two,
three, or four times- till I get what I want. I don't mind what they
think of me."

"Well, and to whom did you apply about Bory?" asked the countess.
"You see yours is already an officer in the Guards, while my
Nicholas is going as a cadet. There's no one to interest himself for
him. To whom did you apply?"

"To Prince Vasili. He was so kind. He at once agreed to
everything, and put the matter before the Emperor," said Princess Anna
Mikhaylovna enthusiastically, quite forgetting all the humiliation she
had endured to gain her end.

"Has Prince Vasili aged much?" asked the countess. "I have not
seen him since we acted together at the Rumyantsovs' theatricals. I
expect he has forgotten me. He paid me attentions in those days," said
the countess, with a smile.

"He is just the same as ever," replied Anna Mikhaylovna,
"overflowing with amiability. His position has not turned his head
at all. He said to me, 'I am sorry I can do so little for you, dear
Princess. I am at your command.' Yes, he is a fine fellow and a very
kind relation. But, Nataly, you know my love for my son: I would do
anything for his happiness! And my affairs are in such a bad way
that my position is now a terrible one," continued Anna Mikhaylovna,
sadly, dropping her voice. "My wretched lawsuit takes all I have and
makes no progress. Would you believe it, I have literally not a
penny and don't know how to equip Boris." She took out her
handkerchief and began to cry. "I need five hundred rubles, and have
only one twenty-five-ruble note. I am in such a state.... My only hope
now is in Count Cyril Vladimirovich Bezukhov. If he will not assist
his godson- you know he is Bory's godfather- and allow him something
for his maintenance, all my trouble will have been thrown away.... I
shall not be able to equip him."

The countess' eyes filled with tears and she pondered in silence.

"I often think, though, perhaps it's a sin," said the princess,
"that here lives Count Cyril Vladimirovich Bezukhov so rich, all
alone... that tremendous fortune... and what is his life worth? It's a
burden to him, and Bory's life is only just beginning...."

"Surely he will leave something to Boris," said the countess.

"Heaven only knows, my dear! These rich grandees are so selfish.
Still, I will take Boris and go to see him at once, and I shall
speak to him straight out. Let people think what they will of me, it's
really all the same to me when my son's fate is at stake." The
princess rose. "It's now two o'clock and you dine at four. There
will just be time."

And like a practical Petersburg lady who knows how to make the
most of time, Anna Mikhaylovna sent someone to call her son, and
went into the anteroom with him.

"Good-by, my dear," said she to the countess who saw her to the
door, and added in a whisper so that her son should not hear, "Wish me
good luck."

"Are you going to Count Cyril Vladimirovich, my dear?" said the
count coming out from the dining hall into the anteroom, and he added:
"If he is better, ask Pierre to dine with us. He has been to the
house, you know, and danced with the children. Be sure to invite
him, my dear. We will see how Taras distinguishes himself today. He
says Count Orlov never gave such a dinner as ours will be!"


CHAPTER XV


"My dear Boris," said Princess Anna Mikhaylovna to her son as
Countess Rostova's carriage in which they were seated drove over the
straw covered street and turned into the wide courtyard of Count Cyril
Vladimirovich Bezukhov's house. "My dear Boris," said the mother,
drawing her hand from beneath her old mantle and laying it timidly and
tenderly on her son's arm, "be affectionate and attentive to him.
Count Cyril Vladimirovich is your godfather after all, your future
depends on him. Remember that, my dear, and be nice to him, as you
so well know how to be."

"If only I knew that anything besides humiliation would come of
it..." answered her son coldly. "But I have promised and will do it
for your sake."

Although the hall porter saw someone's carriage standing at the
entrance, after scrutinizing the mother and son (who without asking to
be announced had passed straight through the glass porch between the
rows of statues in niches) and looking significantly at the lady's old
cloak, he asked whether they wanted the count or the princesses,
and, hearing that they wished to see the count, said his excellency
was worse today, and that his excellency was not receiving anyone.

"We may as well go back," said the son in French.

"My dear!" exclaimed his mother imploringly, again laying her hand
on his arm as if that touch might soothe or rouse him.

Boris said no more, but looked inquiringly at his mother without
taking off his cloak.

"My friend," said Anna Mikhaylovna in gentle tones, addressing the
hall porter, I know Count Cyril Vladimirovich is very ill... that's
why I have come... I am a relation. I shall not disturb him, my
friend... I only need see Prince Vasili Sergeevich: he is staying
here, is he not? Please announce me."

The hall porter sullenly pulled a bell that rang upstairs, and
turned away.

"Princess Drubetskaya to see Prince Vasili Sergeevich," he called to
a footman dressed in knee breeches, shoes, and a swallow-tail coat,
who ran downstairs and looked over from the halfway landing.

The mother smoothed the folds of her dyed silk dress before a
large Venetian mirror in the wall, and in her trodden-down shoes
briskly ascended the carpeted stairs.

"My dear," she said to her son, once more stimulating him by a
touch, "you promised me!"

The son, lowering his eyes, followed her quietly.

They entered the large hall, from which one of the doors led to
the apartments assigned to Prince Vasili.

Just as the mother and son, having reached the middle of the hall,
were about to ask their way of an elderly footman who had sprung up as
they entered, the bronze handle of one of the doors turned and
Prince Vasili came out- wearing a velvet coat with a single star on
his breast, as was his custom when at home- taking leave of a
good-looking, dark-haired man. This was the celebrated Petersburg
doctor, Lorrain.

"Then it is certain?" said the prince.

"Prince, humanum est errare,* but..." replied the doctor, swallowing
his r's, and pronouncing the Latin words with a French accent.


*To err is human.


"Very well, very well..."

Seeing Anna Mikhaylovna and her son, Prince Vasili dismissed the
doctor with a bow and approached them silently and with a look of
inquiry. The son noticed that an expression of profound sorrow
suddenly clouded his mother's face, and he smiled slightly.

"Ah, Prince! In what sad circumstances we meet again! And how is our
dear invalid?" said she, as though unaware of the cold offensive
look fixed on her.

Prince Vasili stared at her and at Boris questioningly and
perplexed. Boris bowed politely. Prince Vasili without acknowledging
the bow turned to Anna Mikhaylovna, answering her query by a
movement of the head and lips indicating very little hope for the
patient.

"Is it possible?" exclaimed Anna Mikhaylovna. "Oh, how awful! It
is terrible to think.... This is my son," she added, indicating Boris.
"He wanted to thank you himself."

Boris bowed again politely.

"Believe me, Prince, a mother's heart will never forget what you
have done for us."

"I am glad I was able to do you a service, my dear Anna
Mikhaylovna," said Prince Vasili, arranging his lace frill, and in
tone and manner, here in Moscow to Anna Mikhaylovna whom he had placed
under an obligation, assuming an air of much greater importance than
he had done in Petersburg at Anna Scherer's reception.

"Try to serve well and show yourself worthy," added he, addressing
Boris with severity. "I am glad.... Are you here on leave?" he went on
in his usual tone of indifference.

"I am awaiting orders to join my new regiment, your excellency,"
replied Boris, betraying neither annoyance at the prince's brusque
manner nor a desire to enter into conversation, but speaking so
quietly and respectfully that the prince gave him a searching glance.

"Are you living with your mother?"

"I am living at Countess Rostova's," replied Boris, again adding,
"your excellency."

"That is, with Ilya Rostov who married Nataly Shinshina," said
Anna Mikhaylovna.

"I know, I know," answered Prince Vasili in his monotonous voice. "I
never could understand how Nataly made up her mind to marry that
unlicked bear! A perfectly absurd and stupid fellow, and a gambler
too, I am told."

"But a very kind man, Prince," said Anna Mikhaylovna with a pathetic
smile, as though she too knew that Count Rostov deserved this censure,
but asked him not to be too hard on the poor old man. "What do the
doctors say?" asked the princess after a pause, her worn face again
expressing deep sorrow.

"They give little hope," replied the prince.

"And I should so like to thank Uncle once for all his kindness to me
and Boris. He is his godson," she added, her tone suggesting that this
fact ought to give Prince Vasili much satisfaction.

Prince Vasili became thoughtful and frowned. Anna Mikhaylovna saw
that he was afraid of finding in her a rival for Count Bezukhov's
fortune, and hastened to reassure him.

"If it were not for my sincere affection and devotion to Uncle,"
said she, uttering the word with peculiar assurance and unconcern,
"I know his character: noble, upright... but you see he has no one
with him except the young princesses.... They are still young...." She
bent her head and continued in a whisper: "Has he performed his
final duty, Prince? How priceless are those last moments! It can
make things no worse, and it is absolutely necessary to prepare him if
he is so ill. We women, Prince," and she smiled tenderly, "always know
how to say these things. I absolutely must see him, however painful it
may be for me. I am used to suffering."

Evidently the prince understood her, and also understood, as he
had done at Anna Pavlovna's, that it would be difficult to get rid
of Anna Mikhaylovna.

"Would not such a meeting be too trying for him, dear Anna
Mikhaylovna?" said he. "Let us wait until evening. The doctors are
expecting a crisis."

"But one cannot delay, Prince, at such a moment! Consider that the
welfare of his soul is at stake. Ah, it is awful: the duties of a
Christian..."

A door of one of the inner rooms opened and one of the princesses,
the count's niece, entered with a cold, stern face. The length of
her body was strikingly out of proportion to her short legs. Prince
Vasili turned to her.

"Well, how is he?"

"Still the same; but what can you expect, this noise..." said the
princess, looking at Anna Mikhaylovna as at a stranger.

"Ah, my dear, I hardly knew you," said Anna Mikhaylovna with a happy
smile, ambling lightly up to the count's niece. "I have come, and am
at your service to help you nurse my uncle. I imagine what you have
gone through," and she sympathetically turned up her eyes.

The princess gave no reply and did not even smile, but left the room
at Anna Mikhaylovna took off her gloves and, occupying the position
she had conquered, settled down in an armchair, inviting Prince Vasili
to take a seat beside her.

"Boris," she said to her son with a smile, "I shall go in to see the
count, my uncle; but you, my dear, had better go to Pierre meanwhile
and don't forget to give him the Rostovs' invitation. They ask him
to dinner. I suppose he won't go?" she continued, turning to the
prince.

"On the contrary," replied the prince, who had plainly become
depressed, "I shall be only too glad if you relieve me of that young
man.... Here he is, and the count has not once asked for him."

He shrugged his shoulders. A footman conducted Boris down one flight
of stairs and up another, to Pierre's rooms.


CHAPTER XVI


Pierre, after all, had not managed to choose a career for himself in
Petersburg, and had been expelled from there for riotous conduct and
sent to Moscow. The story told about him at Count Rostov's was true.
Pierre had taken part in tying a policeman to a bear. He had now
been for some days in Moscow and was staying as usual at his
father's house. Though he expected that the story of his escapade
would be already known in Moscow and that the ladies about his father-
who were never favorably disposed toward him- would have used it to
turn the count against him, he nevertheless on the day of his
arrival went to his father's part of the house. Entering the drawing
room, where the princesses spent most of their time, he greeted the
ladies, two of whom were sitting at embroidery frames while a third
read aloud. It was the eldest who was reading- the one who had met
Anna Mikhaylovna. The two younger ones were embroidering: both were
rosy and pretty and they differed only in that one had a little mole
on her lip which made her much prettier. Pierre was received as if
he were a corpse or a leper. The eldest princess paused in her reading
and silently stared at him with frightened eyes; the second assumed
precisely the same expression; while the youngest, the one with the
mole, who was of a cheerful and lively disposition, bent over her
frame to hide a smile probably evoked by the amusing scene she
foresaw. She drew her wool down through the canvas and, scarcely
able to refrain from laughing, stooped as if trying to make out the
pattern.

"How do you do, cousin?" said Pierre. "You don't recognize me?"

"I recognize you only too well, too well."

"How is the count? Can I see him?" asked Pierre, awkwardly as usual,
but unabashed.

"The count is suffering physically and mentally, and apparently
you have done your best to increase his mental sufferings."

"Can I see the count?" Pierre again asked.

"Hm.... If you wish to kill him, to kill him outright, you can see
him... Olga, go and see whether Uncle's beef tea is ready- it is
almost time," she added, giving Pierre to understand that they were
busy, and busy making his father comfortable, while evidently he,
Pierre, was only busy causing him annoyance.

Olga went out. Pierre stood looking at the sisters; then he bowed
and said: "Then I will go to my rooms. You will let me know when I can
see him."

And he left the room, followed by the low but ringing laughter of
the sister with the mole.

Next day Prince Vasili had arrived and settled in the count's house.
He sent for Pierre and said to him: "My dear fellow, if you are
going to behave here as you did in Petersburg, you will end very
badly; that is all I have to say to you. The count is very, very
ill, and you must not see him at all."

Since then Pierre had not been disturbed and had spent the whole
time in his rooms upstairs.

When Boris appeared at his door Pierre was pacing up and down his
room, stopping occasionally at a corner to make menacing gestures at
the wall, as if running a sword through an invisible foe, and
glaring savagely over his spectacles, and then again resuming his
walk, muttering indistinct words, shrugging his shoulders and
gesticulating.

"England is done for," said he, scowling and pointing his finger
at someone unseen. "Mr. Pitt, as a traitor to the nation and to the
rights of man, is sentenced to..." But before Pierre- who at that
moment imagined himself to be Napoleon in person and to have just
effected the dangerous crossing of the Straits of Dover and captured
London- could pronounce Pitt's sentence, he saw a well-built and
handsome young officer entering his room. Pierre paused. He had left
Moscow when Boris was a boy of fourteen, and had quite forgotten
him, but in his usual impulsive and hearty way he took Boris by the
hand with a friendly smile.

"Do you remember me?" asked Boris quietly with a pleasant smile.
"I have come with my mother to see the count, but it seems he is not
well."

"Yes, it seems he is ill. People are always disturbing him,"
answered Pierre, trying to remember who this young man was.

Boris felt that Pierre did not recognize him but did not consider it
necessary to introduce himself, and without experiencing the least
embarrassment looked Pierre straight in the face.

"Count Rostov asks you to come to dinner today," said he, after a
considerable pause which made Pierre feel uncomfortable.

"Ah, Count Rostov!" exclaimed Pierre joyfully. "Then you are his
son, Ilya? Only fancy, I didn't know you at first. Do you remember how
we went to the Sparrow Hills with Madame Jacquot?... It's such an
age..."

"You are mistaken," said Boris deliberately, with a bold and
slightly sarcastic smile. "I am Boris, son of Princess Anna
Mikhaylovna Drubetskaya. Rostov, the father, is Ilya, and his son is
Nicholas. I never knew any Madame Jacquot."

Pierre shook his head and arms as if attacked by mosquitoes or bees.

"Oh dear, what am I thinking about? I've mixed everything up. One
has so many relatives in Moscow! So you are Boris? Of course. Well,
now we know where we are. And what do you think of the Boulogne
expedition? The English will come off badly, you know, if Napoleon
gets across the Channel. I think the expedition is quite feasible.
If only Villeneuve doesn't make a mess of things!

Boris knew nothing about the Boulogne expedition; he did not read
the papers and it was the first time he had heard Villeneuve's name.

"We here in Moscow are more occupied with dinner parties and scandal
than with politics," said he in his quiet ironical tone. "I know
nothing about it and have not thought about it. Moscow is chiefly busy
with gossip," he continued. "Just now they are talking about you and
your father."

Pierre smiled in his good-natured way as if afraid for his
companion's sake that the latter might say something he would
afterwards regret. But Boris spoke distinctly, clearly, and dryly,
looking straight into Pierre's eyes.

"Moscow has nothing else to do but gossip," Boris went on.
"Everybody is wondering to whom the count will leave his fortune,
though he may perhaps outlive us all, as I sincerely hope he will..."

"Yes, it is all very horrid," interrupted Pierre, "very horrid."

Pierre was still afraid that this officer might inadvertently say
something disconcerting to himself.

"And it must seem to you," said Boris flushing slightly, but not
changing his tone or attitude, "it must seem to you that everyone is
trying to get something out of the rich man?"

"So it does," thought Pierre.

"But I just wish to say, to avoid misunderstandings, that you are
quite mistaken if you reckon me or my mother among such people. We are
very poor, but for my own part at any rate, for the very reason that
your father is rich, I don't regard myself as a relation of his, and
neither I nor my mother would ever ask or take anything from him."

For a long time Pierre could not understand, but when he did, he
jumped up from the sofa, seized Boris under the elbow in his quick,
clumsy way, and, blushing far more than Boris, began to speak with a
feeling of mingled shame and vexation.

"Well, this is strange! Do you suppose I... who could think?... I
know very well..."

But Boris again interrupted him.

"I am glad I have spoken out fully. Perhaps you did not like it? You
must excuse me," said he, putting Pierre at ease instead of being
put at ease by him, "but I hope I have not offended you. I always make
it a rule to speak out... Well, what answer am I to take? Will you
come to dinner at the Rostovs'?"

And Boris, having apparently relieved himself of an onerous duty and
extricated himself from an awkward situation and placed another in it,
became quite pleasant again.

"No, but I say," said Pierre, calming down, "you are a wonderful
fellow! What you have just said is good, very good. Of course you
don't know me. We have not met for such a long time... not since we
were children. You might think that I... I understand, quite
understand. I could not have done it myself, I should not have had the
courage, but it's splendid. I am very glad to have made your
acquaintance. It's queer," he added after a pause, "that you should
have suspected me!" He began to laugh. "Well, what of it! I hope we'll
get better acquainted," and he pressed Boris' hand. "Do you know, I
have not once been in to see the count. He has not sent for me.... I
am sorry for him as a man, but what can one do?"

"And so you think Napoleon will manage to get an army across?" asked
Boris with a smile.

Pierre saw that Boris wished to change the subject, and being of the
same mind he began explaining the advantages and disadvantages of
the Boulogne expedition.

A footman came in to summon Boris- the princess was going. Pierre,
in order to make Boris' better acquaintance, promised to come to
dinner, and warmly pressing his hand looked affectionately over his
spectacles into Boris' eyes. After he had gone Pierre continued pacing
up and down the room for a long time, no longer piercing an
imaginary foe with his imaginary sword, but smiling at the remembrance
of that pleasant, intelligent, and resolute young man.

As often happens in early youth, especially to one who leads a
lonely life, he felt an unaccountable tenderness for this young man
and made up his mind that they would be friends.

Prince Vasili saw the princess off. She held a handkerchief to her
eyes and her face was tearful.

"It is dreadful, dreadful!" she was saying, "but cost me what it may
I shall do my duty. I will come and spend the night. He must not be
left like this. Every moment is precious. I can't think why his nieces
put it off. Perhaps God will help me to find a way to prepare
him!... Adieu, Prince! May God support you..."

"Adieu, ma bonne," answered Prince Vasili turning away from her.

"Oh, he is in a dreadful state," said the mother to her son when
they were in the carriage. "He hardly recognizes anybody."

"I don't understand, Mamma- what is his attitude to Pierre?" asked
the son.

"The will will show that, my dear; our fate also depends on it."

"But why do you expect that he will leave us anything?"

"Ah, my dear! He is so rich, and we are so poor!"

"Well, that is hardly a sufficient reason, Mamma..."

"Oh, Heaven! How ill he is!" exclaimed the mother.


CHAPTER XVII


After Anna Mikhaylovna had driven off with her son to visit Count
Cyril Vladimirovich Bezukhov, Countess Rostova sat for a long time all
alone applying her handkerchief to her eyes. At last she rang.

"What is the matter with you, my dear?" she said crossly to the maid
who kept her waiting some minutes. "Don't you wish to serve me? Then
I'll find you another place."

The countess was upset by her friend's sorrow and humiliating
poverty, and was therefore out of sorts, a state of mind which with
her always found expression in calling her maid "my dear" and speaking
to her with exaggerated politeness.

"I am very sorry, ma'am," answered the maid.

"Ask the count to come to me."

The count came waddling in to see his wife with a rather guilty look
as usual.

"Well, little countess? What a saute of game au madere we are to
have, my dear! I tasted it. The thousand rubles I paid for Taras
were not ill-spent. He is worth it!"

He sat down by his wife, his elbows on his knees and his hands
ruffling his gray hair.

"What are your commands, little countess?"

"You see, my dear... What's that mess?" she said, pointing to his
waistcoat. "It's, the saute, most likely," she added with a smile.
"Well, you see, Count, I want some money."

Her face became sad.

"Oh, little countess!"... and the count began bustling to get out
his pocketbook.

"I want a great deal, Count! I want five hundred rubles," and taking
out her cambric handkerchief she began wiping her husband's waistcoat.

"Yes, immediately, immediately! Hey, who's there?" he called out
in a tone only used by persons who are certain that those they call
will rush to obey the summons. "Send Dmitri to me!"

Dmitri, a man of good family who had been brought up in the
count's house and now managed all his affairs, stepped softly into the
room.

"This is what I want, my dear fellow," said the count to the
deferential young man who had entered. "Bring me..." he reflected a
moment, "yes, bring me seven hundred rubles, yes! But mind, don't
bring me such tattered and dirty notes as last time, but nice clean
ones for the countess."

"Yes, Dmitri, clean ones, please," said the countess, sighing
deeply.

"When would you like them, your excellency?" asked Dmitri. "Allow me
to inform you... But, don't be uneasy," he added, noticing that the
count was beginning to breathe heavily and quickly which was always
a sign of approaching anger. "I was forgetting... Do you wish it
brought at once?"

"Yes, yes; just so! Bring it. Give it to the countess."

"What a treasure that Dmitri is," added the count with a smile
when the young man had departed. "There is never any 'impossible' with
him. That's a thing I hate! Everything is possible."

"Ah, money, Count, money! How much sorrow it causes in the world,"
said the countess. "But I am in great need of this sum."

"You, my little countess, are a notorious spendthrift," said the
count, and having kissed his wife's hand he went back to his study.

When Anna Mikhaylovna returned from Count Bezukhov's the money,
all in clean notes, was lying ready under a handkerchief on the
countess' little table, and Anna Mikhaylovna noticed that something
was agitating her.

"Well, my dear?" asked the countess.

"Oh, what a terrible state he is in! One would not know him, he is
so ill! I was only there a few moments and hardly said a word..."

"Annette, for heaven's sake don't refuse me," the countess began,
with a blush that looked very strange on her thin, dignified,
elderly face, and she took the money from under the handkerchief.

Anna Mikhaylovna instantly guessed her intention and stooped to be
ready to embrace the countess at the appropriate moment.

"This is for Boris from me, for his outfit."

Anna Mikhaylovna was already embracing her and weeping. The countess
wept too. They wept because they were friends, and because they were
kindhearted, and because they- friends from childhood- had to think
about such a base thing as money, and because their youth was over....
But those tears were pleasant to them both.


CHAPTER XVIII


Countess Rostova, with her daughters and a large number of guests,
was already seated in the drawing room. The count took the gentlemen
into his study and showed them his choice collection of Turkish pipes.
From time to time he went out to ask: "Hasn't she come yet?" They were
expecting Marya Dmitrievna Akhrosimova, known in society as le
terrible dragon, a lady distinguished not for wealth or rank, but
for common sense and frank plainness of speech. Marya Dmitrievna was
known to the Imperial family as well as to all Moscow and
Petersburg, and both cities wondered at her, laughed privately at
her rudenesses, and told good stories about her, while none the less
all without exception respected and feared her.

In the count's room, which was full of tobacco smoke, they talked of
war that had been announced in a manifesto, and about the
recruiting. None of them had yet seen the manifesto, but they all knew
it had appeared. The count sat on the sofa between two guests who were
smoking and talking. He neither smoked nor talked, but bending his
head first to one side and then to the other watched the smokers
with evident pleasure and listened to the conversation of his two
neighbors, whom he egged on against each other.

One of them was a sallow, clean-shaven civilian with a thin and
wrinkled face, already growing old, though he was dressed like a
most fashionable young man. He sat with his legs up on the sofa as
if quite at home and, having stuck an amber mouthpiece far into his
mouth, was inhaling the smoke spasmodically and screwing up his
eyes. This was an old bachelor, Shinshin, a cousin of the countess', a
man with "a sharp tongue" as they said in Moscow society. He seemed to
be condescending to his companion. The latter, a fresh, rosy officer
of the Guards, irreproachably washed, brushed, and buttoned, held
his pipe in the middle of his mouth and with red lips gently inhaled
the smoke, letting it escape from his handsome mouth in rings. This
was Lieutenant Berg, an officer in the Semenov regiment with whom
Boris was to travel to join the army, and about whom Natasha had,
teased her elder sister Vera, speaking of Berg as her "intended."
The count sat between them and listened attentively. His favorite
occupation when not playing boston, a card game he was very fond of,
was that of listener, especially when he succeeded in setting two
loquacious talkers at one another.

"Well, then, old chap, mon tres honorable Alphonse Karlovich,"
said Shinshin, laughing ironically and mixing the most ordinary
Russian expressions with the choicest French phrases- which was a
peculiarity of his speech. "Vous comptez vous faire des rentes sur
l'etat;* you want to make something out of your company?"


*You expect to make an income out of the government.


"No, Peter Nikolaevich; I only want to show that in the cavalry
the advantages are far less than in the infantry. Just consider my own
position now, Peter Nikolaevich..."

Berg always spoke quietly, politely, and with great precision. His
conversation always related entirely to himself; he would remain
calm and silent when the talk related to any topic that had no
direct bearing on himself. He could remain silent for hours without
being at all put out of countenance himself or making others
uncomfortable, but as soon as the conversation concerned himself he
would begin to talk circumstantially and with evident satisfaction.

"Consider my position, Peter Nikolaevich. Were I in the cavalry I
should get not more than two hundred rubles every four months, even
with the rank of lieutenant; but as it is I receive two hundred and
thirty," said he, looking at Shinshin and the count with a joyful,
pleasant smile, as if it were obvious to him that his success must
always be the chief desire of everyone else.

"Besides that, Peter Nikolaevich, by exchanging into the Guards I
shall be in a more prominent position," continued Berg, "and vacancies
occur much more frequently in the Foot Guards. Then just think what
can be done with two hundred and thirty rubles! I even manage to put a
little aside and to send something to my father," he went on, emitting
a smoke ring.

"La balance y est...* A German knows how to skin a flint, as the
proverb says," remarked Shinshin, moving his pipe to the other side of
his mouth and winking at the count.


*So that squares matters.


The count burst out laughing. The other guests seeing that
Shinshin was talking came up to listen. Berg, oblivious of irony or
indifference, continued to explain how by exchanging into the Guards
he had already gained a step on his old comrades of the Cadet Corps;
how in wartime the company commander might get killed and he, as
senior in the company, might easily succeed to the post; how popular
he was with everyone in the regiment, and how satisfied his father was
with him. Berg evidently enjoyed narrating all this, and did not
seem to suspect that others, too, might have their own interests.
But all he said was so prettily sedate, and the naivete of his
youthful egotism was so obvious, that he disarmed his hearers.

"Well, my boy, you'll get along wherever you go- foot or horse- that
I'll warrant," said Shinshin, patting him on the shoulder and taking
his feet off the sofa.

Berg smiled joyously. The count, by his guests, went into the
drawing room.


It was just the moment before a big dinner when the assembled
guests, expecting the summons to zakuska,* avoid engaging in any
long conversation but think it necessary to move about and talk, in
order to show that they are not at all impatient for their food. The
host and hostess look toward the door, and now and then glance at
one another, and the visitors try to guess from these glances who,
or what, they are waiting for- some important relation who has not yet
arrived, or a dish that is not yet ready.


*Hors d'oeuvres.


Pierre had come just at dinnertime and was sitting awkwardly in
the middle of the drawing room on the first chair he had come
across, blocking the way for everyone. The countess tried to make
him talk, but he went on naively looking around through his spectacles
as if in search of somebody and answered all her questions in
monosyllables. He was in the way and was the only one who did not
notice the fact. Most of the guests, knowing of the affair with the
bear, looked with curiosity at this big, stout, quiet man, wondering
how such a clumsy, modest fellow could have played such a prank on a
policeman.

"You have only lately arrived?" the countess asked him.

"Oui, madame," replied he, looking around him.

"You have not yet seen my husband?"

"Non, madame." He smiled quite inappropriately.

"You have been in Paris recently, I believe? I suppose it's very
interesting."

"Very interesting."

The countess exchanged glances with Anna Mikhaylovna. The latter
understood that she was being asked to entertain this young man, and
sitting down beside him she began to speak about his father; but he
answered her, as he had the countess, only in monosyllables. The other
guests were all conversing with one another. "The Razumovskis... It
was charming... You are very kind... Countess Apraksina..." was
heard on all sides. The countess rose and went into the ballroom.

"Marya Dmitrievna?" came her voice from there.

"Herself," came the answer in a rough voice, and Marya Dmitrievna
entered the room.

All the unmarried ladies and even the married ones except the very
oldest rose. Marya Dmitrievna paused at the door. Tall and stout,
holding high her fifty-year-old head with its gray curls, she stood
surveying the guests, and leisurely arranged her wide sleeves as if
rolling them up. Marya Dmitrievna always spoke in Russian.

"Health and happiness to her whose name day we are keeping and to
her children," she said, in her loud, full-toned voice which drowned
all others. "Well, you old sinner," she went on, turning to the
count who was kissing her hand, "you're feeling dull in Moscow, I
daresay? Nowhere to hunt with your dogs? But what is to be done, old
man? Just see how these nestlings are growing up," and she pointed
to the girls. "You must look for husbands for them whether you like it
or not...."

Well," said she, "how's my Cossack?" (Marya Dmitrievna always called
Natasha a Cossack) and she stroked the child's arm as she came up
fearless and gay to kiss her hand. "I know she's a scamp of a girl,
but I like her."

She took a pair of pear-shaped ruby earrings from her huge
reticule and, having given them to the rosy Natasha, who beamed with
the pleasure of her saint's-day fete, turned away at once and
addressed herself to Pierre.

"Eh, eh, friend! Come here a bit," said she, assuming a soft high
tone of voice. "Come here, my friend..." and she ominously tucked up
her sleeves still higher. Pierre approached, looking at her in a
childlike way through his spectacles.

"Come nearer, come nearer, friend! I used to be the only one to tell
your father the truth when he was in favor, and in your case it's my
evident duty." She paused. All were silent, expectant of what was to
follow, for this was dearly only a prelude.

"A fine lad! My word! A fine lad!... His father lies on his deathbed
and he amuses himself setting a policeman astride a bear! For shame,
sir, for shame! It would be better if you went to the war."

She turned away and gave her hand to the count, who could hardly
keep from laughing.

"Well, I suppose it is time we were at table?" said Marya
Dmitrievna.

The count went in first with Marya Dmitrievna, the countess followed
on the arm of a colonel of hussars, a man of importance to them
because Nicholas was to go with him to the regiment; then came Anna
Mikhaylovna with Shinshin. Berg gave his arm to Vera. The smiling
Julie Karagina went in with Nicholas. After them other couples
followed, filling the whole dining hall, and last of all the children,
tutors, and governesses followed singly. The footmen began moving
about, chairs scraped, the band struck up in the gallery, and the
guests settled down in their places. Then the strains of the count's
household band were replaced by the clatter of knives and forks, the
voices of visitors, and the soft steps of the footmen. At one end of
the table sat the countess with Marya Dmitrievna on her right and Anna
Mikhaylovna on her left, the other lady visitors were farther down. At
the other end sat the count, with the hussar colonel on his left and
Shinshin and the other male visitors on his right. Midway down the
long table on one side sat the grownup young people: Vera beside Berg,
and Pierre beside Boris; and on the other side, the children,
tutors, and governesses. From behind the crystal decanters and fruit
vases the count kept glancing at his wife and her tall cap with its
light-blue ribbons, and busily filled his neighbors' glasses, not
neglecting his own. The countess in turn, without omitting her
duties as hostess, threw significant glances from behind the
pineapples at her husband whose face and bald head seemed by their
redness to contrast more than usual with his gray hair. At the ladies'
end an even chatter of voices was heard all the time, at the men's end
the voices sounded louder and louder, especially that of the colonel
of hussars who, growing more and more flushed, ate and drank so much
that the count held him up as a pattern to the other guests. Berg with
tender smiles was saying to Vera that love is not an earthly but a
heavenly feeling. Boris was telling his new friend Pierre who the
guests were and exchanging glances with Natasha, who was sitting
opposite. Pierre spoke little but examined the new faces, and ate a
great deal. Of the two soups he chose turtle with savory patties and
went on to the game without omitting a single dish or one of the
wines. These latter the butler thrust mysteriously forward, wrapped in
a napkin, from behind the next man's shoulders and whispered: "Dry
Madeira"... "Hungarian"... or "Rhine wine" as the case might be. Of
the four crystal glasses engraved with the count's monogram that stood
before his plate, Pierre held out one at random and drank with
enjoyment, gazing with ever-increasing amiability at the other guests.
Natasha, who sat opposite, was looking at Boris as girls of thirteen
look at the boy they are in love with and have just kissed for the
first time. Sometimes that same look fell on Pierre, and that funny
lively little girl's look made him inclined to laugh without knowing
why.

Nicholas sat at some distance from Sonya, beside Julie Karagina,
to whom he was again talking with the same involuntary smile. Sonya
wore a company smile but was evidently tormented by jealousy; now
she turned pale, now blushed and strained every nerve to overhear what
Nicholas and Julie were saying to one another. The governess kept
looking round uneasily as if preparing to resent any slight that might
be put upon the children. The German tutor was trying to remember
all the dishes, wines, and kinds of dessert, in order to send a full
description of the dinner to his people in Germany; and he felt
greatly offended when the butler with a bottle wrapped in a napkin
passed him by. He frowned, trying to appear as if he did not want
any of that wine, but was mortified because no one would understand
that it was not to quench his thirst or from greediness that he wanted
it, but simply from a conscientious desire for knowledge.


CHAPTER XIX


At the men's end of the table the talk grew more and more
animated. The colonel told them that the declaration of war had
already appeared in Petersburg and that a copy, which he had himself
seen, had that day been forwarded by courier to the commander in
chief.

"And why the deuce are we going to fight Bonaparte?" remarked
Shinshin. "He has stopped Austria's cackle and I fear it will be our
turn next."

The colonel was a stout, tall, plethoric German, evidently devoted
to the service and patriotically Russian. He resented Shinshin's
remark.

"It is for the reasson, my goot sir," said he, speaking with a
German accent, "for the reasson zat ze Emperor knows zat. He
declares in ze manifessto zat he cannot fiew wiz indifference ze
danger vreatening Russia and zat ze safety and dignity of ze Empire as
vell as ze sanctity of its alliances..." he spoke this last word
with particular emphasis as if in it lay the gist of the matter.

Then with the unerring official memory that characterized him he
repeated from the opening words of the manifesto:

... and the wish, which constitutes the Emperor's sole and
absolute aim- to establish peace in Europe on firm foundations- has
now decided him to despatch part of the army abroad and to create a
new condition for the attainment of that purpose.

"Zat, my dear sir, is vy..." he concluded, drinking a tumbler of
wine with dignity and looking to the count for approval.

"Connaissez-vous le Proverbe:* 'Jerome, Jerome, do not roam, but
turn spindles at home!'?" said Shinshin, puckering his brows and
smiling. "Cela nous convient a merveille.*[2] Suvorov now- he knew
what he was about; yet they beat him a plate couture,*[3] and where
are we to find Suvorovs now? Je vous demande un peu,"*[4] said he,
continually changing from French to Russian.


*Do you know the proverb?

*[2] That suits us down to the ground.

*[3] Hollow.

*[4] I just ask you that.


"Ve must vight to the last tr-r-op of our plood!" said the
colonel, thumping the table; "and ve must tie for our Emperor, and zen
all vill pe vell. And ve must discuss it as little as po-o-ossible"...
he dwelt particularly on the word possible... "as po-o-ossible," he
ended, again turning to the count. "Zat is how ve old hussars look
at it, and zere's an end of it! And how do you, a young man and a
young hussar, how do you judge of it?" he added, addressing
Nicholas, who when he heard that the war was being discussed had
turned from his partner with eyes and ears intent on the colonel.

"I am quite of your opinion," replied Nicholas, flaming up,
turning his plate round and moving his wineglasses about with as
much decision and desperation as though he were at that moment
facing some great danger. "I am convinced that we Russians must die or
conquer," he concluded, conscious- as were others- after the words
were uttered that his remarks were too enthusiastic and emphatic for
the occasion and were therefore awkward.

"What you said just now was splendid!" said his partner Julie.

Sonya trembled all over and blushed to her ears and behind them
and down to her neck and shoulders while Nicholas was speaking.

Pierre listened to the colonel's speech and nodded approvingly.

"That's fine," said he.

"The young man's a real hussar!" shouted the colonel, again thumping
the table.

"What are you making such a noise about over there?" Marya
Dmitrievna's deep voice suddenly inquired from the other end of the
table. "What are you thumping the table for?" she demanded of the
hussar, "and why are you exciting yourself? Do you think the French
are here?"

"I am speaking ze truce," replied the hussar with a smile.

"It's all about the war," the count shouted down the table. "You
know my son's going, Marya Dmitrievna? My son is going."

"I have four sons in the army but still I don't fret. It is all in
God's hands. You may die in your bed or God may spare you in a
battle," replied Marya Dmitrievna's deep voice, which easily carried
the whole length of the table.

"That's true!"

Once more the conversations concentrated, the ladies' at the one end
and the men's at the other.

"You won't ask," Natasha's little brother was saying; "I know you
won't ask!"

"I will," replied Natasha.

Her face suddenly flushed with reckless and joyous resolution. She
half rose, by a glance inviting Pierre, who sat opposite, to listen to
what was coming, and turning to her mother:

"Mamma!" rang out the clear contralto notes of her childish voice,
audible the whole length of the table.

"What is it?" asked the countess, startled; but seeing by her
daughter's face that it was only mischief, she shook a finger at her
sternly with a threatening and forbidding movement of her head.

The conversation was hushed.

"Mamma! What sweets are we going to have?" and Natasha's voice
sounded still more firm and resolute.

The countess tried to frown, but could not. Marya Dmitrievna shook
her fat finger.

"Cossack!" she said threateningly.

Most of the guests, uncertain how to regard this sally, looked at
the elders.

"You had better take care!" said the countess.

"Mamma! What sweets are we going to have?" Natasha again cried
boldly, with saucy gaiety, confident that her prank would be taken
in good part.

Sonya and fat little Petya doubled up with laughter.

"You see! I have asked," whispered Natasha to her little brother and
to Pierre, glancing at him again.

"Ice pudding, but you won't get any," said Marya Dmitrievna.

Natasha saw there was nothing to be afraid of and so she braved even
Marya Dmitrievna.

"Marya Dmitrievna! What kind of ice pudding? I don't like ice
cream."

"Carrot ices."

"No! What kind, Marya Dmitrievna? What kind?" she almost screamed;
"I want to know!"

Marya Dmitrievna and the countess burst out laughing, and all the
guests joined in. Everyone laughed, not at Marya Dmitrievna's answer
but at the incredible boldness and smartness of this little girl who
had dared to treat Marya Dmitrievna in this fashion.

Natasha only desisted when she had been told that there would be
pineapple ice. Before the ices, champagne was served round. The band
again struck up, the count and countess kissed, and the guests,
leaving their seats, went up to "congratulate" the countess, and
reached across the table to clink glasses with the count, with the
children, and with one another. Again the footmen rushed about, chairs
scraped, and in the same order in which they had entered but with
redder faces, the guests returned to the drawing room and to the
count's study.


CHAPTER XX


The card tables were drawn out, sets made up for boston, and the
count's visitors settled themselves, some in the two drawing rooms,
some in the sitting room, some in the library.

The count, holding his cards fanwise, kept himself with difficulty
from dropping into his usual after-dinner nap, and laughed at
everything. The young people, at the countess' instigation, gathered
round the clavichord and harp. Julie by general request played
first. After she had played a little air with variations on the
harp, she joined the other young ladies in begging Natasha and
Nicholas, who were noted for their musical talent, to sing
something. Natasha, who was treated as though she were grown up, was
evidently very proud of this but at the same time felt shy.

"What shall we sing?" she said.

"'The Brook,'" suggested Nicholas.

"Well, then,let's be quick. Boris, come here," said Natasha. "But
where is Sonya?"

She looked round and seeing that her friend was not in the room
ran to look for her.

Running into Sonya's room and not finding her there, Natasha ran
to the nursery, but Sonya was not there either. Natasha concluded that
she must be on the chest in the passage. The chest in the passage
was the place of mourning for the younger female generation in the
Rostov household. And there in fact was Sonya lying face downward on
Nurse's dirty feather bed on the top of the chest, crumpling her gauzy
pink dress under her, hiding her face with her slender fingers, and
sobbing so convulsively that her bare little shoulders shook.
Natasha's face, which had been so radiantly happy all that saint's
day, suddenly changed: her eyes became fixed, and then a shiver passed
down her broad neck and the corners of her mouth drooped.

"Sonya! What is it? What is the matter?... Oo... Oo... Oo...!" And
Natasha's large mouth widened, making her look quite ugly, and she
began to wail like a baby without knowing why, except that Sonya was
crying. Sonya tried to lift her head to answer but could not, and
hid her face still deeper in the bed. Natasha wept, sitting on the
blue-striped feather bed and hugging her friend. With an effort
Sonya sat up and began wiping her eyes and explaining.

"Nicholas is going away in a week's time, his... papers... have
come... he told me himself... but still I should not cry," and she
showed a paper she held in her hand- with the verses Nicholas had
written, "still, I should not cry, but you can't... no one can
understand... what a soul he has!"

And she began to cry again because he had such a noble soul.

"It's all very well for you... I am not envious... I love you and
Boris also," she went on, gaining a little strength; "he is nice...
there are no difficulties in your way.... But Nicholas is my cousin...
one would have to... the Metropolitan himself... and even then it
can't be done. And besides, if she tells Mamma" (Sonya looked upon the
countess as her mother and called her so) "that I am spoiling
Nicholas' career and am heartless and ungrateful, while truly... God
is my witness," and she made the sign of the cross, "I love her so
much, and all of you, only Vera... And what for? What have I done to
her? I am so grateful to you that I would willingly sacrifice
everything, only I have nothing...."

Sonya could not continue, and again hid her face in her hands and in
the feather bed. Natasha began consoling her, but her face showed that
she understood all the gravity of her friend's trouble.

"Sonya," she suddenly exclaimed, as if she had guessed the true
reason of her friend's sorrow, "I'm sure Vera has said something to
you since dinner? Hasn't she?"

"Yes, these verses Nicholas wrote himself and I copied some
others, and she found them on my table and said she'd show them to
Mamma, and that I was ungrateful, and that Mamma would never allow him
to marry me, but that he'll marry Julie. You see how he's been with
her all day... Natasha, what have I done to deserve it?..."

And again she began to sob, more bitterly than before. Natasha
lifted her up, hugged her, and, smiling through her tears, began
comforting her.

"Sonya, don't believe her, darling! Don't believe her! Do you
remember how we and Nicholas, all three of us, talked in the sitting
room after supper? Why, we settled how everything was to be. I don't
quite remember how, but don't you remember that it could all be
arranged and how nice it all was? There's Uncle Shinshin's brother has
married his first cousin. And we are only second cousins, you know.
And Boris says it is quite possible. You know I have told him all
about it. And he is so clever and so good!" said Natasha. "Don't you
cry, Sonya, dear love, darling Sonya!" and she kissed her and laughed.
"Vera's spiteful; never mind her! And all will come right and she
won't say anything to Mamma. Nicholas will tell her himself, and he
doesn't care at all for Julie."

Natasha kissed her on the hair.

Sonya sat up. The little kitten brightened, its eyes shone, and it
seemed ready to lift its tail, jump down on its soft paws, and begin
playing with the ball of worsted as a kitten should.

"Do you think so?... Really? Truly?" she said, quickly smoothing her
frock and hair.

"Really, truly!" answered Natasha, pushing in a crisp lock that
had strayed from under her friend's plaits.

Both laughed.

"Well, let's go and sing 'The Brook.'"

"Come along!"

"Do you know, that fat Pierre who sat opposite me is so funny!" said
Natasha, stopping suddenly. "I feel so happy!"

And she set off at a run along the passage.

Sonya, shaking off some down which clung to her and tucking away the
verses in the bosom of her dress close to her bony little chest, ran
after Natasha down the passage into the sitting room with flushed face
and light, joyous steps. At the visitors' request the young people
sang the quartette, "The Brook," with which everyone was delighted.
Then Nicholas sang a song he had just learned:


   At nighttime in the moon's fair glow

     How sweet, as fancies wander free,

   To feel that in this world there's one

     Who still is thinking but of thee!


   That while her fingers touch the harp

     Wafting sweet music music the lea,

   It is for thee thus swells her heart,

     Sighing its message out to thee...


   A day or two, then bliss unspoilt,

     But oh! till then I cannot live!...


He had not finished the last verse before the young people began
to get ready to dance in the large hall, and the sound of the feet and
the coughing of the musicians were heard from the gallery.


Pierre was sitting in the drawing-room where Shinshin had engaged
him, as a man recently returned from abroad, in a political
conversation in which several others joined but which bored Pierre.
When the music began Natasha came in and walking straight up to Pierre
said, laughing and blushing:

"Mamma told me to ask you to join the dancers."

"I am afraid of mixing the figures," Pierre replied; "but if you
will be my teacher..." And lowering his big arm he offered it to the
slender little girl.

While the couples were arranging themselves and the musicians tuning
up, Pierre sat down with his little partner. Natasha was perfectly
happy; she was dancing with a grown-up man, who had been abroad. She
was sitting in a conspicuous place and talking to him like a
grown-up lady. She had a fan in her hand that one of the ladies had
given her to hold. Assuming quite the pose of a society woman
(heaven knows when and where she had learned it) she talked with her
partner, fanning herself and smiling over the fan.

"Dear, dear! Just look at her!" exclaimed the countess as she
crossed the ballroom, pointing to Natasha.

Natasha blushed and laughed.

"Well, really, Mamma! Why should you? What is there to be
surprised at?"


In the midst of the third ecossaise there was a clatter of chairs
being pushed back in the sitting room where the count and Marya
Dmitrievna had been playing cards with the majority of the more
distinguished and older visitors. They now, stretching themselves
after sitting so long, and replacing their purses and pocketbooks,
entered the ballroom. First came Marya Dmitrievna and the count,
both with merry countenances. The count, with playful ceremony
somewhat in ballet style, offered his bent arm to Marya Dmitrievna. He
drew himself up, a smile of debonair gallantry lit up his face and
as soon as the last figure of the ecossaise was ended, he clapped
his hands to the musicians and shouted up to their gallery, addressing
the first violin:

"Semen! Do you know the Daniel Cooper?"

This was the count's favorite dance, which he had danced in his
youth. (Strictly speaking, Daniel Cooper was one figure of the
anglaise.)

"Look at Papa!" shouted Natasha to the whole company, and quite
forgetting that she was dancing with a grown-up partner she bent her
curly head to her knees and made the whole room ring with her
laughter.

And indeed everybody in the room looked with a smile of pleasure
at the jovial old gentleman, who standing beside his tall and stout
partner, Marya Dmitrievna, curved his arms, beat time, straightened
his shoulders, turned out his toes, tapped gently with his foot,
and, by a smile that broadened his round face more and more,
prepared the onlookers for what was to follow. As soon as the
provocatively gay strains of Daniel Cooper (somewhat resembling
those of a merry peasant dance) began to sound, all the doorways of
the ballroom were suddenly filled by the domestic serfs- the men on
one side and the women on the other- who with beaming faces had come
to see their master making merry.

"Just look at the master! A regular eagle he is!" loudly remarked
the nurse, as she stood in one of the doorways.

The count danced well and knew it. But his partner could not and did
not want to dance well. Her enormous figure stood erect, her
powerful arms hanging down (she had handed her reticule to the
countess), and only her stern but handsome face really joined in the
dance. What was expressed by the whole of the count's plump figure, in
Marya Dmitrievna found expression only in her more and more beaming
face and quivering nose. But if the count, getting more and more
into the swing of it, charmed the spectators by the unexpectedness
of his adroit maneuvers and the agility with which he capered about on
his light feet, Marya Dmitrievna produced no less impression by slight
exertions- the least effort to move her shoulders or bend her arms
when turning, or stamp her foot- which everyone appreciated in view of
her size and habitual severity. The dance grew livelier and
livelier. The other couples could not attract a moment's attention
to their own evolutions and did not even try to do so. All were
watching the count and Marya Dmitrievna. Natasha kept pulling everyone
by sleeve or dress, urging them to "look at Papa!" though as it was
they never took their eyes off the couple. In the intervals of the
dance the count, breathing deeply, waved and shouted to the
musicians to play faster. Faster, faster, and faster; lightly, more
lightly, and yet more lightly whirled the count, flying round Marya
Dmitrievna, now on his toes, now on his heels; until, turning his
partner round to her seat, he executed the final pas, raising his soft
foot backwards, bowing his perspiring head, smiling and making a
wide sweep with his arm, amid a thunder of applause and laughter led
by Natasha. Both partners stood still, breathing heavily and wiping
their faces with their cambric handkerchiefs.

"That's how we used to dance in our time, ma chere," said the count.

"That was a Daniel Cooper!" exclaimed Marya Dmitrievna, tucking up
her sleeves and puffing heavily.


CHAPTER XXI


While in the Rostovs' ballroom the sixth anglaise was being
danced, to a tune in which the weary musicians blundered, and while
tired footmen and cooks were getting the supper, Count Bezukhov had
a sixth stroke. The doctors pronounced recovery impossible. After a
mute confession, communion was administered to the dying man,
preparations made for the sacrament of unction, and in his house there
was the bustle and thrill of suspense usual at such moments. Outside
the house, beyond the gates, a group of undertakers, who hid
whenever a carriage drove up, waited in expectation of an important
order for an expensive funeral. The Military Governor of Moscow, who
had been assiduous in sending aides-de-camp to inquire after the
count's health, came himself that evening to bid a last farewell to
the celebrated grandee of Catherine's court, Count Bezukhov.

The magnificent reception room was crowded. Everyone stood up
respectfully when the Military Governor, having stayed about half an
hour alone with the dying man, passed out, slightly acknowledging
their bows and trying to escape as quickly as from the glances fixed
on him by the doctors, clergy, and relatives of the family. Prince
Vasili, who had grown thinner and paler during the last few days,
escorted him to the door, repeating something to him several times
in low tones.

When the Military Governor had gone, Prince Vasili sat down all
alone on a chair in the ballroom, crossing one leg high over the
other, leaning his elbow on his knee and covering his face with his
hand. After sitting so for a while he rose, and, looking about him
with frightened eyes, went with unusually hurried steps down the
long corridor leading to the back of the house, to the room of the
eldest princess.

Those who were in the dimly lit reception room spoke in nervous
whispers, and, whenever anyone went into or came from the dying
man's room, grew silent and gazed with eyes full of curiosity or
expectancy at his door, which creaked slightly when opened.

"The limits of human life... are fixed and may not be o'erpassed,"
said an old priest to a lady who had taken a seat beside him and was
listening naively to his words.

"I wonder, is it not too late to administer unction?" asked the
lady, adding the priest's clerical title, as if she had no opinion
of her own on the subject.

"Ah, madam, it is a great sacrament, "replied the priest, passing
his hand over the thin grizzled strands of hair combed back across his
bald head.

"Who was that? The Military Governor himself?" was being asked at
the other side of the room. "How young-looking he is!"

"Yes, and he is over sixty. I hear the count no longer recognizes
anyone. They wished to administer the sacrament of unction."

"I knew someone who received that sacrament seven times."

The second princess had just come from the sickroom with her eyes
red from weeping and sat down beside Dr. Lorrain, who was sitting in a
graceful pose under a portrait of Catherine, leaning his elbow on a
table.

"Beautiful," said the doctor in answer to a remark about the
weather. "The weather is beautiful, Princess; and besides, in Moscow
one feels as if one were in the country."

"Yes, indeed," replied the princess with a sigh. "So he may have
something to drink?"

Lorrain considered.

"Has he taken his medicine?"

"Yes."

The doctor glanced at his watch.

"Take a glass of boiled water and put a pinch of cream of tartar,"
and he indicated with his delicate fingers what he meant by a pinch.

"Dere has neffer been a gase," a German doctor was saying to an
aide-de-camp, "dat one liffs after de sird stroke."

"And what a well-preserved man he was!" remarked the aide-de-camp.
"And who will inherit his wealth?" he added in a whisper.

"It von't go begging," replied the German with a smile.

Everyone again looked toward the door, which creaked as the second
princess went in with the drink she had prepared according to
Lorrain's instructions. The German doctor went up to Lorrain.

"Do you think he can last till morning?" asked the German,
addressing Lorrain in French which he pronounced badly.

Lorrain, pursing up his lips, waved a severely negative finger
before his nose.

"Tonight, not later," said he in a low voice, and he moved away with
a decorous smile of self-satisfaction at being able clearly to
understand and state the patient's condition.


Meanwhile Prince Vasili had opened the door into the princess' room.

In this room it was almost dark; only two tiny lamps were burning
before the icons and there was a pleasant scent of flowers and burnt
pastilles. The room was crowded with small pieces of furniture,
whatnots, cupboards, and little tables. The quilt of a high, white
feather bed was just visible behind a screen. A small dog began to
bark.

"Ah, is it you, cousin?"

She rose and smoothed her hair, which was as usual so extremely
smooth that it seemed to be made of one piece with her head and
covered with varnish.

"Has anything happened?" she asked. "I am so terrified."

"No, there is no change. I only came to have a talk about
business, Catiche,"* muttered the prince, seating himself wearily on
the chair she had just vacated. "You have made the place warm, I
must say," he remarked. "Well, sit down: let's have a talk."


*Catherine.


"I thought perhaps something had happened," she said with her
unchanging stonily severe expression; and, sitting down opposite the
prince, she prepared to listen.

"I wished to get a nap, mon cousin, but I can't."

"Well, my dear?" said Prince Vasili, taking her hand and bending
it downwards as was his habit.

It was plain that this "well?" referred to much that they both
understood without naming.

The princess, who had a straight, rigid body, abnormally long for
her legs, looked directly at Prince Vasili with no sign of emotion
in her prominent gray eyes. Then she shook her head and glanced up
at the icons with a sigh. This might have been taken as an
expression of sorrow and devotion, or of weariness and hope of resting
before long. Prince Vasili understood it as an expression of
weariness.

"And I?" he said; "do you think it is easier for me? I am as worn
out as a post horse, but still I must have a talk with you, Catiche, a
very serious talk."

Prince Vasili said no more and his cheeks began to twitch nervously,
now on one side, now on the other, giving his face an unpleasant
expression which was never to be seen on it in a drawing room. His
eyes too seemed strange; at one moment they looked impudently sly
and at the next glanced round in alarm.

The princess, holding her little dog on her lap with her thin bony
hands, looked attentively into Prince Vasili's eyes evidently resolved
not to be the first to break silence, if she had to wait till morning.

"Well, you see, my dear princess and cousin, Catherine Semenovna,"
continued Prince Vasili, returning to his theme, apparently not
without an inner struggle; "at such a moment as this one must think of
everything. One must think of the future, of all of you... I love
you all, like children of my own, as you know."

The princess continued to look at him without moving, and with the
same dull expression.

"And then of course my family has also to be considered," Prince
Vasili went on, testily pushing away a little table without looking at
her. "You know, Catiche, that we- you three sisters, Mamontov, and
my wife- are the count's only direct heirs. I know, I know how hard it
is for you to talk or think of such matters. It is no easier for me;
but, my dear, I am getting on for sixty and must be prepared for
anything. Do you know I have sent for Pierre? The count," pointing
to his portrait, "definitely demanded that he should be called."

Prince Vasili looked questioningly at the princess, but could not
make out whether she was considering what he had just said or
whether she was simply looking at him.

"There is one thing I constantly pray God to grant, mon cousin," she
replied, "and it is that He would be merciful to him and would allow
his noble soul peacefully to leave this..."

"Yes, yes, of course," interrupted Prince Vasili impatiently,
rubbing his bald head and angrily pulling back toward him the little
table that he had pushed away. "But... in short, the fact is... you
know yourself that last winter the count made a will by which he
left all his property, not to us his direct heirs, but to Pierre."

"He has made wills enough!" quietly remarked the princess. "But he
cannot leave the estate to Pierre. Pierre is illegitimate."

"But, my dear," said Prince Vasili suddenly, clutching the little
table and becoming more animated and talking more rapidly: "what if
a letter has been written to the Emperor in which the count asks for
Pierre's legitimation? Do you understand that in consideration of
the count's services, his request would be granted?..."

The princess smiled as people do who think they know more about
the subject under discussion than those they are talking with.

"I can tell you more," continued Prince Vasili, seizing her hand,
"that letter was written, though it was not sent, and the Emperor knew
of it. The only question is, has it been destroyed or not? If not,
then as soon as all is over," and Prince Vasili sighed to intimate
what he meant by the words all is over, "and the count's papers are
opened, the will and letter will be delivered to the Emperor, and
the petition will certainly be granted. Pierre will get everything
as the legitimate son."

"And our share?" asked the princess smiling ironically, as if
anything might happen, only not that.

"But, my poor Catiche, it is as clear as daylight! He will then be
the legal heir to everything and you won't get anything. You must
know, my dear, whether the will and letter were written, and whether
they have been destroyed or not. And if they have somehow been
overlooked, you ought to know where they are, and must find them,
because..."

"What next?" the princess interrupted, smiling sardonically and
not changing the expression of her eyes. "I am a woman, and you
think we are all stupid; but I know this: an illegitimate son cannot
inherit... un batard!"* she added, as if supposing that this
translation of the word would effectively prove to Prince Vasili the
invalidity of his contention.


*A bastard.


"Well, really, Catiche! Can't you understand! You are so
intelligent, how is it you don't see that if the count has written a
letter to the Emperor begging him to recognize Pierre as legitimate,
it follows that Pierre will not be Pierre but will become Count
Bezukhov, and will then inherit everything under the will? And if
the will and letter are not destroyed, then you will have nothing
but the consolation of having been dutiful et tout ce qui s'ensuit!*
That's certain."


*And all that follows therefrom.


"I know the will was made, but I also know that it is invalid; and
you, mon cousin, seem to consider me a perfect fool," said the
princess with the expression women assume when they suppose they are
saying something witty and stinging.

"My dear Princess Catherine Semenovna," began Prince Vasili
impatiently, "I came here not to wrangle with you, but to talk about
your interests as with a kinswoman, a good, kind, true relation. And I
tell you for the tenth time that if the letter to the Emperor and
the will in Pierre's favor are among the count's papers, then, my dear
girl, you and your sisters are not heiresses! If you don't believe me,
then believe an expert. I have just been talking to Dmitri Onufrich"
(the family solicitor) "and he says the same."

At this a sudden change evidently took place in the princess' ideas;
her thin lips grew white, though her eyes did not change, and her
voice when she began to speak passed through such transitions as she
herself evidently did not expect.

"That would be a fine thing!" said she. "I never wanted anything and
I don't now."

She pushed the little dog off her lap and smoothed her dress.

"And this is gratitude- this is recognition for those who have
sacrificed everything for his sake!" she cried. "It's splendid!
Fine! I don't want anything, Prince."

"Yes, but you are not the only one. There are your sisters..."
replied Prince Vasili.

But the princess did not listen to him.

"Yes, I knew it long ago but had forgotten. I knew that I could
expect nothing but meanness, deceit, envy, intrigue, and
ingratitude- the blackest ingratitude- in this house..."

"Do you or do you not know where that will is?" insisted Prince
Vasili, his cheeks twitching more than ever.

"Yes, I was a fool! I still believed in people, loved them, and
sacrificed myself. But only the base, the vile succeed! I know who has
been intriguing!"

The princees wished to rise, but the prince held her by the hand.
She had the air of one who has suddenly lost faith in the whole
human race. She gave her companion an angry glance.

"There is still time, my dear. You must remember, Catiche, that it
was all done casually in a moment of anger, of illness, and was
afterwards forgotten. Our duty, my dear, is to rectify his mistake, to
ease his last moments by not letting him commit this injustice, and
not to let him die feeling that he is rendering unhappy those who..."

"Who sacrificed everything for him," chimed in the princess, who
would again have risen had not the prince still held her fast, "though
he never could appreciate it. No, mon cousin," she added with a
sigh, "I shall always remember that in this world one must expect no
reward, that in this world there is neither honor nor justice. In this
world one has to be cunning and cruel."

"Now come, come! Be reasonable. I know your excellent heart."

"No, I have a wicked heart."

"I know your heart," repeated the prince. "I value your friendship
and wish you to have as good an opinion of me. Don't upset yourself,
and let us talk sensibly while there is still time, be it a day or
be it but an hour.... Tell me all you know about the will, and above
all where it is. You must know. We will take it at once and show it to
the count. He has, no doubt, forgotten it and will wish to destroy it.
You understand that my sole desire is conscientiously to carry out his
wishes; that is my only reason for being here. I came simply to help
him and you."

"Now I see it all! I know who has been intriguing- I know!" cried
the princess.

"That's not the point, my dear."

"It's that protege of yours, that sweet Princess Drubetskaya, that
Anna Mikhaylovna whom I would not take for a housemaid... the
infamous, vile woman!"

"Do not let us lose any time..."

"Ah, don't talk to me! Last winter she wheedled herself in here
and told the count such vile, disgraceful things about us,
especially about Sophie- I can't repeat them- that it made the count
quite ill and he would not see us for a whole fortnight. I know it was
then he wrote this vile, infamous paper, but I thought the thing was
invalid."

"We've got to it at last- why did you not tell me about it sooner?"

"It's in the inlaid portfolio that he keeps under his pillow,"
said the princess, ignoring his question. "Now I know! Yes; if I
have a sin, a great sin, it is hatred of that vile woman!" almost
shrieked the princess, now quite changed. "And what does she come
worming herself in here for? But I will give her a piece of my mind.
The time will come!"


CHAPTER XXII


While these conversations were going on in the reception room and
the princess' room, a carriage containing Pierre (who had been sent
for) and Anna Mikhaylovna (who found it necessary to accompany him)
was driving into the court of Count Bezukhov's house. As the wheels
rolled softly over the straw beneath the windows, Anna Mikhaylovna,
having turned with words of comfort to her companion, realized that he
was asleep in his corner and woke him up. Rousing himself, Pierre
followed Anna Mikhaylovna out of the carriage, and only then began
to think of the interview with his dying father which awaited him.
He noticed that they had not come to the front entrance but to the
back door. While he was getting down from the carriage steps two
men, who looked like tradespeople, ran hurriedly from the entrance and
hid in the shadow of the wall. Pausing for a moment, Pierre noticed
several other men of the same kind hiding in the shadow of the house
on both sides. But neither Anna Mikhaylovna nor the footman nor the
coachman, who could not help seeing these people, took any notice of
them. "It seems to be all right," Pierre concluded, and followed
Anna Mikhaylovna. She hurriedly ascended the narrow dimly lit stone
staircase, calling to Pierre, who was lagging behind, to follow.
Though he did not see why it was necessary for him to go to the
count at all, still less why he had to go by the back stairs, yet
judging by Anna Mikhaylovna's air of assurance and haste, Pierre
concluded that it was all absolutely necessary. Halfway up the
stairs they were almost knocked over by some men who, carrying
pails, came running downstairs, their boots clattering. These men
pressed close to the wall to let Pierre and Anna Mikhaylovna pass
and did not evince the least surprise at seeing them there.

"Is this the way to the princesses' apartments?" asked Anna
Mikhaylovna of one of them.

"Yes," replied a footman in a bold loud voice, as if anything were
now permissible; "the door to the left, ma'am."

"Perhaps the count did not ask for me," said Pierre when he
reached the landing. "I'd better go to my own room."

Anna Mikhaylovna paused and waited for him to come up.

"Ah, my friend!" she said, touching his arm as she had done her
son's when speaking to him that afternoon, "believe me I suffer no
less than you do, but be a man!"

"But really, hadn't I better go away?" he asked, looking kindly at
her over his spectacles.

"Ah, my dear friend! Forget the wrongs that may have been done
you. Think that he is your father... perhaps in the agony of death."
She sighed. "I have loved you like a son from the first. Trust
yourself to me, Pierre. I shall not forget your interests."

Pierre did not understand a word, but the conviction that all this
had to be grew stronger, and he meekly followed Anna Mikhaylovna who
was already opening a door.

This door led into a back anteroom. An old man, a servant of the
princesses, sat in a corner knitting a stocking. Pierre had never been
in this part of the house and did not even know of the existence of
these rooms. Anna Mikhaylovna, addressing a maid who was hurrying past
with a decanter on a tray as "my dear" and "my sweet," asked about the
princess' health and then led Pierre along a stone passage. The
first door on the left led into the princesses' apartments. The maid
with the decanter in her haste had not closed the door (everything
in the house was done in haste at that time), and Pierre and Anna
Mikhaylovna in passing instinctively glanced into the room, where
Prince Vasili and the eldest princess were sitting close together
talking. Seeing them pass, Prince Vasili drew back with obvious
impatience, while the princess jumped up and with a gesture of
desperation slammed the door with all her might.

This action was so unlike her usual composure and the fear
depicted on Prince Vasili's face so out of keeping with his dignity
that Pierre stopped and glanced inquiringly over his spectacles at his
guide. Anna Mikhaylovna evinced no surprise, she only smiled faintly
and sighed, as if to say that this was no more than she had expected.

"Be a man, my friend. I will look after your interests," said she in
reply to his look, and went still faster along the passage.

Pierre could not make out what it was all about, and still less what
"watching over his interests" meant, but he decided that all these
things had to be. From the passage they went into a large, dimly lit
room adjoining the count's reception room. It was one of those
sumptuous but cold apartments known to Pierre only from the front
approach, but even in this room there now stood an empty bath, and
water had been spilled on the carpet. They were met by a deacon with a
censer and by a servant who passed out on tiptoe without heeding them.
They went into the reception room familiar to Pierre, with two Italian
windows opening into the conservatory, with its large bust and full
length portrait of Catherine the Great. The same people were still
sitting here in almost the same positions as before, whispering to one
another. All became silent and turned to look at the pale tear-worn
Anna Mikhaylovna as she entered, and at the big stout figure of Pierre
who, hanging his head, meekly followed her.

Anna Mikhaylovna's face expressed a consciousness that the
decisive moment had arrived. With the air of a practical Petersburg
lady she now, keeping Pierre close beside her, entered the room even
more boldly than that afternoon. She felt that as she brought with her
the person the dying man wished to see, her own admission was assured.
Casting a rapid glance at all those in the room and noticing the
count's confessor there, she glided up to him with a sort of amble,
not exactly bowing yet seeming to grow suddenly smaller, and
respectfully received the blessing first of one and then of another
priest.

"God be thanked that you are in time," said she to one of the
priests; "all we relatives have been in such anxiety. This young man
is the count's son," she added more softly. "What a terrible moment!"

Having said this she went up to the doctor.

"Dear doctor," said she, "this young man is the count's son. Is
there any hope?"

The doctor cast a rapid glance upwards and silently shrugged his
shoulders. Anna Mikhaylovna with just the same movement raised her
shoulders and eyes, almost closing the latter, sighed, and moved
away from the doctor to Pierre. To him, in a particularly respectful
and tenderly sad voice, she said:

"Trust in His mercy!" and pointing out a small sofa for him to sit
and wait for her, she went silently toward the door that everyone
was watching and it creaked very slightly as she disappeared behind
it.

Pierre, having made up his mind to obey his monitress implicitly,
moved toward the sofa she had indicated. As soon as Anna Mikhaylovna
had disappeared he noticed that the eyes of all in the room turned
to him with something more than curiosity and sympathy. He noticed
that they whispered to one another, casting significant looks at him
with a kind of awe and even servility. A deference such as he had
never before received was shown him. A strange lady, the one who had
been talking to the priests, rose and offered him her seat; an
aide-de-camp picked up and returned a glove Pierre had dropped; the
doctors became respectfully silent as he passed by, and moved to
make way for him. At first Pierre wished to take another seat so as
not to trouble the lady, and also to pick up the glove himself and
to pass round the doctors who were not even in his way; but all at
once he felt that this would not do, and that tonight he was a
person obliged to perform some sort of awful rite which everyone
expected of him, and that he was therefore bound to accept their
services. He took the glove in silence from the aide-de-camp, and
sat down in the lady's chair, placing his huge hands symmetrically
on his knees in the naive attitude of an Egyptian statue, and
decided in his own mind that all was as it should be, and that in
order not to lose his head and do foolish things he must not act on
his own ideas tonight, but must yield himself up entirely to the
will of those who were guiding him.

Not two minutes had passed before Prince Vasili with head erect
majestically entered the room. He was wearing his long coat with three
stars on his breast. He seemed to have grown thinner since the
morning; his eyes seemed larger than usual when he glanced round and
noticed Pierre. He went up to him, took his hand (a thing he never
used to do), and drew it downwards as if wishing to ascertain
whether it was firmly fixed on.

"Courage, courage, my friend! He has asked to see you. That is
well!" and he turned to go.

But Pierre thought it necessary to ask: "How is..." and hesitated,
not knowing whether it would be proper to call the dying man "the
count," yet ashamed to call him "father."

"He had another stroke about half an hour ago. Courage, my
friend..."

Pierre's mind was in such a confused state that the word "stroke"
suggested to him a blow from something. He looked at Prince Vasili
in perplexity, and only later grasped that a stroke was an attack of
illness. Prince Vasili said something to Lorrain in passing and went
through the door on tiptoe. He could not walk well on tiptoe and his
whole body jerked at each step. The eldest princess followed him,
and the priests and deacons and some servants also went in at the
door. Through that door was heard a noise of things being moved about,
and at last Anna Mikhaylovna, still with the same expression, pale but
resolute in the discharge of duty, ran out and touching Pierre lightly
on the arm said:

"The divine mercy is inexhaustible! Unction is about to be
administered. Come."

Pierre went in at the door, stepping on the soft carpet, and noticed
that the strange lady, the aide-de-camp, and some of the servants, all
followed him in, as if there were now no further need for permission
to enter that room.


CHAPTER XXIII


Pierre well knew this large room divided by columns and an arch, its
walls hung round with Persian carpets. The part of the room behind the
columns, with a high silk-curtained mahogany bedstead on one side
and on the other an immense case containing icons, was brightly
illuminated with red light like a Russian church during evening
service. Under the gleaming icons stood a long invalid chair, and in
that chair on snowy-white smooth pillows, evidently freshly changed,
Pierre saw- covered to the waist by a bright green quilt- the
familiar, majestic figure of his father, Count Bezukhov, with that
gray mane of hair above his broad forehead which reminded one of a
lion, and the deep characteristically noble wrinkles of his
handsome, ruddy face. He lay just under the icons; his large thick
hands outside the quilt. Into the right hand, which was lying palm
downwards, a wax taper had been thrust between forefinger and thumb,
and an old servant, bending over from behind the chair, held it in
position. By the chair stood the priests, their long hair falling over
their magnificent glittering vestments, with lighted tapers in their
hands, slowly and solemnly conducting the service. A little behind
them stood the two younger princesses holding handkerchiefs to their
eyes, and just in front of them their eldest sister, Catiche, with a
vicious and determined look steadily fixed on the icons, as though
declaring to all that she could not answer for herself should she
glance round. Anna Mikhaylovna, with a meek, sorrowful, and
all-forgiving expression on her face, stood by the door near the
strange lady. Prince Vasili in front of the door, near the invalid
chair, a wax taper in his left hand, was leaning his left arm on the
carved back of a velvet chair he had turned round for the purpose, and
was crossing himself with his right hand, turning his eyes upward each
time he touched his forehead. His face wore a calm look of piety and
resignation to the will of God. "If you do not understand these
sentiments," he seemed to be saying, "so much the worse for you!"

Behind him stood the aide-de-camp, the doctors, and the menservants;
the men and women had separated as in church. All were silently
crossing themselves, and the reading of the church service, the
subdued chanting of deep bass voices, and in the intervals sighs and
the shuffling of feet were the only sounds that could be heard. Anna
Mikhaylovna, with an air of importance that showed that she felt she
quite knew what she was about, went across the room to where Pierre
was standing and gave him a taper. He lit it and, distracted by
observing those around him, began crossing himself with the hand
that held the taper.

Sophie, the rosy, laughter-loving, youngest princess with the
mole, watched him. She smiled, hid her face in her handkerchief, and
remained with it hidden for awhile; then looking up and seeing
Pierre she again began to laugh. She evidently felt unable to look
at him without laughing, but could not resist looking at him: so to be
out of temptation she slipped quietly behind one of the columns. In
the midst of the service the voices of the priests suddenly ceased,
they whispered to one another, and the old servant who was holding the
count's hand got up and said something to the ladies. Anna Mikhaylovna
stepped forward and, stooping over the dying man, beckoned to
Lorrain from behind her back. The French doctor held no taper; he
was leaning against one of the columns in a respectful attitude
implying that he, a foreigner, in spite of all differences of faith,
understood the full importance of the rite now being performed and
even approved of it. He now approached the sick man with the noiseless
step of one in full vigor of life, with his delicate white fingers
raised from the green quilt the hand that was free, and turning
sideways felt the pulse and reflected a moment. The sick man was given
something to drink, there was a stir around him, then the people
resumed their places and the service continued. During this interval
Pierre noticed that Prince Vasili left the chair on which he had
been leaning, and- with air which intimated that he knew what he was
about and if others did not understand him it was so much the worse
for them- did not go up to the dying man, but passed by him, joined
the eldest princess, and moved with her to the side of the room
where stood the high bedstead with its silken hangings. On leaving the
bed both Prince Vasili and the princess passed out by a back door, but
returned to their places one after the other before the service was
concluded. Pierre paid no more attention to this occurrence than to
the rest of what went on, having made up his mind once for all that
what he saw happening around him that evening was in some way
essential.

The chanting of the service ceased, and the voice of the priest
was heard respectfully congratulating the dying man on having received
the sacrament. The dying man lay as lifeless and immovable as
before. Around him everyone began to stir: steps were audible and
whispers, among which Anna Mikhaylovna's was the most distinct.

Pierre heard her say:

"Certainly he must be moved onto the bed; here it will be
impossible..."

The sick man was so surrounded by doctors, princesses, and
servants that Pierre could no longer see the reddish-yellow face
with its gray mane- which, though he saw other faces as well, he had
not lost sight of for a single moment during the whole service. He
judged by the cautious movements of those who crowded round the
invalid chair that they had lifted the dying man and were moving him.

"Catch hold of my arm or you'll drop him!" he heard one of the
servants say in a frightened whisper. "Catch hold from underneath.
Here!" exclaimed different voices; and the heavy breathing of the
bearers and the shuffling of their feet grew more hurried, as if the
weight they were carrying were too much for them.

As the bearers, among whom was Anna Mikhaylovna, passed the young
man he caught a momentary glimpse between their heads and backs of the
dying man's high, stout, uncovered chest and powerful shoulders,
raised by those who were holding him under the armpits, and of his
gray, curly, leonine head. This head, with its remarkably broad brow
and cheekbones, its handsome, sensual mouth, and its cold, majestic
expression, was not disfigured by the approach of death. It was the
same as Pierre remembered it three months before, when the count had
sent him to Petersburg. But now this head was swaying helplessly
with the uneven movements of the bearers, and the cold listless gaze
fixed itself upon nothing.

After a few minutes' bustle beside the high bedstead, those who
had carried the sick man dispersed. Anna Mikhaylovna touched
Pierre's hand and said, "Come." Pierre went with her to the bed on
which the sick man had been laid in a stately pose in keeping with the
ceremony just completed. He lay with his head propped high on the
pillows. His hands were symmetrically placed on the green silk
quilt, the palms downward. When Pierre came up the count was gazing
straight at him, but with a look the significance of which could not
be understood by mortal man. Either this look meant nothing but that
as long as one has eyes they must look somewhere, or it meant too
much. Pierre hesitated, not knowing what to do, and glanced
inquiringly at his guide. Anna Mikhaylovna made a hurried sign with
her eyes, glancing at the sick man's hand and moving her lips as if to
send it a kiss. Pierre, carefully stretching his neck so as not to
touch the quilt, followed her suggestion and pressed his lips to the
large boned, fleshy hand. Neither the hand nor a single muscle of
the count's face stirred. Once more Pierre looked questioningly at
Anna Mikhaylovna to see what he was to do next. Anna Mikhaylovna
with her eyes indicated a chair that stood beside the bed. Pierre
obediently sat down, his eyes asking if he were doing right. Anna
Mikhaylovna nodded approvingly. Again Pierre fell into the naively
symmetrical pose of an Egyptian statue, evidently distressed that
his stout and clumsy body took up so much room and doing his utmost to
look as small as possible. He looked at the count, who still gazed
at the spot where Pierre's face had been before he sat down. Anna
Mikhaylovna indicated by her attitude her consciousness of the
pathetic importance of these last moments of meeting between the
father and son. This lasted about two minutes, which to Pierre
seemed an hour. Suddenly the broad muscles and lines of the count's
face began to twitch. The twitching increased, the handsome mouth
was drawn to one side (only now did Pierre realize how near death
his father was), and from that distorted mouth issued an indistinct,
hoarse sound. Anna Mikhaylovna looked attentively at the sick man's
eyes, trying to guess what he wanted; she pointed first to Pierre,
then to some drink, then named Prince Vasili in an inquiring
whisper, then pointed to the quilt. The eyes and face of the sick
man showed impatience. He made an effort to look at the servant who
stood constantly at the head of the bed.

"Wants to turn on the other side," whispered the servant, and got up
to turn the count's heavy body toward the wall.

Pierre rose to help him.

While the count was being turned over, one of his arms fell back
helplessly and he made a fruitless effort to pull it forward.
Whether he noticed the look of terror with which Pierre regarded
that lifeless arm, or whether some other thought flitted across his
dying brain, at any rate he glanced at the refractory arm, at Pierre's
terror-stricken face, and again at the arm, and on his face a
feeble, piteous smile appeared, quite out of keeping with his
features, that seemed to deride his own helplessness. At sight of this
smile Pierre felt an unexpected quivering in his breast and a tickling
in his nose, and tears dimmed his eyes. The sick man was turned on
to his side with his face to the wall. He sighed.

"He is dozing," said Anna Mikhaylovna, observing that one of the
princesses was coming to take her turn at watching. "Let us go."

Pierre went out.


CHAPTER XXIV


There was now no one in the reception room except Prince Vasili
and the eldest princess, who were sitting under the portrait of
Catherine the Great and talking eagerly. As soon as they saw Pierre
and his companion they became silent, and Pierre thought he saw the
princess hide something as she whispered:

"I can't bear the sight of that woman."

"Catiche has had tea served in the small drawing room," said
Prince Vasili to Anna Mikhaylovna. "Go and take something, my poor
Anna Mikhaylovna, or you will not hold out."

To Pierre he said nothing, merely giving his arm a sympathetic
squeeze below the shoulder. Pierre went with Anna Mikhaylovna into the
small drawing room.

"There is nothing so refreshing after a sleepless night as a cup
of this delicious Russian tea," Lorrain was saying with an air of
restrained animation as he stood sipping tea from a delicate Chinese
handleless cup before a table on which tea and a cold supper were laid
in the small circular room. Around the table all who were at Count
Bezukhov's house that night had gathered to fortify themselves. Pierre
well remembered this small circular drawing room with its mirrors
and little tables. During balls given at the house Pierre, who did not
know how to dance, had liked sitting in this room to watch the
ladies who, as they passed through in their ball dresses with diamonds
and pearls on their bare shoulders, looked at themselves in the
brilliantly lighted mirrors which repeated their reflections several
times. Now this same room was dimly lighted by two candles. On one
small table tea things and supper dishes stood in disorder, and in the
middle of the night a motley throng of people sat there, not
merrymaking, but somberly whispering, and betraying by every word
and movement that they none of them forgot what was happening and what
was about to happen in the bedroom. Pierre did not eat anything though
he would very much have liked to. He looked inquiringly at his
monitress and saw that she was again going on tiptoe to the
reception room where they had left Prince Vasili and the eldest
princess. Pierre concluded that this also was essential, and after a
short interval followed her. Anna Mikhaylovna was standing beside
the princess, and they were both speaking in excited whispers.

"Permit me, Princess, to know what is necessary and what is not
necessary," said the younger of the two speakers, evidently in the
same state of excitement as when she had slammed the door of her room.

"But, my dear princess," answered Anna Mikhaylovna blandly but
impressively, blocking the way to the bedroom and preventing the other
from passing, "won't this be too much for poor Uncle at a moment
when he needs repose? Worldly conversation at a moment when his soul
is already prepared..."

Prince Vasili was seated in an easy chair in his familiar
attitude, with one leg crossed high above the other. His cheeks, which
were so flabby that they looked heavier below, were twitching
violently; but he wore the air of a man little concerned in what the
two ladies were saying.

"Come, my dear Anna Mikhaylovna, let Catiche do as she pleases.
You know how fond the count is of her."

"I don't even know what is in this paper," said the younger of the
two ladies, addressing Prince Vasili and pointing to an inlaid
portfolio she held in her hand. "All I know is that his real will is
in his writing table, and this is a paper he has forgotten...."

She tried to pass Anna Mikhaylovna, but the latter sprang so as to
bar her path.

"I know, my dear, kind princess," said Anna Mikhaylovna, seizing the
portfolio so firmly that it was plain she would not let go easily.
"Dear princess, I beg and implore you, have some pity on him! Je
vous en conjure..."

The princess did not reply. Their efforts in the struggle for the
portfolio were the only sounds audible, but it was evident that if the
princess did speak, her words would not be flattering to Anna
Mikhaylovna. Though the latter held on tenaciously, her voice lost
none of its honeyed firmness and softness.

"Pierre, my dear, come here. I think he will not be out of place
in a family consultation; is it not so, Prince?"

"Why don't you speak, cousin?" suddenly shrieked the princess so
loud that those in the drawing room heard her and were startled.
"Why do you remain silent when heaven knows who permits herself to
interfere, making a scene on the very threshold of a dying man's room?
Intriguer!" she hissed viciously, and tugged with all her might at the
portfolio.

But Anna Mikhaylovna went forward a step or two to keep her hold
on the portfolio, and changed her grip.

Prince Vasili rose. "Oh!" said he with reproach and surprise,
"this is absurd! Come, let go I tell you."

The princess let go.

"And you too!"

But Anna Mikhaylovna did not obey him.

"Let go, I tell you! I will take the responsibility. I myself will
go and ask him, I!... does that satisfy you?"

"But, Prince," said Anna Mikhaylovna, "after such a solemn
sacrament, allow him a moment's peace! Here, Pierre, tell them your
opinion," said she, turning to the young man who, having come quite
close, was gazing with astonishment at the angry face of the
princess which had lost all dignity, and at the twitching cheeks of
Prince Vasili.

"Remember that you will answer for the consequences," said Prince
Vasili severely. "You don't know what you are doing."

"Vile woman!" shouted the princess, darting unexpectedly at Anna
Mikhaylovna and snatching the portfolio from her.

Prince Vasili bent his head and spread out his hands.

At this moment that terrible door, which Pierre had watched so
long and which had always opened so quietly, burst noisily open and
banged against the wall, and the second of the three sisters rushed
out wringing her hands.

"What are you doing!" she cried vehemently. "He is dying and you
leave me alone with him!"

Her sister dropped the portfolio. Anna Mikhaylovna, stooping,
quickly caught up the object of contention and ran into the bedroom.
The eldest princess and Prince Vasili, recovering themselves, followed
her. A few minutes later the eldest sister came out with a pale hard
face, again biting her underlip. At sight of Pierre her expression
showed an irrepressible hatred.

"Yes, now you may be glad!" said she; "this is what you have been
waiting for." And bursting into tears she hid her face in her
handkerchief and rushed from the room.

Prince Vasili came next. He staggered to the sofa on which Pierre
was sitting and dropped onto it, covering his face with his hand.
Pierre noticed that he was pale and that his jaw quivered and shook as
if in an ague.

"Ah, my friend!" said he, taking Pierre by the elbow; and there
was in his voice a sincerity and weakness Pierre had never observed in
it before. "How often we sin, how much we deceive, and all for what? I
am near sixty, dear friend... I too... All will end in death, all!
Death is awful..." and he burst into tears.

Anna Mikhaylovna came out last. She approached Pierre with slow,
quiet steps.

"Pierre!" she said.

Pierre gave her an inquiring look. She kissed the young man on his
forehead, wetting him with her tears. Then after a pause she said:

"He is no more...."

Pierre looked at her over his spectacles.

"Come, I will go with you. Try to weep, nothing gives such relief as
tears."

She led him into the dark drawing room and Pierre was glad no one
could see his face. Anna Mikhaylovna left him, and when she returned
he was fast asleep with his head on his arm.

In the morning Anna Mikhaylovna said to Pierre:

"Yes, my dear, this is a great loss for us all, not to speak of you.
But God will support you: you are young, and are now, I hope, in
command of an immense fortune. The will has not yet been opened. I
know you well enough to be sure that this will not turn your head, but
it imposes duties on you, and you must be a man."

Pierre was silent.

"Perhaps later on I may tell you, my dear boy, that if I had not
been there, God only knows what would have happened! You know, Uncle
promised me only the day before yesterday not to forget Boris. But
he had no time. I hope, my dear friend, you will carry out your
father's wish?"

Pierre understood nothing of all this and coloring shyly looked in
silence at Princess Anna Mikhaylovna. After her talk with Pierre, Anna
Mikhaylovna returned to the Rostovs' and went to bed. On waking in the
morning she told the Rostovs and all her acquaintances the details
of Count Bezukhov's death. She said the count had died as she would
herself wish to die, that his end was not only touching but
edifying. As to the last meeting between father and son, it was so
touching that she could not think of it without tears, and did not
know which had behaved better during those awful moments- the father
who so remembered everything and everybody at last and last and had
spoken such pathetic words to the son, or Pierre, whom it had been
pitiful to see, so stricken was he with grief, though he tried hard to
hide it in order not to sadden his dying father. "It is painful, but
it does one good. It uplifts the soul to see such men as the old count
and his worthy son," said she. Of the behavior of the eldest
princess and Prince Vasili she spoke disapprovingly, but in whispers
and as a great secret.


CHAPTER XXV


At Bald Hills, Prince Nicholas Andreevich Bolkonski's estate, the
arrival of young Prince Andrew and his wife was daily expected, but
this expectation did not upset the regular routine of life in the
old prince's household. General in Chief Prince Nicholas Andreevich
(nicknamed in society, "the King of Prussia") ever since the Emperor
Paul had exiled him to his country estate had lived there continuously
with his daughter, Princess Mary, and her companion, Mademoiselle
Bourienne. Though in the new reign he was free to return to the
capitals, he still continued to live in the country, remarking that
anyone who wanted to see him could come the hundred miles from
Moscow to Bald Hills, while he himself needed no one and nothing. He
used to say that there are only two sources of human vice- idleness
and superstition, and only two virtues- activity and intelligence.
He himself undertook his daughter's education, and to develop these
two cardinal virtues in her gave her lessons in algebra and geometry
till she was twenty, and arranged her life so that her whole time
was occupied. He was himself always occupied: writing his memoirs,
solving problems in higher mathematics, turning snuffboxes on a lathe,
working in the garden, or superintending the building that was
always going on at his estate. As regularity is a prime condition
facilitating activity, regularity in his household was carried to
the highest point of exactitude. He always came to table under
precisely the same conditions, and not only at the same hour but at
the same minute. With those about him, from his daughter to his serfs,
the prince was sharp and invariably exacting, so that without being
a hardhearted man he inspired such fear and respect as few hardhearted
men would have aroused. Although he was in retirement and had now no
influence in political affairs, every high official appointed to the
province in which the prince's estate lay considered it his duty to
visit him and waited in the lofty antechamber ante chamber just as the
architect, gardener, or Princess Mary did, till the prince appeared
punctually to the appointed hour. Everyone sitting in this antechamber
experienced the same feeling of respect and even fear when the
enormously high study door opened and showed the figure of a rather
small old man, with powdered wig, small withered hands, and bushy gray
eyebrows which, when he frowned, sometimes hid the gleam of his
shrewd, youthfully glittering eyes.

On the morning of the day that the young couple were to arrive,
Princess Mary entered the antechamber as usual at the time appointed
for the morning greeting, crossing herself with trepidation and
repeating a silent prayer. Every morning she came in like that, and
every morning prayed that the daily interview might pass off well.

An old powdered manservant who was sitting in the antechamber rose
quietly and said in a whisper: "Please walk in."

Through the door came the regular hum of a lathe. The princess
timidly opened the door which moved noiselessly and easily. She paused
at the entrance. The prince was working at the lathe and after
glancing round continued his work.

The enormous study was full of things evidently in constant use. The
large table covered with books and plans, the tall glass-fronted
bookcases with keys in the locks, the high desk for writing while
standing up, on which lay an open exercise book, and the lathe with
tools laid ready to hand and shavings scattered around- all
indicated continuous, varied, and orderly activity. The motion of
the small foot shod in a Tartar boot embroidered with silver, and
the firm pressure of the lean sinewy hand, showed that the prince
still possessed the tenacious endurance and vigor of hardy old age.
After a few more turns of the lathe he removed his foot from the
pedal, wiped his chisel, dropped it into a leather pouch attached to
the lathe, and, approaching the table, summoned his daughter. He never
gave his children a blessing, so he simply held out his bristly
cheek (as yet unshaven) and, regarding her tenderly and attentively,
said severely:

"Quite well? All right then, sit down." He took the exercise book
containing lessons in geometry written by himself and drew up a
chair with his foot.

"For tomorrow!" said he, quickly finding the page and making a
scratch from one paragraph to another with his hard nail.

The princess bent over the exercise book on the table.

"Wait a bit, here's a letter for you," said the old man suddenly,
taking a letter addressed in a woman's hand from a bag hanging above
the table, onto which he threw it.

At the sight of the letter red patches showed themselves on the
princess' face. She took it quickly and bent her head over it.

"From Heloise?" asked the prince with a cold smile that showed his
still sound, yellowish teeth.

"Yes, it's from Julie," replied the princess with a timid glance and
a timid smile.

"I'll let two more letters pass, but the third I'll read," said
the prince sternly; "I'm afraid you write much nonsense. I'll read the
third!"

"Read this if you like, Father," said the princess, blushing still
more and holding out the letter.

"The third, I said the third!" cried the prince abruptly, pushing
the letter away, and leaning his elbows on the table he drew toward
him the exercise book containing geometrical figures.

"Well, madam," he began, stooping over the book close to his
daughter and placing an arm on the back of the chair on which she sat,
so that she felt herself surrounded on all sides by the acrid scent of
old age and tobacco, which she had known so long. "Now, madam, these
triangles are equal; please note that the angle ABC..."

The princess looked in a scared way at her father's eyes
glittering close to her; the red patches on her face came and went,
and it was plain that she understood nothing and was so frightened
that her fear would prevent her understanding any of her father's
further explanations, however clear they might be. Whether it was
the teacher's fault or the pupil's, this same thing happened every
day: the princess' eyes grew dim, she could not see and could not hear
anything, but was only conscious of her stern father's withered face
close to her, of his breath and the smell of him, and could think only
of how to get away quickly to her own room to make out the problem
in peace. The old man was beside himself: moved the chair on which
he was sitting noisily backward and forward, made efforts to control
himself and not become vehement, but almost always did become
vehement, scolded, and sometimes flung the exercise book away.

The princess gave a wrong answer.

"Well now, isn't she a fool!" shouted the prince, pushing the book
aside and turning sharply away; but rising immediately, he paced up
and down, lightly touched his daughter's hair and sat down again.

He drew up his chair. and continued to explain.

"This won't do, Princess; it won't do," said he, when Princess Mary,
having taken and closed the exercise book with the next day's
lesson, was about to leave: "Mathematics are most important, madam!
I don't want to have you like our silly ladies. Get used to it and
you'll like it," and he patted her cheek. "It will drive all the
nonsense out of your head."

She turned to go, but he stopped her with a gesture and took an
uncut book from the high desk.

"Here is some sort of Key to the Mysteries that your Heloise has
sent you. Religious! I don't interfere with anyone's belief... I
have looked at it. Take it. Well, now go. Go."

He patted her on the shoulder and himself closed the door after her.

Princess Mary went back to her room with the sad, scared
expression that rarely left her and which made her plain, sickly
face yet plainer. She sat down at her writing table, on which stood
miniature portraits and which was littered with books and papers.
The princess was as untidy as her father was tidy. She put down the
geometry book and eagerly broke the seal of her letter. It was from
her most intimate friend from childhood; that same Julie Karagina
who had been at the Rostovs' name-day party.

Julie wrote in French:


Dear and precious Friend, How terrible and frightful a thing is
separation! Though I tell myself that half my life and half my
happiness are wrapped up in you, and that in spite of the distance
separating us our hearts are united by indissoluble bonds, my heart
rebels against fate and in spite of the pleasures and distractions
around me I cannot overcome a certain secret sorrow that has been in
my heart ever since we parted. Why are we not together as we were last
summer, in your big study, on the blue sofa, the confidential sofa?
Why cannot I now, as three months ago, draw fresh moral strength
from your look, so gentle, calm, and penetrating, a look I loved so
well and seem to see before me as I write?


Having read thus far, Princess Mary sighed and glanced into the
mirror which stood on her right. It reflected a weak, ungraceful
figure and thin face. Her eyes, always sad, now looked with particular
hopelessness at her reflection in the glass. "She flatters me,"
thought the princess, turning away and continuing to read. But Julie
did not flatter her friend, the princess' eyes- large, deep and
luminous (it seemed as if at times there radiated from them shafts
of warm light)- were so beautiful that very often in spite of the
plainness of her face they gave her an attraction more powerful than
that of beauty. But the princess never saw the beautiful expression of
her own eyes- the look they had when she was not thinking of
herself. As with everyone, her face assumed a forced unnatural
expression as soon as she looked in a glass. She went on reading:


All Moscow talks of nothing but war. One of my two brothers is
already abroad, the other is with the Guards, who are starting on
their march to the frontier. Our dear Emperor has left Petersburg
and it is thought intends to expose his precious person to the chances
of war. God grant that the Corsican monster who is destroying the
peace of Europe may be overthrown by the angel whom it has pleased the
Almighty, in His goodness, to give us as sovereign! To say nothing
of my brothers, this war has deprived me of one of the associations
nearest my heart. I mean young Nicholas Rostov, who with his
enthusiasm could not bear to remain inactive and has left the
university to join the army. I will confess to you, dear Mary, that in
spite of his extreme youth his departure for the army was a great
grief to me. This young man, of whom I spoke to you last summer, is so
noble-minded and full of that real youthfulness which one seldom finds
nowadays among our old men of twenty and, particularly, he is so frank
and has so much heart. He is so pure and poetic that my relations with
him, transient as they were, have been one of the sweetest comforts to
my poor heart, which has already suffered so much. Someday I will tell
you about our parting and all that was said then. That is still too
fresh. Ah, dear friend, you are happy not to know these poignant
joys and sorrows. You are fortunate, for the latter are generally
the stronger! I know very well that Count Nicholas is too young ever
to be more to me than a friend, but this sweet friendship, this poetic
and pure intimacy, were what my heart needed. But enough of this!
The chief news, about which all Moscow gossips, is the death of old
Count Bezukhov, and his inheritance. Fancy! The three princesses
have received very little, Prince Vasili nothing, and it is Monsieur
Pierre who has inherited all the property and has besides been
recognized as legitimate; so that he is now Count Bezukhov and
possessor of the finest fortune in Russia. It is rumored that Prince
Vasili played a very despicable part in this affair and that he
returned to Petersburg quite crestfallen.

I confess I understand very little about all these matters of
wills and inheritance; but I do know that since this young man, whom
we all used to know as plain Monsieur Pierre, has become Count
Bezukhov and the owner of one of the largest fortunes in Russia, I
am much amused to watch the change in the tone and manners of the
mammas burdened by marriageable daughters, and of the young ladies
themselves, toward him, though, between you and me, he always seemed
to me a poor sort of fellow. As for the past two years people have
amused themselves by finding husbands for me (most of whom I don't
even know), the matchmaking chronicles of Moscow now speak of me as
the future Countess Bezukhova. But you will understand that I have
no desire for the post. A propos of marriages: do you know that a
while ago that universal auntie Anna Mikhaylovna told me, under the
seal of strict secrecy, of a plan of marriage for you. It is neither
more nor less than with Prince Vasili's son Anatole, whom they wish to
reform by marrying him to someone rich and distinguee, and it is on
you that his relations' choice has fallen. I don't know what you
will think of it, but I consider it my duty to let you know of it.
He is said to be very handsome and a terrible scapegrace. That is
all I have been able to find out about him.

But enough of gossip. I am at the end of my second sheet of paper,
and Mamma has sent for me to go and dine at the Apraksins'. Read the
mystical book I am sending you; it has an enormous success here.
Though there are things in it difficult for the feeble human mind to
grasp, it is an admirable book which calms and elevates the soul.
Adieu! Give my respects to monsieur your father and my compliments
to Mademoiselle Bourienne. I embrace you as I love you.

                                                 JULIE

P.S. Let me have news of your brother and his charming little wife.


The princess pondered awhile with a thoughtful smile and her
luminous eyes lit up so that her face was entirely transformed. Then
she suddenly rose and with her heavy tread went up to the table. She
took a sheet of paper and her hand moved rapidly over it. This is
the reply she wrote, also in French:


Dear and precious Friend, Your letter of the 13th has given me great
delight. So you still love me, my romantic Julie? Separation, of which
you say so much that is bad, does not seem to have had its usual
effect on you. You complain of our separation. What then should I say,
if I dared complain, I who am deprived of all who are dear to me?
Ah, if we had not religion to console us life would be very sad. Why
do you suppose that I should look severely on your affection for
that young man? On such matters I am only severe with myself. I
understand such feelings in others, and if never having felt them I
cannot approve of them, neither do I condemn them. Only it seems to me
that Christian love, love of one's neighbor, love of one's enemy, is
worthier, sweeter, and better than the feelings which the beautiful
eyes of a young man can inspire in a romantic and loving young girl
like yourself.

The news of Count Bezukhov's death reached us before your letter and
my father was much affected by it. He says the count was the last
representative but one of the great century, and that it is his own
turn now, but that he will do all he can to let his turn come as
late as possible. God preserve us from that terrible misfortune!

I cannot agree with you about Pierre, whom I knew as a child. He
always seemed to me to have an excellent heart, and that is the
quality I value most in people. As to his inheritance and the part
played by Prince Vasili, it is very sad for both. Ah, my dear
friend, our divine Saviour's words, that it is easier for a camel to
go through the eye of a needle than for a rich man to enter the
Kingdom of God, are terribly true. I pity Prince Vasili but am still
more sorry for Pierre. So young, and burdened with such riches- to
what temptations he will be exposed! If I were asked what I desire
most on earth, it would be to be poorer than the poorest beggar. A
thousand thanks, dear friend, for the volume you have sent me and
which has such success in Moscow. Yet since you tell me that among
some good things it contains others which our weak human understanding
cannot grasp, it seems to me rather useless to spend time in reading
what is unintelligible and can therefore bear no fruit. I never
could understand the fondness some people have for confusing their
minds by dwelling on mystical books that merely awaken their doubts
and excite their imagination, giving them a bent for exaggeration
quite contrary to Christian simplicity. Let us rather read the
Epistles and Gospels. Let us not seek to penetrate what mysteries they
contain; for how can we, miserable sinners that we are, know the
terrible and holy secrets of Providence while we remain in this
flesh which forms an impenetrable veil between us and the Eternal? Let
us rather confine ourselves to studying those sublime rules which
our divine Saviour has left for our guidance here below. Let us try to
conform to them and follow them, and let us be persuaded that the less
we let our feeble human minds roam, the better we shall please God,
who rejects all knowledge that does not come from Him; and the less we
seek to fathom what He has been pleased to conceal from us, the sooner
will He vouchsafe its revelation to us through His divine Spirit.

My father has not spoken to me of a suitor, but has only told me
that he has received a letter and is expecting a visit from Prince
Vasili. In regard to this project of marriage for me, I will tell you,
dear sweet friend, that I look on marriage as a divine institution
to which we must conform. However painful it may be to me, should
the Almighty lay the duties of wife and wife and mother upon me I
shall try to perform them as faithfully as I can, without
disquieting myself by examining my feelings toward him whom He may
give me for husband.

I have had a letter from my brother, who announces his speedy
arrival at Bald Hills with his wife. This pleasure will be but a brief
one, however, for he will leave, us again to take part in this unhappy
war into which we have been drawn, God knows how or why. Not only
where you are- at the heart of affairs and of the world- is the talk
all of war, even here amid fieldwork and the calm of nature- which
townsfolk consider characteristic of the country- rumors of war are
heard and painfully felt. My father talks of nothing but marches and
countermarches, things of which I understand nothing; and the day
before yesterday during my daily walk through the village I
witnessed a heartrending scene.... It was a convoy of conscripts
enrolled from our people and starting to join the army. You should
have seen the state of the mothers, wives, and children of the men who
were going and should have heard the sobs. It seems as though
mankind has forgotten the laws of its divine Saviour, Who preached
love and forgiveness of injuries- and that men attribute the
greatest merit to skill in killing one another.

Adieu, dear and kind friend; may our divine Saviour and His most
Holy Mother keep you in their holy and all-powerful care!

                                                    MARY


"Ah, you are sending off a letter, Princess? I have already
dispatched mine. I have written to my poor mother," said the smiling
Mademoiselle Bourienne rapidly, in her pleasant mellow tones and
with guttural r's. She brought into Princess Mary's strenuous,
mournful, and gloomy world a quite different atmosphere, careless,
lighthearted, and self-satisfied.

"Princess, I must warn you," she added, lowering her voice and
evidently listening to herself with pleasure, and speaking with
exaggerated grasseyement, "the prince has been scolding Michael
Ivanovich. He is in a very bad humor, very morose. Be prepared."

"Ah, dear friend," replied Princess Mary, "I have asked you never to
warn me of the humor my father is in. I do not allow myself to judge
him and would not have others do so."

The princess glanced at her watch and, seeing that she was five
minutes late in starting her practice on the clavichord, went into the
sitting room with a look of alarm. Between twelve and two o'clock,
as the day was mapped out, the prince rested and the princess played
the clavichord.


CHAPTER XXVI


The gray-haired valet was sitting drowsily listening to the
snoring of the prince, who was in his large study. From the far side
of the house through the closed doors came the sound of difficult
passages- twenty times repeated- of a sonata by Dussek.

Just then a closed carriage and another with a hood drove up to
the porch. Prince Andrew got out of the carriage, helped his little
wife to alight, and let her pass into the house before him. Old
Tikhon, wearing a wig, put his head out of the door of the
antechamber, reported in a whisper that the prince was sleeping, and
hastily closed the door. Tikhon knew that neither the son's arrival
nor any other unusual event must be allowed to disturb the appointed
order of the day. Prince Andrew apparently knew this as well as
Tikhon; he looked at his watch as if to ascertain whether his father's
habits had changed since he was at home last, and, having assured
himself that they had not, he turned to his wife.

"He will get up in twenty minutes. Let us go across to Mary's room,"
he said.

The little princess had grown stouter during this time, but her eyes
and her short, downy, smiling lip lifted when she began to speak
just as merrily and prettily as ever.

"Why, this is a palace!" she said to her husband, looking around
with the expression with which people compliment their host at a ball.
"Let's come, quick, quick!" And with a glance round, she smiled at
Tikhon, at her husband, and at the footman who accompanied them.

"Is that Mary practicing? Let's go quietly and take her by
surprise."

Prince Andrew followed her with a courteous but sad expression.

"You've grown older, Tikhon," he said in passing to the old man, who
kissed his hand.

Before they reached the room from which the sounds of the clavichord
came, the pretty, fair haired Frenchwoman, Mademoiselle Bourienne,
rushed out apparently beside herself with delight.

"Ah! what joy for the princess!" exclaimed she: "At last! I must let
her know."

"No, no, please not... You are Mademoiselle Bourienne," said the
little princess, kissing her. "I know you already through my
sister-in-law's friendship for you. She was not expecting us?"

They went up to the door of the sitting room from which came the
sound of the oft-repeated passage of the sonata. Prince Andrew stopped
and made a grimace, as if expecting something unpleasant.

The little princess entered the room. The passage broke off in the
middle, a cry was heard, then Princess Mary's heavy tread and the
sound of kissing. When Prince Andrew went in the two princesses, who
had only met once before for a short time at his wedding, were in each
other's arms warmly pressing their lips to whatever place they
happened to touch. Mademoiselle Bourienne stood near them pressing her
hand to her heart, with a beatific smile and obviously equally ready
to cry or to laugh. Prince Andrew shrugged his shoulders and
frowned, as lovers of music do when they hear a false note. The two
women let go of one another, and then, as if afraid of being too late,
seized each other's hands, kissing them and pulling them away, and
again began kissing each other on the face, and then to Prince
Andrew's surprise both began to cry and kissed again. Mademoiselle
Bourienne also began to cry. Prince Andrew evidently felt ill at ease,
but to the two women it seemed quite natural that they should cry, and
apparently it never entered their heads that it could have been
otherwise at this meeting.

"Ah! my dear!... Ah! Mary!" they suddenly exclaimed, and then
laughed. "I dreamed last night..."- "You were not expecting us?..."-
"Ah! Mary, you have got thinner?..." "And you have grown stouter!..."

"I knew the princess at once," put in Mademoiselle Bourienne.

"And I had no idea!..." exclaimed Princess Mary. "Ah, Andrew, I
did not see you."

Prince Andrew and his sister, hand in hand, kissed one another,
and he told her she was still the same crybaby as ever. Princess
Mary had turned toward her brother, and through her tears the
loving, warm, gentle look of her large luminous eyes, very beautiful
at that moment, rested on Prince Andrew's face.

The little princess talked incessantly, her short, downy upper lip
continually and rapidly touching her rosy nether lip when necessary
and drawing up again next moment when her face broke into a smile of
glittering teeth and sparkling eyes. She told of an accident they
had had on the Spasski Hill which might have been serious for her in
her condition, and immediately after that informed them that she had
left all her clothes in Petersburg and that heaven knew what she would
have to dress in here; and that Andrew had quite changed, and that
Kitty Odyntsova had married an old man, and that there was a suitor
for Mary, a real one, but that they would talk of that later. Princess
Mary was still looking silently at her brother and her beautiful
eyes were full of love and sadness. It was plain that she was
following a train of thought independent of her sister-in-law's words.
In the midst of a description of the last Petersburg fete she
addressed her brother:

"So you are really going to the war, Andrew?" she said sighing.

Lise sighed too.

"Yes, and even tomorrow," replied her brother.

"He is leaving me here, God knows why, when he might have had
promotion..."

Princess Mary did not listen to the end, but continuing her train of
thought turned to her sister-in-law with a tender glance at her
figure.

"Is it certain?" she said.

The face of the little princess changed. She sighed and said:
"Yes, quite certain. Ah! it is very dreadful..."

Her lip descended. She brought her face close to her sister-in-law's
and unexpectedly again began to cry.

"She needs rest," said Prince Andrew with a frown. "Don't you, Lise?
Take her to your room and I'll go to Father. How is he? Just the
same?"

"Yes, just the same. Though I don't know what your opinion will be,"
answered the princess joyfully.

"And are the hours the same? And the walks in the avenues? And the
lathe?" asked Prince Andrew with a scarcely perceptible smile which
showed that, in spite of all his love and respect for his father, he
was aware of his weaknesses.

"The hours are the same, and the lathe, and also the mathematics and
my geometry lessons," said Princess Mary gleefully, as if her
lessons in geometry were among the greatest delights of her life.

When the twenty minutes had elapsed and the time had come for the
old prince to get up, Tikhon came to call the young prince to his
father. The old man made a departure from his usual routine in honor
of his son's arrival: he gave orders to admit him to his apartments
while he dressed for dinner. The old prince always dressed in
old-fashioned style, wearing an antique coat and powdered hair; and
when Prince Andrew entered his father's dressing room (not with the
contemptuous look and manner he wore in drawing rooms, but with the
animated face with which he talked to Pierre), the old man was sitting
on a large leather-covered chair, wrapped in a powdering mantle,
entrusting his head to Tikhon.

"Ah! here's the warrior! Wants to vanquish Buonaparte?" said the old
man, shaking his powdered head as much as the tail, which Tikhon was
holding fast to plait, would allow.

"You at least must tackle him properly, or else if he goes on like
this he'll soon have us, too, for his subjects! How are you?" And he
held out his cheek.

The old man was in a good temper after his nap before dinner. (He
used to say that a nap "after dinner was silver- before dinner,
golden.") He cast happy, sidelong glances at his son from under his
thick, bushy eyebrows. Prince Andrew went up and kissed his father
on the spot indicated to him. He made no reply on his father's
favorite topic- making fun of the military men of the day, and more
particularly of Bonaparte.

"Yes, Father, I have come come to you and brought my wife who is
pregnant," said Prince Andrew, following every movement of his
father's face with an eager and respectful look. "How is your health?"

"Only fools and rakes fall ill, my boy. You know me: I am busy
from morning till night and abstemious, so of course I am well."

"Thank God," said his son smiling.

"God has nothing to do with it! Well, go on," he continued,
returning to his hobby; "tell me how the Germans have taught you to
fight Bonaparte by this new science you call 'strategy.'"

Prince Andrew smiled.

"Give me time to collect my wits, Father," said he, with a smile
that showed that his father's foibles did not prevent his son from
loving and honoring him. "Why, I have not yet had time to settle
down!"

"Nonsense, nonsense!" cried the old man, shaking his pigtail to
see whether it was firmly plaited, and grasping his by the hand.
"The house for your wife is ready. Princess Mary will take her there
and show her over, and they'll talk nineteen to the dozen. That's
their woman's way! I am glad to have her. Sit down and talk. About
Mikhelson's army I understand- Tolstoy's too... a simultaneous
expedition.... But what's the southern army to do? Prussia is
neutral... I know that. What about Austria?" said he, rising from
his chair and pacing up and down the room followed by Tikhon, who
ran after him, handing him different articles of clothing. "What of
Sweden? How will they cross Pomerania?"

Prince Andrew, seeing that his father insisted, began- at first
reluctantly, but gradually with more and more animation, and from
habit changing unconsciously from Russian to French as he went on-
to explain the plan of operation for the coming campaign. He explained
how an army, ninety thousand strong, was to threaten Prussia so as
to bring her out of her neutrality and draw her into the war; how part
of that army was to join some Swedish forces at Stralsund; how two
hundred and twenty thousand Austrians, with a hundred thousand
Russians, were to operate in Italy and on the Rhine; how fifty
thousand Russians and as many English were to land at Naples, and
how a total force of five hundred thousand men was to attack the
French from different sides. The old prince did not evince the least
interest during this explanation, but as if he were not listening to
it continued to dress while walking about, and three times
unexpectedly interrupted. Once he stopped it by shouting: "The white
one, the white one!"

This meant that Tikhon was not handing him the waistcoat he
wanted. Another time he interrupted, saying:

"And will she soon be confined?" and shaking his head
reproachfully said: "That's bad! Go on, go on."

The third interruption came when Prince Andrew was finishing his
description. The old man began to sing, in the cracked voice of old
age: "Malbrook s'en va-t-en guerre. Dieu sait quand reviendra."*


*"Marlborough is going to the wars; God knows when he'll return."


His son only smiled.

"I don't say it's a plan I approve of," said the son; "I am only
telling you what it is. Napoleon has also formed his plan by now,
not worse than this one."

"Well, you've told me nothing new," and the old man repeated,
meditatively and rapidly:

"Dieu sait quand reviendra. Go to the dining room."


CHAPTER XXVII


At the appointed hour the prince, powdered and shaven, entered the
dining room where his daughter-in-law, Princess Mary, and Mademoiselle
Bourienne were already awaiting him together with his architect, who
by a strange caprice of his employer's was admitted to table though
the position of that insignificant individual was such as could
certainly not have caused him to expect that honor. The prince, who
generally kept very strictly to social distinctions and rarely
admitted even important government officials to his table, had
unexpectedly selected Michael Ivanovich (who always went into a corner
to blow his nose on his checked handkerchief) to illustrate the theory
that all men are equals, and had more than once impressed on his
daughter that Michael Ivanovich was "not a whit worse than you or
I." At dinner the prince usually spoke to the taciturn Michael
Ivanovich more often than to anyone else.

In the dining room, which like all the rooms in the house was
exceedingly lofty, the members of the household and the footmen- one
behind each chair- stood waiting for the prince to enter. The head
butler, napkin on arm, was scanning the setting of the table, making
signs to the footmen, and anxiously glancing from the clock to the
door by which the prince was to enter. Prince Andrew was looking at
a large gilt frame, new to him, containing the genealogical tree of
the Princes Bolkonski, opposite which hung another such frame with a
badly painted portrait (evidently by the hand of the artist
belonging to the estate) of a ruling prince, in a crown- an alleged
descendant of Rurik and ancestor of the Bolkonskis. Prince Andrew,
looking again at that genealogical tree, shook his head, laughing as a
man laughs who looks at a portrait so characteristic of the original
as to be amusing.

"How thoroughly like him that is!" he said to Princess Mary, who had
come up to him.

Princess Mary looked at her brother in surprise. She did not
understand what he was laughing at. Everything her father did inspired
her with reverence and was beyond question.

"Everyone has his Achilles' heel," continued Prince Andrew.
"Fancy, with his powerful mind, indulging in such nonsense!"

Princess Mary could not understand the boldness of her brother's
criticism and was about to reply, when the expected footsteps were
heard coming from the study. The prince walked in quickly and jauntily
as was his wont, as if intentionally contrasting the briskness of
his manners with the strict formality of his house. At that moment the
great clock struck two and another with a shrill tone joined in from
the drawing room. The prince stood still; his lively glittering eyes
from under their thick, bushy eyebrows sternly scanned all present and
rested on the little princess. She felt, as courtiers do when the Tsar
enters, the sensation of fear and respect which the old man inspired
in all around him. He stroked her hair and then patted her awkwardly
on the back of her neck.

"I'm glad, glad, to see you," he said, looking attentively into
her eyes, and then quickly went to his place and sat down. "Sit
down, sit down! Sit down, Michael Ianovich!"

He indicated a place beside him to his daughter-in-law. A footman
moved the chair for her.

"Ho, ho!" said the old man, casting his eyes on her rounded
figure. "You've been in a hurry. That's bad!"

He laughed in his usual dry, cold, unpleasant way, with his lips
only and not with his eyes.

"You must walk, walk as much as possible, as much as possible," he
said.

The little princess did not, or did not wish to, hear his words. She
was silent and seemed confused. The prince asked her about her father,
and she began to smile and talk. He asked about mutual
acquaintances, and she became still more animated and chattered away
giving him greetings from various people and retailing the town
gossip.

"Countess Apraksina, poor thing, has lost her husband and she has
cried her eyes out," she said, growing more and more lively.

As she became animated the prince looked at her more and more
sternly, and suddenly, as if he had studied her sufficiently and had
formed a definite idea of her, he turned away and addressed Michael
Ivanovich.

"Well, Michael Ivanovich, our Bonaparte will be having a bad time of
it. Prince Andrew" (he always spoke thus of his son) "has been telling
me what forces are being collected against him! While you and I
never thought much of him."

Michael Ivanovich did not at all know when "you and I" had said such
things about Bonaparte, but understanding that he was wanted as a
peg on which to hang the prince's favorite topic, he looked
inquiringly at the young prince, wondering what would follow.

"He is a great tactician!" said the prince to his son, pointing to
the architect.

And the conversation again turned on the war, on Bonaparte, and
the generals and statesmen of the day. The old prince seemed convinced
not only that all the men of the day were mere babies who did not know
the A B C of war or of politics, and that Bonaparte was an
insignificant little Frenchy, successful only because there were no
longer any Potemkins or Suvorovs left to oppose him; but he was also
convinced that there were no political difficulties in Europe and no
real war, but only a sort of puppet show at which the men of the day
were playing, pretending to do something real. Prince Andrew gaily
bore with his father's ridicule of the new men, and drew him on and
listened to him with evident pleasure.

"The past always seems good," said he, "but did not Suvorov
himself fall into a trap Moreau set him, and from which he did not
know how to escape?"

"Who told you that? Who?" cried the prince. "Suvorov!" And he jerked
away his plate, which Tikhon briskly caught. "Suvorov!... Consider,
Prince Andrew. Two... Frederick and Suvorov; Moreau!... Moreau would
have been a prisoner if Suvorov had had a free hand; but he had the
Hofs-kriegs-wurst-schnapps-Rath on his hands. It would have puzzled
the devil himself! When you get there you'll find out what those
Hofs-kriegs-wurst-Raths are! Suvorov couldn't manage them so what
chance has Michael Kutuzov? No, my dear boy," he continued, "you and
your generals won't get on against Buonaparte; you'll have to call
in the French, so that birds of a feather may fight together. The
German, Pahlen, has been sent to New York in America, to fetch the
Frenchman, Moreau," he said, alluding to the invitation made that year
to Moreau to enter the Russian service.... "Wonderful!... Were the
Potemkins, Suvorovs, and Orlovs Germans? No, lad, either you fellows
have all lost your wits, or I have outlived mine. May God help you,
but we'll see what will happen. Buonaparte has become a great
commander among them! Hm!..."

"I don't at all say that all the plans are good," said Prince
Andrew, "I am only surprised at your opinion of Bonaparte. You may
laugh as much as you like, but all the same Bonaparte is a great
generall"

"Michael Ivanovich!" cried the old prince to the architect who, busy
with his roast meat, hoped he had been forgotten: "Didn't I tell you
Buonaparte was a great tactician? Here, he says same thing."

"To be sure, your excellency." replied the architect.

The prince again laughed his frigid laugh.

"Buonaparte was born with a silver spoon in his mouth. He has got
splendid soldiers. Besides he began by attacking Germans. And only
idlers have failed to beat the Germans. Since the world began
everybody has beaten the Germans. They beat no one- except one
another. He made his reputation fighting them."

And the prince began explaining all the blunders which, according to
him, Bonaparte had made in his campaigns and even in politics. His son
made no rejoinder, but it was evident that whatever arguments were
presented he was as little able as his father to change his opinion.
He listened, refraining from a reply, and involuntarily wondered how
this old man, living alone in the country for so many years, could
know and discuss so minutely and acutely all the recent European
military and political events.

"You think I'm an old man and don't understand the present state
of affairs?" concluded his father. "But it troubles me. I don't
sleep at night. Come now, where has this great commander of yours
shown his skill?" he concluded.

"That would take too long to tell," answered the son.

"Well, then go to your Buonaparte! Mademoiselle Bourienne, here's
another admirer of that powder-monkey emperor of yours," he
exclaimed in excellent French.

"You know, Prince, I am not a Bonapartist!"

"Dieu sait quand reviendra"... hummed the prince out of tune and,
with a laugh still more so, he quitted the table.

The little princess during the whole discussion and the rest of
the dinner sat silent, glancing with a frightened look now at her
father-in-law and now at Princess Mary. When they left the table she
took her sister-in-law's arm and drew her into another room.

"What a clever man your father is," said she; "perhaps that is why I
am afraid of him."

"Oh, he is so kind!" answered Princess Mary.


CHAPTER XXVIII


Prince Andrew was to leave next evening. The old prince, not
altering his routine, retired as usual after dinner. The little
princess was in her sister-in-law's room. Prince Andrew in a traveling
coat without epaulettes had been packing with his valet in the rooms
assigned to him. After inspecting the carriage himself and seeing
the trunks put in, he ordered the horses to be harnessed. Only those
things he always kept with him remained in his room; a small box, a
large canteen fitted with silver plate, two Turkish pistols and a
saber- a present from his father who had brought it from the siege
of Ochakov. All these traveling effects of Prince Andrew's were in
very good order: new, clean, and in cloth covers carefully tied with
tapes.

When starting on a journey or changing their mode of life, men
capable of reflection are generally in a serious frame of mind. At
such moments one reviews the past and plans for the future. Prince
Andrew's face looked very thoughtful and tender. With his hands behind
him he paced briskly from corner to corner of the room, looking
straight before him and thoughtfully shaking his head. Did he fear
going to the war, or was he sad at leaving his wife?- perhaps both,
but evidently he did not wish to be seen in that mood, for hearing
footsteps in the passage he hurriedly unclasped his hands, stopped
at a table as if tying the cover of the small box, and assumed his
usual tranquil and impenetrable expression. It was the heavy tread
of Princess Mary that he heard.

"I hear you have given orders to harness," she cried, panting (she
had apparently been running), "and I did so wish to have another
talk with you alone! God knows how long we may again be parted. You
are not angry with me for coming? You have changed so, Andrusha,"
she added, as if to explain such a question.

She smiled as she uttered his pet name, "Andrusha." It was obviously
strange to her to think that this stern handsome man should be
Andrusha- the slender mischievous boy who had been her playfellow in
childhood.

"And where is Lise?" he asked, answering her question only by a
smile.

"She was so tired that she has fallen asleep on the sofa in my room.
Oh, Andrew! What a treasure of a wife you have," said she, sitting
down on the sofa, facing her brother. "She is quite a child: such a
dear, merry child. I have grown so fond of her."

Prince Andrew was silent, but the princess noticed the ironical
and contemptuous look that showed itself on his face.

"One must be indulgent to little weaknesses; who is free from
them, Andrew? Don't forget that she has grown up and been educated
in society, and so her position now is not a rosy one. We should enter
into everyone's situation. Tout comprendre, c'est tout pardonner.*
Think it must be for her, poor thing, after what she has been used to,
to be parted from her husband and be left alone the country, in her
condition! It's very hard."


*To understand all is to forgive all.


Prince Andrew smiled as he looked at his sister, as we smile at
those we think we thoroughly understand.

"You live in the country and don't think the life terrible," he
replied.

"I... that's different. Why speak of me? I don't want any other
life, and can't, for I know no other. But think, Andrew: for a young
society woman to be buried in the country during the best years of her
life, all alone- for Papa is always busy, and I... well, you know what
poor resources I have for entertaining a woman used to the best
society. There is only Mademoiselle Bourienne...."

"I don't like your Mademoiselle Bourienne at all," said Prince
Andrew.

"No? She is very nice and kind and, above all, she's much to be
pitied. She has no one, no one. To tell the truth, I don't need her,
and she's even in my way. You know I always was a savage, and now am
even more so. I like being alone.... Father likes her very much. She
and Michael Ivanovich are the two people to whom he is always gentle
and kind, because he has been a benefactor to them both. As Sterne
says: 'We don't love people so much for the good they have done us, as
for the good we have done them.' Father took her when she was homeless
after losing her own father. She is very good-natured, and my father
likes her way of reading. She reads to him in the evenings and reads
splendidly."

"To be quite frank, Mary, I expect Father's character sometimes
makes things trying for you, doesn't it?" Prince Andrew asked
suddenly.

Princess Mary was first surprised and then aghast at this question.

"For me? For me?... Trying for me!..." said she.

"He always was rather harsh; and now I should think he's getting
very trying," said Prince Andrew, apparently speaking lightly of their
father in order to puzzle or test his sister.

"You are good in every way, Andrew, but you have a kind of
intellectual pride," said the princess, following the train of her own
thoughts rather than the trend of the conversation- "and that's a
great sin. How can one judge Father? But even if one might, what
feeling except veneration could such a man as my father evoke? And I
am so contented and happy with him. I only wish you were all as
happy as I am."

Her brother shook his head incredulously.

"The only thing that is hard for me... I will tell you the truth,
Andrew... is Father's way of treating religious subjects. I don't
understand how a man of his immense intellect can fail to see what
is as clear as day, and can go so far astray. That is the only thing
that makes me unhappy. But even in this I can see lately a shade of
improvement. His satire has been less bitter of late, and there was
a monk he received and had a long talk with."

"Ah! my dear, I am afraid you and your monk are wasting your
powder," said Prince Andrew banteringly yet tenderly.

"Ah! mon ami, I only pray, and hope that God will hear me.
Andrew..." she said timidly after a moment's silence, "I have a
great favor to ask of you."

"What is it, dear?"

"No- promise that you will not refuse! It will give you no trouble
and is nothing unworthy of you, but it will comfort me. Promise,
Andrusha!..." said she, putting her hand in her reticule but not yet
taking out what she was holding inside it, as if what she held were
the subject of her request and must not be shown before the request
was granted.

She looked timidly at her brother.

"Even if it were a great deal of trouble..." answered Prince Andrew,
as if guessing what it was about.

"Think what you please! I know you are just like Father. Think as
you please, but do this for my sake! Please do! Father's father, our
grandfather, wore it in all his wars." (She still did not take out
what she was holding in her reticule.) "So you promise?"

"Of course. What is it?"

"Andrew, I bless you with this icon and you must promise me you will
never take it off. Do you promise?"

"If it does not weigh a hundredweight and won't break my neck...
To please you..." said Prince Andrew. But immediately, noticing the
pained expression his joke had brought to his sister's face, he
repented and added: "I am glad; really, dear, I am very glad."

"Against your will He will save and have mercy on you and bring
you to Himself, for in Him alone is truth and peace," said she in a
voice trembling with emotion, solemnly holding up in both hands before
her brother a small, oval, antique, dark-faced icon of the Saviour
in a gold setting, on a finely wrought silver chain.

She crossed herself, kissed the icon, and handed it to Andrew.

"Please, Andrew, for my sake!..."

Rays of gentle light shone from her large, timid eyes. Those eyes
lit up the whole of her thin, sickly face and made it beautiful. Her
brother would have taken the icon, but she stopped him. Andrew
understood, crossed himself and kissed the icon. There was a look of
tenderness, for he was touched, but also a gleam of irony on his face.

"Thank you, my dear." She kissed him on the forehead and sat down
again on the sofa. They were silent for a while.

"As I was saying to you, Andrew, be kind and generous as you
always used to be. Don't judge Lise harshly," she began. "She is so
sweet, so good-natured, and her position now is a very hard one."

"I do not think I have complained of my wife to you, Masha, or
blamed her. Why do you say all this to me?"

Red patches appeared on Princess Mary's face and she was silent as
if she felt guilty.

"I have said nothing to you, but you have already been talked to.
And I am sorry for that," he went on.

The patches grew deeper on her forehead, neck, and cheeks. She tried
to say something but could not. Her brother had guessed right: the
little princess had been crying after dinner and had spoken of her
forebodings about her confinement, and how she dreaded it, and had
complained of her fate, her father-in-law, and her husband. After
crying she had fallen asleep. Prince Andrew felt sorry for his sister.

"Know this, Masha: I can't reproach, have not reproached, and
never shall reproach my wife with anything, and I cannot reproach
myself with anything in regard to her; and that always will be so in
whatever circumstances I may be placed. But if you want to know the
truth... if you want to know whether I am happy? No! Is she happy? No!
But why this is so I don't know..."

As he said this he rose, went to his sister, and, stooping, kissed
her forehead. His fine eyes lit up with a thoughtful, kindly, and
unaccustomed brightness, but he was looking not at his sister but over
her head toward the darkness of the open doorway.

"Let us go to her, I must say good-by. Or- go and wake and I'll come
in a moment. Petrushka!" he called to his valet: "Come here, take
these away. Put this on the seat and this to the right."

Princess Mary rose and moved to the door, then stopped and said:
"Andrew, if you had faith you would have turned to God and asked Him
to give you the love you do not feel, and your prayer would have
been answered."

"Well, may be!" said Prince Andrew. "Go, Masha; I'll come
immediately."

On the way to his sister's room, in the passage which connected
one wing with the other, Prince Andrew met Mademoiselle Bourienne
smiling sweetly. It was the third time that day that, with an ecstatic
and artless smile, she had met him in secluded passages.

"Oh! I thought you were in your room," she said, for some reason
blushing and dropping her eyes.

Prince Andrew looked sternly at her and an expression of anger
suddenly came over his face. He said nothing to her but looked at
her forehead and hair, without looking at her eyes, with such contempt
that the Frenchwoman blushed and went away without a word. When he
reached his sister's room his wife was already awake and her merry
voice, hurrying one word after another, came through the open door.
She was speaking as usual in French, and as if after long
self-restraint she wished to make up for lost time.

"No, but imagine the old Countess Zubova, with false curls and her
mouth full of false teeth, as if she were trying to cheat old
age.... Ha, ha, ha! Mary!"

This very sentence about Countess Zubova and this same laugh
Prince Andrew had already heard from his wife in the presence of
others some five times. He entered the room softly. The little
princess, plump and rosy, was sitting in an easy chair with her work
in her hands, talking incessantly, repeating Petersburg
reminiscences and even phrases. Prince Andrew came up, stroked her
hair, and asked if she felt rested after their journey. She answered
him and continued her chatter.

The coach with six horses was waiting at the porch. It was an autumn
night, so dark that the coachman could not see the carriage pole.
Servants with lanterns were bustling about in the porch. The immense
house was brilliant with lights shining through its lofty windows. The
domestic serfs were crowding in the hall, waiting to bid good-by to
the young prince. The members of the household were all gathered in
the reception hall: Michael Ivanovich, Mademoiselle Bourienne,
Princess Mary, and the little princess. Prince Andrew had been
called to his father's study as the latter wished to say good-by to
him alone. All were waiting for them to come out.

When Prince Andrew entered the study the old man in his old-age
spectacles and white dressing gown, in which he received no one but
his son, sat at the table writing. He glanced round.

"Going?" And he went on writing.

"I've come to say good-by."

"Kiss me here," and he touched his cheek: "Thanks, thanks!"

"What do you thank me for?"

"For not dilly-dallying and not hanging to a woman's apron
strings. The Service before everything. Thanks, thanks!" And he went
on writing, so that his quill spluttered and squeaked. "If you have
anything to say, say it. These two things can be done together," he
added.

"About my wife... I am ashamed as it is to leave her on your
hands..."

"Why talk nonsense? Say what you want."

"When her confinement is due, send to Moscow for an accoucheur....
Let him be here...."

The old prince stopped writing and, as if not understanding, fixed
his stern eyes on his son.

"I know that no one can help if nature does not do her work," said
Prince Andrew, evidently confused. "I know that out of a million cases
only one goes wrong, but it is her fancy and mine. They have been
telling her things. She has had a dream and is frightened."

"Hm... Hm..." muttered the old prince to himself, finishing what
he was writing. "I'll do it."

He signed with a flourish and suddenly turning to his son began to
laugh.

"It's a bad business, eh?"

"What is bad, Father?"

"The wife!" said the old prince, briefly and significantly.

"I don't understand!" said Prince Andrew.

"No, it can't be helped, lad," said the prince. "They're all like
that; one can't unmarry. Don't be afraid; I won't tell anyone, but you
know it yourself."

He seized his son by the hand with small bony fingers, shook it,
looked straight into his son's face with keen eyes which seemed to see
through him, and again laughed his frigid laugh.

The son sighed, thus admitting that his father had understood him.
The old man continued to fold and seal his letter, snatching up and
throwing down the wax, the seal, and the paper, with his accustomed
rapidity.

"What's to be done? She's pretty! I will do everything. Make your
mind easy," said he in abrupt sentences while sealing his letter.

Andrew did not speak; he was both pleased and displeased that his
father understood him. The old man got up and gave the letter to his
son.

"Listen!" said he; "don't worry about your wife: what can be done
shall be. Now listen! Give this letter to Michael Ilarionovich.* I
have written that he should make use of you in proper places and not
keep you long as an adjutant: a bad position! Tell him I remember
and like him. Write and tell me how he receives you. If he is all
right- serve him. Nicholas Bolkonski's son need not serve under anyone
if he is in disfavor. Now come here."


*Kutuzov.


He spoke so rapidly that he did not finish half his words, but his
son was accustomed to understand him. He led him to the desk, raised
the lid, drew out a drawer, and took out an exercise book filled
with his bold, tall, close handwriting.

"I shall probably die before you. So remember, these are my memoirs;
hand them to the Emperor after my death. Now here is a Lombard bond
and a letter; it is a premium for the man who writes a history of
Suvorov's wars. Send it to the Academy. Here are some jottings for you
to read when I am gone. You will find them useful."

Andrew did not tell his father that he would no doubt live a long
time yet. He felt that he must not say it.

"I will do it all, Father," he said.

"Well, now, good-by!" He gave his son his hand to kiss, and embraced
him. "Remember this, Prince Andrew, if they kill you it will hurt
me, your old father..." he paused unexpectedly, and then in a
querulous voice suddenly shrieked: "but if I hear that you have not
behaved like a son of Nicholas Bolkonski, I shall be ashamed!"

"You need not have said that to me, Father," said the son with a
smile.

The old man was silent.

"I also wanted to ask you," continued Prince Andrew, "if I'm
killed and if I have a son, do not let him be taken away from you-
as I said yesterday... let him grow up with you.... Please."

"Not let the wife have him?" said the old man, and laughed.

They stood silent, facing one another. The old man's sharp eyes were
fixed straight on his son's. Something twitched in the lower part of
the old prince's face.

"We've said good-by. Go!" he suddenly shouted in a loud, angry
voice, opening his door.

"What is it? What?" asked both princesses when they saw for a moment
at the door Prince Andrew and the figure of the old man in a white
dressing gown, spectacled and wigless, shouting in an angry voice.

Prince Andrew sighed and made no reply.

"Well!" he said, turning to his wife.

And this "Well!" sounded coldly ironic, as if he were saying,:
"Now go through your performance."

"Andrew, already!" said the little princess, turning pale and
looking with dismay at her husband.

He embraced her. She screamed and fell unconscious on his shoulder.

He cautiously released the shoulder she leaned on, looked into her
face, and carefully placed her in an easy chair.

"Adieu, Mary," said he gently to his sister, taking her by the
hand and kissing her, and then he left the room with rapid steps.

The little princess lay in the armchair, Mademoiselle Bourienne
chafing her temples. Princess Mary, supporting her sister-in-law,
still looked with her beautiful eyes full of tears at the door through
which Prince Andrew had gone and made the sign of the cross in his
direction. From the study, like pistol shots, came the frequent
sound of the old man angrily blowing his nose. Hardly had Prince
Andrew gone when the study door opened quickly and the stern figure of
the old man in the white dressing gown looked out.

"Gone? That's all right!" said he; and looking angrily at the
unconscious little princess, he shook his head reprovingly and slammed
the door.